Honey, I Shrunk the Kids meets Metamorphosis meets Eega.
It’s pretty awesome. You can watch it on AnimatorExpo.com
Honey, I Shrunk the Kids meets Metamorphosis meets Eega.
It’s pretty awesome. You can watch it on AnimatorExpo.com
I never thought that I would actually, you know, really like a Hatsune Miku song. I had listened to a couple livetune tracks, but left them at bay until I saw Takashi Murakami’s Jellyfish Eyes where he used the song Last Night, Good Night to great effects during the ending credits. It was around 3-4am, so the effects of the song was perfect.
Too bad the only version available on my iTunes is the one done with Pharrell to promote the movie somehow, and nothing prior to 2012 is on.
On the topic of Miku, such a hybrid. I don’t know what to tag this post.
Last night I got the chance to watch a really great Irish animated short called Coda by Alan Holly, which basically unfolds after a man who dies, and whose soul gets picked up by Death. However, before he leaves, he gets to revisit a lot of what this world holds.
You can check the trailer on Vimeo.
I’m terrible with timing, aren’t I?
I’m always dissatisfied with my end of the year lists, but I supposed a WHOLE year of catching up is good enough for me to have a proper idea of what I like, right? I managed to squeeze in 227 movies, the rest is history. I hope you like it, that you don’t hate on me for not including some of your faves, that you celebrate that we loved some of others, and that you love me for introducing you to one title you missed.
OMO~ OMG xD
According to the site formerly known as Nippon Cinema, Eigapedia, Shunji Iwai is working on an animated prequel of Hana & Alice, because- WHY NOT? It’s always good to have Yu Aoi back together with Iwai, despite the lack of Noboru Shinoda and Iwai’s uncertain background in animation. xD But I have a weakness for Yu Aoi voice-over acting. Both Aoi and Anne Suzuki were back in their respective roles, and apparently are done with their recording, telling us the story of how their friendship became what it was.
The production teased already with brief stills of the movie, and rough vignettes of the animated frames. The movie is set to open some time in February next year.
User Plano Piloto has translated the audio and on-screen text:
Hana: By the way, what’s your name?
Alice: Arisugawa Tetsuko
[Alice, the most powerful transfer student in history.]
Hana: I am-
Alice: Arai Hana-san.
[Hana, the most powerful hikikomori in history.]
Hana: Why do you ask knowing it?
Alice: Eh? You asked my name, you hikikomori.
[The world’s smallest murder case happened when the two met.]
Hana: I don’t enjoy being one.[The first animated feature film by Shunji Iwai.]
Alice: A murder case?
Hana: Want to know what happened?
[Voice Actors / Yu Aoi as Alice / Anne Suzuki as Hana]
Alice: Well… I’m not sure.
The Boy and the World screen print that reminded me of my dad, who is ‘turning one-year old’ this week. Us, sitting together and looking up at the sky.
But you know what takes the cake? O Menino e o Mundo opened in Brazil on my dad’s bday: January 17th. You gotta be kidding me.
This is the first time in my movie-counting life that I’ve seen over 50 movies by the middle of the year. As a general number, I picked 48 a year, to make sure I -at least- watched one film a week for my end of the year list.
There’s a LOT of bad and meh movies so far, but there’s also a decent Top10. Not unbelievable, but decent. It’s a working one that would do for a Dec.31 or Jan.01 publishing date. LOL
It’s been a while since I posted an animated short… especially from a French animation school, and chickens set in 1700 Versailles seemed like a no-brainer. It’s super cute and funny. Duh! It’s chickens! In Versailles! LOL
A short movie by:
Julien Hazebroucq
Emmanuelle Leleu
Morrigane Boyer
William Lorton
Ren Hsien Hsu
What’s more awesome than just animation? And origami? How about origami-animation? Japanese tissue manufacturer Nepia has a short commercial/PSA/short showcasing origami animals and some stop-motion.
Creative director: Jin Sato (佐藤仁)
Copyrighter: Ochi Kazuyoshi (越智一仁)
Producer: Takuo Ozawa (小澤卓男), Yasuhiro Kawasaki (川崎泰広)
Director: Arai Fuyu (新井風愉)
Production manager: Takasugi Makoto (高杉誠)
Stop-motion animation: Ohno Motoki (おーのもとき)
Camera: Chiyoe Sugita (杉田知洋江)
Camera assistant: Mahiro Shintani (新谷真博)
Lights: HIGASIX
Lights assistant: Tomoya Yoshimura (吉村知弥)
Art: Kiyomi Tokita (鴇田清美), Takanori Saito (斉藤貴教), Shizuka Masaki (正木静香)
Editor: Maho Inamoto (稲本真帆)
Music: Mituru Samejima (鮫島充)
Sound effects: Yoshiaki Tokunaga (徳永義明)
This is an eerily gorgeous claymation that I ran into yesterday. Best enjoyed in High Definition.
Alternate YouTube link here.