Category: Posters/Artwork

  • The Girls – Sappho Goes to Hollywood – Diana McLellan

    My fascination with Greta Garbo made me pick up this book. Author Diana McLellan – a writer of the Washington Post, hence… journalist? – tells me she’s written the book with accounts of stars’ memoirs, FBI and CIA documents and everything in between and around the people involved in this book. However, I decided to read this from the point of view of a fanfiction reader.

    Now, I have never read (or written) fiction based on real people, but I’m aware it exists. In The Girls, there’s so much stuff going on – let’s say “so many characters” – that you’ll get confused of who’s who from time to time. If you’re already familiar with the names — besides Greta Garbo and Marlene Dietrich — you’ll be more than fine probably.

    In it, McLellan says that Garbo and Dietrich met on set of The Joyless Street, which goes uncredited on Dietrich’s filmography even to date on IMDB even as the author states that there’s an interview in which Marlene talks about a crucial scene that was eventually cut from the film, and that they had a fling that ended so bad that would define the rest of their lives. Then, throughout the whole book, they begin explaining how was Hollywood during the 20s and early 30s, and what events began changing the perceived morality of that era… bringing on the Hays Code. It deals with Marlene’s supposed husband, a spy named Otto, who worked for the Communist Party as the Nazis were taking over Europe. And just like in movies, war, spy stories, people using each other and so on… the book also deals with loads of sex. It talks about how gay Hollywood was. Or I guess… how lesbian it was or how bisexual. It turns out everyone I watched on old films was not completely straight. LOL

    The book contains so much drama, and recounts anecdotes of so many celebrities of the time, that’s when I began thinking that it might be a little too adorned to be completely true. Of course, there’s that bit about what truth hides behind the lies they tell you on official biographies or approved releases. Or something about the lies hidden behind the “truth” they give you. It was just a little too much fun to read all these encounters. My favorite being that of Greta Garbo and Joan Crawford – how these details are known, not entirely sure – because I love the both of them.

    During Grand Hotel, she [Crawford] said later, the two passed on the stairs one day, and Joan was so overcome that she lowered her eyes. Garbo blocked her way with an arm, gazed directly in her eyes, and crooned, “I am glad we are working in the same picture.” Joan reported that Garbo “took my face in her hands and said, “What a pity! Our first picture together, and we don’t work with each other. I am so sorry. You have a marvelous face.” Her knees went weak, Joan related. “She was breathtaking. If ever I thought of becoming a lesbian, that was it.”

    Chp. 24 – Flirting – “Her Knees Went Weak”
    pg. 152-153

    That’s from that famous Garbo/Crawford not-getting-along report I’ve so much read about. I mean, I really REALLY loved Crawford when I saw Grand Hotel — included in the Garbo Collection — that I ended up buying the Crawford Collection. LOL So I pretty much agree with Garbo’s possible comments on her marvelous face. xD

    As for Marlene Dietrich… Wow~ her chapters, I thought I was reading one of those cheesy romantic novels that grown married women read. LOL She really REALLY got around. With a lot… and I really mean A LOT of people. It’s like… she was older than any of my parents, and she was still getting some. Disturbing, but true. LOL

    Marlene tore down Edith’s panties backstage in a Berlin theater and, using just her mouth, brought Edith’s to orgasm.

    Chp. 9 – A Swede Steams In – “Using Just Her Mouth”
    pg. 62

    Even her daughter Maria was afraid her mom would sleep with her fiancé. xD

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  • Top10 Recent East Asian Films that Should Be Released in Peru

    Bam! I’m into making lists now. xD

    To push distributors, and tickle their curiosity, as well as showing them it can also be good business to bring Asian flicks. Plus, cinephiles would love a little more variety in their local theaters, and I bet regular moviegoers wouldn’t mind one or two non-Hollywood blockbusters… after all, we already watch everything subtitled! We don’t have an issue with them like some… other… people.

    If Americans (and Canadians) complain about the little variety of Asian films outside martial arts, or auteur cinema – well, really. Stop complaining. It’s even worse down here. If you got 5 releases a year (just an assumption), then we get one… if we’re lucky. Sorry, I’m not so campy with J-horror… I’m a little tired. I must be too old for it now. LOL

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    Pages: 1 2 3 4


  • So SO Behind on Stuff + Bandage

    xD

    I finally saw Bandage, after being on the “to watch” queue for…  nearly a month. I didn’t know it was produced by Shunji Iwai — same thing with HALFWAY, but we’ve already talked about that one (so disappointed, btw. Best thing there was Salyu’s ending theme, which is included on Maiden Voyage so you don’t even need to purchase the OST) — but I digress~~~ Bandage was, I feel, better than HALFWAY… but not for much.

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  • Joan Rivers: A Piece of Work Poster

    Is it time to watch it yet? When is it coming out on DVD?

    This is a gorgeous poster, isn’t it?

    xD

    I’m of the generation that grew up with Rivers’ red carpet events xD


  • 10 LGBT Films You May Not Have Heard Much About

    Sharing this on the YAM 2011 LGBT Blogathon~

    I love complicated post titles.

    AfterElton has just begun their voting for their 2010 poll of 50 Greatest Gay Movies. Plus, in honor of the first week run of Contracorriente (Undertow) on Peruvian cinemas, I’ve made a list of 10 LGBT related films that not many people may have heard about or seen… so these films need your voting. *cough*

    And since AfterEllen is dropping the ball on this one — I was pretty sure they were doing polls on Lesbian movies, but oh well~

    I am mixing it all up. Because I’m like that.

    Look, I love Brokeback Mountain, I love Milk, and I certainly LOVED A Single Man last year. Some of my favorites are Were the World Mine, Show Me Love, Imagine Me & You, and I liked Love Songs as much as — or maybe even more — than you did, but this is about not so popular LGBT flare. There’s also a lot of foreign films because they certainly don’t get major distribution – so thank you, Internet.

    Also, don’t forget to vote for Undertow! xD

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  • Buried, Burlesque, Let Me In & Sucker Punch Posters

    Ahhh too many posters – a few highlights.

    First, the poster for Burlesque beats the Teaser poster for it. Because I like Hot Pink on high contrast black and white. So I’m biased… Plus, I don’t think the trailer looks that bad.

    Cher&Christina Aguilera - Burlesque Movie Poster #2

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  • Contracorriente: Melodramatic Magic Realism

    Now I understand why Undertow has been winning audience awards everywhere, it plays with your bobito (heart). And comparisons with Brokeback Mountain seem to be inevitable, since they are both dealing with a “gay” thematic in a setting not usually linked to “gay behavior” and they both have to deal with extramarital affairs, but they are little alike.

    In Undertow, Miguel (Cristian Mercado) is a fisherman in the small town of Cabo Blanco, Peru, where he is having a baby with his wife Mariela (Tatiana Astengo). The model citizen, a good husband, and well-liked by everyone in town, no one knows that Miguel is having an extramarital affair with Santiago (Manolo Cardona), an artist who’s visited the place since he can remember.

    As the melodrama unfolds, writer/director Javier Fuentes Leon doesn’t really take us nowhere we’ve never seen before — if you’ve seen many LGBT-themed films that is, except with that bit with Santiago’s destiny, where the Magic Realism finally kicks in. Ultimately, the film is just a love story, which on one side makes you wonder how well the story would be received if it didn’t have a gay relationship at its core, and on the other side you’re presented with a gay relationship that’s as normal as any heterosexual one.

    Undertow will probably get placed next to other LGBT favorites in the following years — once more people get to watch it — right next to crowd’s faves like Brokeback Mountain, Shelter, Where the World Mine, Imagine Me & You, and Show Me Love.

    The acting is strong by the three lead actors, being able to carry the whole film in its 100 minutes of running time. The strongest moment in the film was perhaps better condensed in the song by Celso Piña featuring Cafe Tacuba, Aunque No Sea Conmigo, used in the trailer and the film for the line of “Quiero que seas feliz, aunque no se conmigo” (I want you to be happy, even if it’s not with me).

    Visually, the film delivers some hunting scenes — I still believe Ricardo de Montreuil (La Mujer de mi Hermano, Mancora) is visually better in his work with his advantage work on some very high profile music videos in Latin America… so how about a collaboration, guys?

    3.5/5

    Here’s some reading material ;P


  • Things that Blow Up on Film

    Surprise, made a new list. LOL

    The A-Team From Paris With Love / Dupla Implacável

    Because I recently watched both The A-Team and From Paris with Love, I felt I saw a lot of things blowing up. Despite my liking of District 9 and Inglourious Basterds, I don’t really consider them just films for showing things exploding – so in theory, the last film with things that blow up I liked was the first Transformers film, which I saw with Julz. LOL

    The best thing for me on The A-Team was Sharlto Copley — of course, he was on D9 — and I thought the film was a lot more comedic than an action flick. And as for Paris, I don’t know if I’m being too sensitive, but it just reminded me of that KKK video game I saw on the news some time ago. Travolta, with a shaved head, and Rhys go on a shoot-em up rampage against Chinese, Pakistani… where there Arabs? and some black people. The women were either prostitutes… terrorists, or you know – that US delegate was a total b!tch. LOL

    Check the list here, if you have other film additions… leave a message.


  • Lima Film Festival: La Casa Muda

    La Casa Muda (2010) – aka. The Silent House
    Genre: Horror, Suspense
    Directed by: Gustavo Hernandez

    The Silent House tells the story of Laura, a young woman, and her father who decide to install themselves in their country house to fix it for sale the next day. At night time, Laura hears noises, so her father decides to check it out without ever returning.

    The film, directed by Gustavo Hernandez, is supposed to be based on a true story from the 40s — I can’t tell for sure, though. The Silent House is very stylish, with prime photography, and nice sound design. The acting is fine, and it all should make a pretty good film, except it isn’t that great. Sure, the film is supposed to be a horror suspense, and it is in the beginning, but it gets boring 30 minutes into the film with repetitive running around, and cheap thrills without moving the plot… or lack thereof.

    In the end, there’s a big reveal… of sorts, which isn’t that surprising. However, the lack of plot is just too much for a one 78-min-long shot — was it really one shot? It seemed like a DV camera, so it’s possible. Like I said, The Silent House looks really REALLY good, but that’s it.

    2.5/5

    COMPETENCIA OFICIAL – FICCION

    Screenings:
    Monday 9 – 8pm – Cineplanet San Miguel – Sala 1
    Tuesday 10 – 5.15pm – Cineplanet Alcázar – Sala 1
    Wednesday 11 – 3pm – Cineplanet Alcázar – Sala 5
    Thursday 12 – 8.30pm – Cineplanet Risso
    Saturday 13 – 8pm – Centro Cultural Católica – Sala Azul


  • Lima Film Festival: Agua Fría de Mar

    Agua Fría de Mar (2010) – aka. Cold Water of the Sea
    Genre: Drama
    Directed by: Paz Fabrega

    Cold Water of the Sea tells the story of a young couple about to get married that go on a holiday trip to a tropical “paradise”, when they run into a girl who seems to be lost in the middle of the night. When they try to find her parents, the girl has long gone, which creates a bizarre connection between the girl and the woman.

    Perhaps Cold Water of the Sea’s best feature is its locations in the “exotic” beaches of Costa Rica, because neither characters nor situations live up to anything. It’s not as if we wanted high tension drama on this, but we at least expected to sympathize with the characters. However, we end up knowing little about them, having spent a bit less than 1.30hr into these people.

    A lot of the time is spent on the little girl, who tells the couple that her whole family has died in a transit accident, when in fact they were alive. Why is that? “Kids are like that” stated the mother, but why did she come up with something like that? She is certainly more than a spoiled brat, treated differently from her three older brothers by her dad. There are certainly hints of Electra Complex in the girl, but nothing is explored. Instead, director Fabrega decides to make some sort of distinction between social classes? Just because one side of the story is set with a poor family at the beach, and the other of a well-off young couple at a fancy resort?

    2/5

    COMPETENCIA OFICIAL – FICCION

    Screenings:
    Monday 9 – 3pm – Cineplanet Alcázar – Sala 5
    Tuesday 10 – 8pm – Cineplanet Alcázar – Sala 5
    Wednesday 11 – 8pm – Cineplanet San Miguel – Sala 1
    Thursday 12 – 10pm – Centro Cultural Católica – Sala Azul
    Saturday 14 – 8pm – Cineplanet Primavera – Sala 1