Well, I think it’s time, no? This has been my Chulpan Khamatova’s journey so far. Surprisingly, most of the films that remain hard to find (and hence are not subtitled in other language) have been my least favorite. It could be a case of lost in not-translation, but I’m confident in my non-subtitled watch experience to trust my instinct.
Archives For DVD/BR
It’s crazy how technology has developed in the past 20 years. The latest consumer craze? 3D printing, of course! It hasn’t only been featured on shows (with a special mention on The Big Bang Theory), but it’s been used in a broad variety of ways [1]. Miniatures of yourself [1], your face in chocolate [1], miniature of yourself in gummy [1], or candy [1].
Its most striking use, because of its practicality, was how they used 3D Printing in the making of ParaNorman. Technically speaking, it was that usual “wow, why didn’t anyone else think of this before?” Printing the many faces needed to be able to animate your stop-motion movie. It gets the consistency so your animation doesn’t get blotches, and you get incredible detail (I LOVE THE LIGHT GOING THROUGH NORMAN’S EARS).
The question that arises is- if they print the faces needed to animate, once they’ve done the movements in a CG environment. Is it stop-motion? Mixed media is more common than ever. There was a lot of special effects in ParaNorman, especially in its incredibly visual last arc, but the film is still considered stop-motion. So how much use of the computer do you need to have for it to not be stop-motion?
Cloud Atlas was one of my highlight movies of 2012 [1] given that’s been a meh year — don’t fight me, less than 10% of the films I watched this past 2012 were rated higher than 8 on IMDb. So I’ve been waiting for its release on Bluray because I haven’t heard of theater releases in my country. The rumor I had heard was that it was going to get a release by February 5th, which of course it’s my birthday x)
To top it all, it appears Cloud Atlas its making its push in Mainland China with my favorite girl, BiBi doing a song. And another song featuring a bunch of artists [1].
On first listen the song, titled Under the Stars (星空之下), is so-so. But on further replays, I really like the verses, more so than the chorus. Of course I think pushing Cloud Atlas with a pop song seems completely misplaced considering how awesome the soundtrack to the movie is, but I’m game. I hope it’s a hit in China so it can recoup its missing budget, as it deserves more positive vibes than it has gotten.
I’ve been on a Chulpan Khamatova movie hunt for the past week or two. xD
I had been trying to watch her filmography since… Goodbye Lenin! in 2004, but I never got to it. I, then, chose to watch Luna Papa. I realized I couldn’t call myself a fan if I hadn’t watch more of her movies, so I went finally hunting. I’ve already seen The Land of the Deaf, 72 Meters, Doctor Zhivago, The Sword Bearer, and Domovoy.
I also got The Dancer’s Time (but it’s got no subtitles), Tuvalu is on its way, and I’ve got Paper Soldier ready to go.
I hope that in a few months I have enough information to write a YAM Loves post about her :) Coz her face is perfection personified and from the little information I was able to find, she’s also a fascinating person.
I don’t really hunt down anything Twilight and I’ve been a lousy Buffy fan since my re-watch in 2006, but Joss has just posted this video of Buffy vs. Edward in which they overlap the different ideas presented by both materials to hilarious contrast that comes in an assortment of subtitles that include Portuguese (Brazilian or Portuguese), English captioning, Chinese Simplified, Arabic, Russian, Japanese, French, Spanish, etc — all brought to you by fans.
My re-imagined story was specifically constructed as a response to Edward, and what his behavior represents in our larger social context for both men and women. More than just a showdown between The Slayer and the Sparkly Vampire, it’s also a humorous visualization of the metaphorical battle between two opposing visions of gender roles in the 21ist century.
Read the whole thing here.
Also the author’s YouTube/Lionsgate copyright battle.
Both films featuring Clark Gable, released in 1931, and having a leading lady of rather humble beginnings that manages to rise to the top using her… er, skills. Of course, both Susan Lenox and Possessed have very different results. Though the cinematography in Susan Lenox is quite sublime at times — the whole introduction was marvelous with the shadows — I left rather disappointed by the end of the whole movie.
I’ve come to prefer Joan Crawford on screen~~~ remember, I got into her after I saw her on Grand Hotel, which came in the Garbo bundle. I was just left mesmerized. “Who is this woman, and where has she been all my movie-life???” So I do think Possessed edges Lenox by a pretty long thread. Despite its weak resolution, Possessed still holds itself pretty darn well. But even I must admit, I feel Garbo’s magnetism oozing from this still… even more so than I do with Crawford.
So… to me, Garbo on still. Crawford on screen.
