Archives For DVD/BR

Early YAM 010!

June 12, 2010 — 5 Comments

MY85 made me realize that tomorrow is the 13th, so I decided to release this today.

Thanks to Julz, who’s always a diligent writer.
and MY85… and well, Maca who keeps tracks of her films.

I just want you to head over here.

In an effort to attract more Western musicians and firms, China is building three national music industry parks, serving as performance stages and platforms where musicians from around the world could get together to collaborate, located in Beijing, Shanghai and Guangdong.

But of course, in order to attract Western musicians and firms, they need to tackle piracy.

With programs like the ones 88TC88.com [musicdish.com] are offering for Western acts to get packages translated into Chinese to enter the market, the government is trying to develop a system that will not only help artists get their royalties, but also protect Chinese arts.

Until relatively recently, copyright in China was illegal. All intellectual property belonged to the people, ie. government. If you wrote a book for example, the government would ‘own’ it and reap any ‘profits,’ while providing the author with a salary, housing, medical and education. So when some rant on about piracy or the lack of enforcement, this should be put in context. The Copyright Law of the People’s Republic of China was adopted in 1990 – we in the US on the other hand have had a Copyright Act on the books since 1790 and we still can’t seem to get it right!

On the other hand, the government does often seem capricious in its enforcement of copyright. They like to point to last year’s shutdown of 200 pirate movie sites, including the largest video BitTorrent site. It just so happens though that the crackdown coincided oh so nicely with the launch of CCTV’s major online video initiative. Nor is it clears whether the shutdown didn’t have more to do with fighting pornography – a much bigger taboo for the government – rather than piracy. Having said that though, the fact is that for both economic and diplomatic/political reasons, the Chinese government will increasingly get serious, get tough and tackle the IP issue in the broad sense, not just piracy.

What’s gonna be their system?

The Chinese government will use watermarking technology to embed a unique code into every creative works released – music, film, graphic,… – allowing the government to easily identify, fine and shut down websites peddling pirated material as well as track all plays for royalty collection and disbursement.

all via MusicDish.

Which is already happening when you upload things on YouTube or some file sharing website. Things get deleted, and accounts get shut down. However, coming from China. This is huge.

Look, I am all for China protecting its artists, as long as me as a user NOT in China, is able to have access to their content. I listen to a lot of music in Chinese, which I wouldn’t be doing if it weren’t for illegal downloads in the first place. I wouldn’t own albums by LeeHom Wang, or all of Bibi’s discography if I hadn’t downloaded their albums.

I wouldn’t know about Yuguo or Chang Shilei or Milk @ Coffee.

You know, I use Haoting to stream music now, but some of the artists I just named don’t even show up there. Also, you guys… it would be really awesome if there was an option for language. LOL

Okay, having said that~ I know I support downloads, but I also support paying for the stuff YOU consider to be good. I am not telling you what you should pay for, but I want you to make a conscious decision about paying for the content you deem good enough for your money. If you think such star or group is the best, and that they/he/she deserves your money, make an effort to buy anything by them. It doesn’t have to be the $30 USD import album, it can be the $15 USD poster.

Please, do not tell me this album by this artist is the best of all time, if you haven’t paid for it. If you love it that much, you should buy it… unless it’s already out of print, of course. Don’t tell me this movie is a film that changed your life, if you have it as a pirated copy. You don’t have to have a 100 disc collection, but if you really think that piece of art… being anything from music, to movies or photographs or sculptures… if they made a difference to you, please buy it.

From WOWOW’s experimental 2008 drama, Camouflage.

Ryo Kase and Yu Aoi = LOVE.

I think this one was the BEST chapter of the series. [here for the recap]

have a good not-suffering end of the weekend, but an overall relaxing Sunday.
or you know, have a good new week if you’re on the other side of the world~~~

Well, according to visitor Bill in this comment, his team is working on it.

Of course, me being one of the most vocal fans of Mikako Ichikawa — if not the most… seriously, you probably google her name and find my posts or images from the website — have been wanting to watch this since I got it. One afternoon, I tried watching it, but I felt the film was very dialog-driven, so I decided to stop the film and wait for someone to be kind enough… so thank you, Bill, for accepting my subs request.

I have seen a bunch of people, on my search for subtitles, that have been talking about the lack of subtitles for this film. Let me tell you, Mikako Ichikawa… so underrated.

Sure, she IS kinda creepy as lil’ sis Kumi in Memories of Matsuko, but in the end she wins us over with that final Okaeri — or is that just me? — as Matsuko goes up the stairs. *sighs* However, did you get to see Ichikawa as Tamaki Hiroshi’s wife in those few episodes of Atsu-hime starring more than rocking Aoi Miyazaki and lovable Eita?

Can I just say she’s got the most beautiful profile when she pulls her hair up? Such striking features, and so SO interesting. So much more than many other generic-looking and average-talented actresses that are much more popular.

So I wonder, why wasn’t this project much more popular?

but it sure is time for YAM009 =D

is the cover kowaii??? [scary??] I would love to hear your opinion on fansubbing, as well as distribution, which are two topics I always bring up one way or the other.

You are also welcomed to comment on reviews and give suggestions.

With no further ado, go over here for download.

A few hours ago, I got back from watching Let the Right One In at the cinema. This is the 7th time I’ve watched the film in what… 2 years? [Twice as a screener, twice at the theater and three time on my DVD] And I still can’t seem to get enough of it. So thinking about whether or not I should add the film to my Top10 Favorite Films of all Time, made me remember that I have updated my Top10 Faves slightly already.

Considering I saw Memories of Matsuko less than 2 years ago (1.7 years according to Flixster), and I’ve also seen it 7 times. It’s quickly climbed up from spot #8 to #3~ While Grave of the Fireflies climbed up from #10 to #5.

What film in my Top10 should I displace? Jurassic Park is still in a special place in my heart, and Donnie Darko… hmm… or will Moulin Rouge! make a disappearing act? I need to watch these three films again and re-evaluate my Bottom5. I’m conflicted~~~ xD

HMV JP takes top marks on shipping.
It only took 2 days! TWO days for my order to arrive~~~

It took Salyu 3 years to release her 3rd studio album, but it’s not like we were deprived of new music. In fact, Maiden Voyage contains many of the singles that Salyu had release these past years [6, if I count correctly]. You could say this could be a compilation of sorts, but it surprisingly works nicely as an album.

The album art gives you the visuals of flying… almost in a dream-like fashion — I mean, Salyu IS floating on a mattress and/or pillows, right? These visuals work really well with the overall themes and overall energy of the songs (yes, I actually grabbed the song book and followed the bouncing ball).

It also looks like Salyu is experimenting with her own music by finally stepping onto the writers chair, and even working on the music herself. Of course, she’s not doing it alone but with the help of Takeshi Kobayashi who has been there since the days of Lily Chou Chou. The collaborations between Kobayashi and Salyu are what we have come to get used to as far as Salyu’s sound is.

Interestingly enough, Salyu’s song (written and composed as least with the help of Tatsuya Kokufu) L.A.F.S (which stands for Love at First Sight) reminded me a little bit of what Salyu used to sound as Lily. Somewhat off-beat melodies, with really simple lyrics, but really moody.

Overall, the album really flows well and feels like a whole, except maybe for the oddball BIRTHDAY, which threw me off… in a really good way. The song, written by Salyu and composed again by Kokufu, sounded like Shiina Ringo and Bjork had a lovechild, if that were EVER possible.

I’ve taken to Salyu’s music because it’s soothing, as well as quite slow and easier to follow with a songbook. Salyu is really quite good to practice your reading and pronunciation. However on BIRTHDAY, she slurs her words and sounds completely different. I’m looking forward to more of that sound in the future. Hopefully.

As for the concert DVD. Well, it’s totally worth the price you pay for this limited edition with DVD ~

Screencap galore after the break~

Continue Reading…

You guys really REALLY need to work on what you call “Special Features”. It’s been a long time coming, but the review I sent to Amazon.com of Linda Linda Linda never showed up, even though I was reviewing the material in the DVD and even making suggestions… so it was a valid write-up.

Last time I bought something in Amazon.com, my order included a copy for the Viz Media release for Tetsuya Nakashima’s Kamikaze Girls (Shimotsuma Monogatari) and Linda Linda Linda by Nobuhiro Yamashita.

Where to start?

Continue Reading…

Just started this.

My Fake Criterion Collection

YAM008 for the Metal Tiger~

February 14, 2010 — 5 Comments

Happy Chinese New Year!

Yes, it’s your favorite movie to hate. LOL

We’ve got a very cool issue this month, but I’m not gonna ramble what’s in it.
Just head over here to download it and read it.