Archives For documentary/making-of

*dies*

It really kills me that this movie is opening a few days after my birthday, and I can’t watch it. WHY DO YOU GUYS DO THIS TO ME?

Sidenote: The Fitoor promotions have brought some interesting interview bits with Tabu- like she wants to be part of Golmaal 4 (I haven’t seen Golmaal, but that’s a Rohit Shetty movie, so… xD), she’s fishing for a comedy, she likes David Dhawan’s type of comedies (which are so 90s comedy style type of not my thing), and wants to do a movie with Govinda… who, if I recall correctly, actually doesn’t like many of the 90s comedy movies he did xD

Comedy is such a particular genre, so difficult to please people.

My type of comedy, I’ve found out, is in the realm of Roxana Avalos, Rosalind Russell, and Sandra Ng. I laugh quite a bit with Hong Kong/Chinese comedies.

I think certain someones -who work for Shiseido- could be out of a job xD

There’s a great (though rather longish) commercial titled The Secret of High School Girls (メーク女子高生のヒミツ) that pretty much shows how good Shiseido makeup can be- or, in this case, I think you have to give props to the makeup artists, no?

Great concept.

Apparently the CM shoot took 7hrs., and it’s a one-shot take, so big props to the makeup and hair team [Tadashi Harada (原田忠), Yoshiko Jinguji (神宮司芳子), Yumiko Kamada (鎌田由美子), Hirofumi Kera (計良宏文), Etsu Nishijima (西島悦), Miyako Okamoto (岡元美也子), Noriko Okubo (大久保紀子), Setsuko Suzuki (鈴木節子)], who had to work on still-shooting mode.

Directed by Show Yanagisawa (柳沢翔) [Portfolio] for WATTS OF TOKYO (ワッツオブトーキョー).

Here’s a short Making Of.

source: MyNavi, Shiseido

Well~ that was a LONG process. Buth ere it is, after nearly four months of movie-watching and voting… the YAM Magazine team’s favorite movies of this decade so far~ Hope you find one you like, discover one… and that we included some of your favorites!

yammag-best-decade-so-far

Do your thing~

Oh, Happy Chinese New Year! Let’s start my (supposedly) bad-luck Goat Year with the now-mandatory Letterboxd list of my film collection~

amys-film-collection-letterboxd

I have a really weird history with films– born in the late 80s, you’d think I would’ve grown watching loads of 90s kids stuff, but I actually grew up with a lot of Silly Symphonies (which were released in the 30s) and loads of Disney 40s, 50s, 60s, 70s stuff, plus a lot of more grown up 80s movies. Poltergeist, The Thing, The Fly and The Stuff were particularly scary stuff (and I’m pretty sure I was scared of yogurt or white stuff at some point).

I don’t ever remember buying any original VHS tape, except for the rare birthday gift of a Disney’s Sing-Along Songs chapter or that X-Men tape I have. My first DVDs buys were Coyote Ugly, She’s All That and Loser — you can’t blame me. I was a 15-year-old girl. The collection grew bigger, and possibly exploded during my years abroad. I’m nearing my 500th movie.

Except for the mandatory appreciation for Boyhood (the Patricia Arquette show) and Whiplash, which had me contorting from all the conflictive feelings, I’m feeling rather lukewarm with this year’s award season as you can see from my 2014 Films Ranked compared to my Academy Award Watchlist.

oscars-2014-2015-nominations-watchlist

Hot pink is watched, light blue on to-watched queue, highlighted in green haven’t been found yet. My excuse for lack of documentaries and shorts is because of access. I find them extra difficult to get. Also, any respectable award show needs the presence of Haider. LOL And I could do a LOT LESS from Clint Eastwood. I’m not even one of those complaining for lack of women behind/in front of the camera, the nominees are just so damn BLAH! except for the few couple of surprises- some spice with Marion Cotillard (even though I don’t feel strongly about the movie), Ida and Mr. Turner in cinematography… and The Tale of Princess Kaguya.