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Gomen, gomen. I skipped two months of random blogging this time around. I did, however, write my late 2024 Peruvian box office wrap-up, published in late February. And I did a small write up by the end of March about Malayalam cinema that is yet to be publish in case Jude Anthany Joseph’s 2018 is released locally this week. Just in case.

I have also picked up French once again! Officially since mid-January ;D Thanks to Nelly of Français avec Nelly. Everyday French (and slang, especially online slang) has improved, formal usage (has returned), but writing refuses to go back to levels (^=^!) to when I was a formal student and could actually write. It takes me ages to actually write, so it takes triple the ages to get something out in French.

Anyway- in one of the most recent videos where Nelly answers some subs questions, user tomas_valiunas asks about a website where you could watch French films for free, which is -of course- my expertise. I may not focus on writing about French films and festival films, because there are hundreds of others who do, but I do watch a number of French films and co-productions. And even though the French, and Europeans (and first worlders) in particular, are very finnicky about geo-restrictions and copyright, there are ways.

And the first and most obvious legal answer is TV5 Monde Plus.

I still have cable, so I don’t know how people who don’t have cable are supposed to find out about the TV5 Monde app for download or that they have a streaming website. Of course, there are a number of shows (broadcast on TV5 Monde) available to stream for free on YouTube like Echappées Belles or Des Racines et des Ailes.

They let you browse without an account, but you have to create one to actually watch the shows and films, otherwise you hit ‘play’ and just get the TV5 Monde logo and a ‘sad face’ lol

According to current (Mar 4th 2025) FAQ, opening an account and accessing the programs in the platform is free.

Right now they’re offering a bunch of Brigitte Bardot films like Boulevard du Rhum, Viva Maria!, La Bride Sur Le Cou, L’histoire très bonne et très joyeuse de Colinot Trousse-Chemise and En effeuillant la marguerite. Other classics like Peau d’âne by Jacques Demy, Jean Eustache’s La Maman et la Putain, and Truffaut’s Les Quatre Cents Coups are also available. And that rare Marlene Dietrich French film, Martin Roumagnac is also available.

Some of their co-productions are available, like Papicha by Mounia Meddour and Noces by Stephan Streker. However, considering the vast recent production of French animated films, I was a little underwhelmed from the selection of animation available; though Alain Ughetto’s Interdit aux chiens et aux Italiens, Florence Miailhe’s La Traversée and Une Vie de Chat by Jean-Loup Felicioli and Alain Gagnol are available as well.

But my favorite discovery available is Adrien Beau’s Le Vourdalak [Trailer] which I had been looking forward to watching. Sadly, it’s the only film labeled a fantasy. ^^’

Subtitles seem to vary, most (if not all) content seems subbed in English and French, there are also options for German (?), Arabic, Romanian and Spanish, though these two vary depending on the film you’re watching.

So I thought you should all know, even though no one reads blogs any longer, maybe someone will find this information on the vast nothingness of modern-day internet.

YAMMag Mononoke Happened

December 30, 2024 — Leave a comment

This is likely the last post of 2024, breaking a dry spell of the last few years with a record 20 posts since 2018 when I posted 38 times.

This last post of 2024 is dedicated to Kenji Nakamura’s Mononoke the Movie: Phantom in the Rain (劇場版「モノノ怪 唐傘」), which crowfunded a while ago and has recently fulfilled orders. What an adventurous journey! We got a special credit for YAM Magazine!

It is an honor that we get to put our name in one of the team’s favorite series.

Let’s all look forward to what 2025 may bring!

I hope you all had an incredible 2024, and that you all were able to achieve what you set out to do (or close to achievement, anyway).

On December, I wrote about a couple of my concert music DVDs rotting away.

And the YT algo just popped this on the feed, talking about a number of Warner Bros titles that are apparently being affected.

Somebody on forums (!!! They still exist!) posted a list of probable affected titles, and to my dismay, the Greta Garbo and (both) Joan Crawford collections are affected. I just popped Mata Hari and Possessed on the player and seem to be playing fine.

Another one of the fears with (new) media and products that developed in types of plastic is that they’re decaying faster than people expected. I’ve had older (retired) players that were kept on storage that have a general sticky texture after a while. However, this doesn’t seem to happen to players that are in general exposure, not directly with sunlight, but in a generally airy room that’s in use, unlike a display room. I also happen to live in the mildest of climates, though high in humidity, temperatures never go above 30C (above 90F) or lower than 14C (lower than 55F). So maybe these conditions are affecting the storage of physical media.

I did the vast majority of my library collection before 2007, though. I did buy a number of things in between the mid-2000s to late-2000s, so if disc rot is affecting a general batch produced in between 2007-2009, it is a concern. I’m generally more worried with collections I keep in drawers instead of a regular shelf display.

That’s me. People will ask me if I’m watching which and what show, and I would usually say that I really don’t have time to watch much television. However, the past week I’ve been catching up with my “to watch” list and inundated.

I watched one single episode of Prime India’s Jubilee, which I’m looking forward to finishing. And I just binged through Apple’s Pachinko. I’m usually hit or miss with Kogonada (After Yang was excellent), but my only complaint about Pachinko is that I really wish American series would do their just one off series and not make me wait for two or three seasons.

I’ve also just started Nicole Kidman’s Nine Perfect Strangers (after going through Hulu’s Tiny Beautiful Things with Kathryn Hahn). Going though Showtime’s The Good Lord Bird, and have been catching Demon Slayer episodes, as well as rewatching shows like Cowboy Bebop and Orange Days (went through Tiger & Dragon, as well as Quartet a while back). Picking up old school Trigun, and planning to finally go through Emily Blunt’s The English and FINALLY trying to get through McQueen’s Small Axe.

Not even counting that I really wanted to watch that Prime The Underground Railroad series.

So Long, My Xiami

January 6, 2021 — Leave a comment

Greetings, my fellow lurkers, if you are lurking still. Knowing that I haven’t updated anywhere and I’m hardly active on social media, I just wanted to say that I haven’t died and haven’t been swallowed by the Earth. I hope 2020 didn’t wreck you, and that 2021 finds you in a more… calm path.

As I sit here making plans of wanting to do a lot of things, and then getting nowhere, I reminisce the days of internet freedom when roaming through websites was like the wild west. And that’s when I discovered Xiami— according to WP word search find, the earliest mention of the music site on the blog dates back to 2010… with an even older mention of forgotten HaoTing. lol Since then, over a decade ago and many an indie Chinese music discovery, Xiami had been part of my daily life for thousands and thousands of days.

I took a screencap for posterity! My Xiami account was supposed to last until the end of the year, and then an extra 4 months.

So it is with great sadness, but hardly any surprise, that I report that Xiami will be no more… on February 5th this year, to mark my 35ths birthday, nonetheless. End of an era for my music streaming, end of the era… of my youth, I suppose. With my only consolation prize that a lot of Chinese music is already available on not only iTunes and Spotify, but also on YouTube. I just need to re-find them and subscribe to whatever their channels are. It will be, of course, a lot more difficult to discover brand new Chinese music.

Oscar Ballot 2020

January 13, 2020 — Leave a comment

I’m probably two weeks ahead, compared to my Ballot posting last year, which means my Independent Spirit Awards ballot is still halfway done, but my Academy voting ballot is pretty complete.

I might end up watching The Two Popes, but all I’m really waiting for to open in theaters is Bombshell (which opens this Thursday), Little Women and 1917. Harriet is never going to open down here, but I really got a soft spot for this type of movies.

I’m really REALLY surprised Girl in the Hallway didn’t make the cut. You can watch the short on Vimeo.

Happy late holidays and New Year, everyone!

My most awaited Letterboxd e-mail came yesterday with my 2019 movie-data. Though my writing input has definitely not improved, cutting down on Mamamoo stuff has increased my movie watching habits, for sure.

Compared to 2018, I logged 480 films (though over 50 or even many more could be short films), which represents a 23% increase. In terms of hours, there was an increment of over 100hrs or 16%. This increase still doesn’t match my 2015 levels, when I reached 530 logged films (9.5% short) or clocked 959hrs (14% short)… but it’s getting there. I am still at 2017 New-To-Me level of movies, though.

My most-watched actor was Glenn Close because I went on a marathon of her movies because I really thought that she could win the Oscar, not that I wasn’t pleasantly surprised to see Olivia Colman win for The Favourite. And Francois Ozon was my most-watched director because MUBI programmed many of his films, including Les Amants Criminels, Water Drops on Burning Rocks, Young & Beautiful, and L’Amant Double.

And as my writing output has been so poor, I haven’t written any End of the Year (or Decade) posts. Gomen.

I’m ready to vote! I received the most digital screeners this year so far, so it’s been easier (and it’s made it lazy-proof) to sit through dozens of screeners. Plus, Netflix has a lot of the nominated movies readily available too. This year is possibly my best award season ballot in my history of keeping up with ballots. lol

It’s not only my Spirit Awards ballot~

I also have a pretty complete Oscar ballot. lol

Continue Reading…

After years [1][2][3] of data; Yes, it’s Mamamoo’s fault. The positives, though, I have registered 31 more hours than I did last year with an extra 18 movies. My movie-watching in general got better because I managed to watch 132 brand new 2018 movies (compared to the 103 in 2017).

This year, I didn’t make any particular movie goal. Though, some of my favorite movies this year were Indian, as reflected by my latest highest ratings. No one has been able to surpass my love for Rene Liu’s Us and Them so far, though. It’s been an incredible year for… not movies made by Netflix, but they have expanded their distribution library enough to make it interesting.

My goal for this year is to increase the titles I watch; seeing that from this interview at Film Independent, the guy from IMDb states that “You should feel disappointed if you haven’t seen 700 movies in a particular year [laughs].” O.o I don’t feel half bad about registering half the amount of movies the guy from IMDb watches. Just saying.

I’m not a social media fan, though I do spend a lot of time posting links on the YAM Magazine Twitter account. Less active on Facebook, though I regularly use my own profile. No Instagram or any other site. I’m mostly active on movie websites— still active on IMDb, because they make searching for stuff easier [year, country, language, etc. filters], still active on MUBI (and helping with profiles and database submissions), and Letterboxd coz they help keeping an orderly diary of movie-watching.

No longer have music sites, and Living Social FB apps have long gone.

I’ve always been reluctant in creating new profiles, new accounts, new emails and different passwords. However, my level of obsession with Mamamoo has reached such point that I finally logged in V Live with my real-life identity, and though I’ve only left like 3 or 4 comments (so far), I’m a Level 5. Each artist you follow starts with a Level 1, adding points by watching videos, leaving comments and who knows what else, but I digress~~~ I wanted to comment on V Live as a platform. I’m amazed by it. I don’t exactly know why. I’ve seen countless of web stream concerts [1][2], I’ve seen a couple of Facebook Live sessions, but somehow V Live sessions make me feel closer to artists.

Of course, they can start a random session just like in Facebook, though FB is always a 1:1 ratio, no? There’s comments, and the artist can actually reply to your comments, which is something V Live doesn’t have since comments are live, they scroll as they keep coming just like in a YouTube stream. But YouTube streams always seem so impersonal, more like online TV broadcasts, which is actually GREAT for TV broadcasts [KBS World 24][KBS World]. Add to V Live multi-camera broadcast, HD quality, multilingual subtitles and there’s just this added something to it.

I recently saw Brown Eyed Girls’ JeA’s Orgel Live with JOKER, a 50-min multi-camera phone shot in portrait. I didn’t watch it live, because the show began at 6AM, but the replay was available quite fast — in probably just a few couple of hours — with subtitles in English, Chinese, Viet and Korean; and available auto-translate for others like Spanish. They started reading some of the comments, I lamented not being able to say hi to JeA [this is what I’m talking about], and proceeded to perform a couple of songs, while also going through the live comments.

Fans are also allowed to give ‘hearts.’ Though, I haven’t actually figured out how to give hearts (it’s not by clicking the heart icon, lol), I supposed it’s just pasting hearts in the comments, and that’s why users can give multi-hearts all around. Since a video can have 200k views and one million hearts. :P

And apparently, if you have the V Live App, you can chat with your faves. I don’t have mobile, so……………….

jea-joker-live-v-live

If you could do this for movies, it’ll be amazing. About 8 years ago, I wrote a proposal for screening movies like this xD but I didn’t know how to go through with it. Imagine you have a screening event, fans gather online 30min. before the movie begins, they chat among them. The movie streams, and afterwards there’s an online Q&A with the cast/crew. Because videos from the Q&A and the movie to be screened are different video sources, you can only have the Q&A available for replay instead of the movie.

See? Someone make it happen.