Did you see it?
It was amazing – LOL, the closest thing to it since I doubt he will ever perform here. I think it’s becoming a fixture… watching Sigur Ros, Bjork, Jonsi on live streams. xD
Anyway, in case you missed it – they will be re-running the nearly-hour show pretty much all of today. Just go to the NPR website, and check if the live stream is ready for re-viewing.
I’m not really a huge fan of Arcade Fire, but I do like their image and visuals. I like them enough to appreciate them, and enjoy their music enough to give their albums a go.
Ready to Start is an old school rock video shot in black and white.
It’s got great energy, and great visual contrast.
Asian Music Diva (mostly music anyway) has been slowly making a comeback into the music scene since her “retirement” in 2004… right after the release of her album To Love (Jiang Ai, which is out of stock everywhere… but I’m waiting for a re-issue, hopefully), after the release of Wong Kar Wai’s 2046, and her Faye Live Tour.
Wong dusted off her dreamy vocals for the main theme of Chow Yun Fat’s film Confucius, titled You Lan Cao, and her performance at the CCTV’s Spring Gala a few months ago. Now she’s dusting off her touring abilities with a series of 5 concert dates in Beijing.
Beginning October 29th, and continuing with 30th, and 31st, as well as November 5th and 6th. There are 6 different pricing tickets, however, all the seats priced at 300 Yuan (nearly $50 USD), 500 Yuan, and 2500 Yuan (nearly $400 USD) sold out in 10 minutes.
A press conference, that included only 300 members of the press that were invited, was held yesterday in which Wong appeared wearing a red dress (possibly for the passing of her vocal teacher Dai Sicong, who passed away recently). This short series of concerts in Beijing have until now generated over $2Million USD.
Dates in Shanghai are also scheduled.
via Aiya They Didn’t, Faye Wong Today, Daily Chilli, and ChinaPiao.com
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Oh, I am so jealous. Though, that thing about arriving 45min late, it’s a huge… and I really mean a HUGE turn off for me, this just goes to show you that Faye Wong is truly a star, because no one was pissed off when she did finally arrived. I imagine that she’s truly mesmerizing in person… like meeting a fairy or something. Maybe she sparkles. LOL
Unlike Bjork, I feel Salyu is approachable, or it must be that politeness that plagues Japanese language as a whole… anyway, Salyu seems nicer than she appears with those crazy eyes. You know? When she’s singing in this performance of Glide, which by the way is one of those songs that don’t get performed enough for being part of the Lily Chou Chou repertoire, instead of Salyu’s. Because Salyu IS Lily.
Listening to her is one of those experiences, imagine it LIVE~ O.o
You just get to watch it as a YouTube stream, while I enjoy it on my 5.1 Surround sound dvd – and Bill… well, he gets to see Salyu live. I’ll stick to Bjork… unless Salyu decides to come here. Wink wink nudge nudge.
If this clip doesn’t get you to listen to other Salyu songs, I dunno what will.
I 100% approve.
Music Day is an even sponsored by YouTube and Taiwan to promote Taiwan music artist around Asia… and I guess, across the globe, right? Thank you free-region!
There’s a short 3-part presentation by Crowd Lu~
Oh Yeah!
Thank you, Music Day Taiwan~
(more…)
I’m learning from the Japanese and their Short PV, which is PV Teaser… and the Koreans and there music video teasers. LOL Why not just release the PV, eh? xD
click on the img for a 1024 x 768px wallpaper.
Some initial images of the event in this FLICKR GALLERY.
Coming up~~~
Photos of:
Hmm… could this be Best Old School music video?
I really like the high contrast on this one though.
that is fascinating.
For one thing, Chris Lee doesn’t have the best voice, she doesn’t have the best dancing, or the best lyrics in her album. However, she writes her own music and lyrics — she seemed to have done so in her self-titled album — , she dances, she even directs her own music videos [one of them Youth of China], and has begun her acting career — in the awarded Hong Kong production of Bodyguards and Assassins, for which she was named Best Newcomer of the Year by the Hong Kong Directors Guild. To top it all off, she’s tall — at least, taller than her Asian counterparts — has an amazing face, and stands out from a crowd by being Chris Lee in a room full of other women.
Multiple-talent threats are often easy to hate because they think they do it all, but in reality they don’t really excel at anything. A few singers who think they can act come to mind, or actors that think they can sing. And even though, Chris may not really excel in any, she’s so difficult to hate because she doesn’t have that superiority air that plagues self-professed artistes. Every time she’s on stage performing or receiving some award, she stands there with an air of a person that’s cool, but also with hints of humility.
HMV JP takes top marks on shipping.
It only took 2 days! TWO days for my order to arrive~~~
It took Salyu 3 years to release her 3rd studio album, but it’s not like we were deprived of new music. In fact, Maiden Voyage contains many of the singles that Salyu had release these past years [6, if I count correctly]. You could say this could be a compilation of sorts, but it surprisingly works nicely as an album.
The album art gives you the visuals of flying… almost in a dream-like fashion — I mean, Salyu IS floating on a mattress and/or pillows, right? These visuals work really well with the overall themes and overall energy of the songs (yes, I actually grabbed the song book and followed the bouncing ball).
It also looks like Salyu is experimenting with her own music by finally stepping onto the writers chair, and even working on the music herself. Of course, she’s not doing it alone but with the help of Takeshi Kobayashi who has been there since the days of Lily Chou Chou. The collaborations between Kobayashi and Salyu are what we have come to get used to as far as Salyu’s sound is.
Interestingly enough, Salyu’s song (written and composed as least with the help of Tatsuya Kokufu) L.A.F.S (which stands for Love at First Sight) reminded me a little bit of what Salyu used to sound as Lily. Somewhat off-beat melodies, with really simple lyrics, but really moody.
Overall, the album really flows well and feels like a whole, except maybe for the oddball BIRTHDAY, which threw me off… in a really good way. The song, written by Salyu and composed again by Kokufu, sounded like Shiina Ringo and Bjork had a lovechild, if that were EVER possible.
I’ve taken to Salyu’s music because it’s soothing, as well as quite slow and easier to follow with a songbook. Salyu is really quite good to practice your reading and pronunciation. However on BIRTHDAY, she slurs her words and sounds completely different. I’m looking forward to more of that sound in the future. Hopefully.
As for the concert DVD. Well, it’s totally worth the price you pay for this limited edition with DVD
Screencap galore after the break~
What happened to MTV Unplugged anyway? It feels like it just went away. I do remember Alicia Keys and Maroon 5 had MTV Unplugged albums, right? Or was it only Keys?
Anyway, Vampire Weekend on MTV Unplugged.
Does that mean they’re famous? I thought only famous… like household names had MTV Unplugged albums. I really liked Vampire Weekend’s debut, and their sound translates well on this unplugged scenario. But what’s missing? I guess I’m used to really different arrangements. As it it now, they just sound kind of the same.
Check out some clips (6 songs is a full show?) over at the MTV website.
* seems like the embedding didn’t work for me.