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It has to be concert films, no?

Like- I totally understand these shots.

They don’t even need to be crowd shots, even. It would be perfectly fine to use concert art. I remember blogging about the concert art and vcrs done for one of Faye Wong’s concerts of the last 15 years. I can’t remember if they were either done by Hi-Organic or Grass Jelly (it was Grass Jelly!), but imagine being surrounded by clouds and mountains while Faye does her electropop sutras.

Bjork’s Cornucopia felt >small< and constrained in comparison. I always enjoy Bjork’s vocals, however. Technically always there, emotionally present. I will always remember that Hunter moment.

inside-out-bing-bong

So I finally re-watched Inside Out in Original English audio track, and the feelings for Bing Bong were more real than ever. When I originally went to the theater to catch it in one of the late at night shows, it was still presented in Spanish dub and parents with children were still there. One of them parents ruined the movie for me when, at the moment of said tears, his daughter (seating behind us) began to tear up. He did what parents shouldn’t do—- he shamed his kid saying “why are you crying? Is this a scary movie?

Eff you, dad. Let your kid cry, it’s a freaking emotional scene in the movie. And who the eff cries in scary movies? Se dice “ya pasó, ya pasó” so you can calm your kid down.

Really makes me think of never ever going to big movies because people can ruin your experience.

Yes!

FURY ROAD

Super spoiler free review of Mad Max: Fury Road available.

Furia en el Camino also available.

This is the first time in my movie-counting life that I’ve seen over 50 movies by the middle of the year. As a general number, I picked 48 a year, to make sure I -at least- watched one film a week for my end of the year list.

amys-2014-film-count

There’s a LOT of bad and meh movies so far, but there’s also a decent Top10. Not unbelievable, but decent. It’s a working one that would do for a Dec.31 or Jan.01 publishing date. LOL

I had been hoping Emily Blunt make up for not living up to my expectations of her amazingness [1], and I’m so happy to see her in Edge of Tomorrow. I just want to see a prequel where she gets to kick some more ass, though I’m not entirely sure what the movie would be about… maybe an actual movie where we don’t get much into the explanation of what is going on with the re-living.

emily-blunt-edge-of-tomorrow

I needed a little more feelings.

What is this lady-boner that I got watching Frozen? I really liked The Princess and the Frog (despite Prince Naveen) and wasn’t much of a fan of Tangled (despite Mother Gothel)- Frozen, instead, achieves the perfect balance. And I love love love LOVE Elsa. AND I DIDN’T EVEN SEE the original audio, and I loved it.

Idina Menzel, though, wow. Vocal boner. I do kinda liked the Spanish latino version of the song, Libre Soy [1] performed by Carmen Sarahi, a little bit better in lyrics and meaning, but Menzel’s vocals take the song to unparalleled heights. Can’t wait to get to watch the original audio track.

Elsa… Elsa swings her hips when she walks! And she has a smirk! She feels and is in turmoil and doesn’t seek a man to fix her life. She wants to be left alone, but of course- all she needs is open up her heart to her sister! Of course I love it.

lmgtfy-ashida-mana-google

Well, something worth pointing out from the Pacific Rim fans. How awesome is “let me google that for you” ??? It’s awesome. And perfect. So for those people that might be wondering- no, she’s not a newcomer, you guys.

Here

I wasn’t too enamored by Pixar’s Monsters University even though Monsters Inc. is one of my favorites (or maybe BECAUSE I liked that one so much?), but this clip of the Japanese-dubbed version popped up in my YouTube feed, and it’s just tenfold the cuteness that the original audio track was because- well, because Japan is so damn hardcore about their dubbing [2].

Plus, Disney (and as an extension, Pixar) are the kings of international dubs [1][2].

And they also do worldwide releases pretty okay. Except when Japan has to wait AGES to get some stuff — but serves them right, when they make us wait for everything they do for ages as well.

First, let me just say that when the trailer for Dawn Treader came out, I thought it looked terrible. The CGI work in the film looked positively subpar in comparison to what you thought of Lion and Caspian when they came out. I also wondered why I couldn’t remember any details in regards of the book, since I’ve only read the series once. Except for the annoying cousin, I was blank.

The Voyage of the Dawn Treader tells the story of Edmund and Lucy Pevensie who stayed over at their cousin Eustace’s place as they’re separated from their family… including Susan and Peter. Eustace is annoying, played very convincingly by Will Poulter (Son of Rambow), he’s loud, whiny, a complete pain. Then one day as the cousins are arguing in a room that includes a painting of a ship at sea, water starts dripping from the painting. The room fills with water, and they’re transported to Narnia.

Edmund, Lucy and Eustace — who’s freaking out by now — get rescued by Prince (now King) Caspian and his crew, plus Reepicheep, on board of the Dawn Treader in search for the 7 allies of Caspian’s kingdom who were betrayed by his uncle when he took power. Stopping in the first kingdom/island, they discovered a group that’s been taking people away to give them as offering to something known as “The Green Mist”.

Aslan’s totally against this Green Mist, so Caspian, the Pevensie bros, Eustace and company must trail the rest of the kingdom’s allies, get their swords together, and vanquish the Green Mist.

Looking at these not-longer-kids makes me feel old. Lucy (Georgie Henley) is even more grown-up that I remember from Caspian. Same thing for Edmund (Skandar Keynes). Peter (William Moseley) and Susan (Anna Popplewell), however, look ageless. At least they do on the film.

Because my expectations were low in regards to the CG and the conversion, I must say Dawn Treader delivers better than expected. The fakeness of the CG in the 2D trailers was lost in the 3D conversion which made the picture darker and blurry. You can’t have crisp action, that defeats the purpose of action. Also, the shots use in the film work quite fine as “3D” shots, you could even believe they had thought in terms of 3D environment.

The problem with Dawn Treader, however, lies in that it’s pretty thin on story. Even in the book, it seemed to only work as an introduction to Eustace… maybe the reason why that’s all I remember about the actual book. The film also includes some very cringe-worthy dialog, but maybe that’s an issue with the dubbing I had to watch.

But I did enjoy it. What the movie makes better than the book is that it fixes the pacing, there’s a lot of action going on while they’re on their way to search for the allies and their swords. They also make a great build-up for Reepicheep, despite the lack of screen-time he’s had in the movies, to give him a deserving send-off. Actually, it’s probably my favorite scene — despite the blatant Christianity hitting me in the face always on the series, I’m rather fond of how the series ended.

However, I wish they had done something more emotional with Lucy and Edmund’s Narnia farewell, because I felt Susan and Peter’s were much more serious, much more felt… after all, we won’t see Lucy and Edmund! We could see a glimpse of Ben Barns as Caspian on The Silver Chair, but not Keynes and Henley.

I hope they do make it to The Silver Chair, and The Last Battle… even cooler if they make The Magician’s Nephew. I really REALLY hate The Horse and his Boy, though.

3/5

It’s begun. The beginning of the end. After the 7th book came out, and left me unsatisfied — a feeling carried over the 6th book and the 5th film — I swore to never see Harry Potter at the cinema ever again. A promise easy to keep with the 6th film, but then… it was hard to keep it when the first promotional materials for HP7 were released.

Well played, Warner. Well played.

Deathly Hallows is perhaps Yates’ best attempt at a Harry Potter adaption, but considering the other two – it isn’t saying that much. In the greater scale of things, it might follow on Azkaban’s footsteps as an interesting film filled with anguish and desperation… of I guess, the teenage sort. If the book didn’t work for you, the film seems to improve on action and characters. It’s also of great comfort to say that The WB’s decision of splitting the film in two parts was hardly a bad commercial or creative choice… at least for the fans of the books, who will savor each an every detail.

But then again, considering how many chapters were crammed into this first part, one has to wonder what’s left for part two if not only the “last battle” which, in the book, happened off-page… and that epilogue that’s ripped out of the most poorly written fanfiction.

For the non-readers or those who haven’t seen HP6… well, you’re screwed. It really doesn’t work without the background, and you’re better without watching it, if you’re going to start complaining. Harry Potter and the Deathly Hallows feels like made for the fans of the series only.

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