What do you get when you put rap, hip-hop and swing together- besides Simon D. [1]. How about adding some western into the mix? With a dash of Esteman and Andrea Echeverri [1]. And how about adding a dash of Swedish into it too? That’s MOVITS! yo~~~
I just began listening (truly listen) to Mayday’s discography pre the Born to Love days, finishing off titles/pinyin/title translations, when I ran into this song titled Masquerade (Male, Female, One Body) from their 2003 album, Time Machine (時光機). The thing is, the title of the song is Ci Xiong Tong Ti (雌雄同體), which is the term used to refer to “hermaphrodites” (which, by the way, isn’t longer a term accepted for people, who are now referred to as “intersex”). Perplexed, thinking that Google Translate was giving me a wonky translation, I checked the dictionary to double check.
On a quick google search, I found a pretty terrific (singable) translation of the song.
Rather than you understand me—I’d rather be a mystery
A puzzle you just cannot solve, of what’s false and real, it’ll play at your heartstrings
I’ll play you, or play your opposite form; partake in this game of love that you’ve borne.
My mind was melted. I mean, it’s not VERY often you get playful duality in music, playing on gender-role conventions and completely avoiding the titillation that seethes from… well, everywhere now.
I know so many people who would download loads of music for free, but still buy the stuff they liked (usually discovered from their own or other people’s free downloads). Now those same people listen to Spotify and feel that they have paid the artists, so no longer feel the need to buy the songs they like.
I don’t want to say “POWERFUL!!!” because I will feel like the captioning person on Korean variety programs. However, I just stumbled upon this video of TINY-G doing the choreography of their debut [MV], which I liked more than the actual music video. For one, you can actually see what’s going on without much distractions, and you can appreciate that they’re bringing a lot of HMPH! to their dancing in the way that 90s pop music used to have women dancing in not-high-heels and stomping their feet looking that they’re dancing instead of seducing you.
There’s still a long LONG way to go for TINY-G, and we still need to see if their management ever dares to push the girls for a super girly concept for a comeback single like they love to do in Korea — which, sadly, seems like a huge possibility from the few comments I’ve been able to read asking why these tiny girls need to wear such baggy clothing when they’re so minuscule. Apparently people have issues with baggy clothes. Is it not feminine enough?
Would you rather see them stomping with high heels and minis, so they can eff up their kidneys… just so they can look feminine and show their slender bodies to you?
Looking at TINY-G, it brings back memories of me rooting for Britney.
Escape Plan (逃跑计划, Tiao Pao Ji Hua), aka. Perdel Band. Spotted on CNN Travel… as always [1]. Their Rock in China page isn’t up to date, but it’s always a good spot to start with. Besides their 2008 EP titled Take Me Away (带我离开), they released a full length album in early 2012 titled Earth (世界), which contains all the songs from their EP in more slick production, as well as a version of Zaijian Zaijian (再见再见) with lyrics instead of the instrumental piano.
From all the endless bands coming out of China, they seem to be a good substitute of Yuguo while I wait for their new album, which is supposed to come out this March (if I didn’t read wrong)
I think I was posting a Mavis Fan track on Weibo when I ended up finding Vegetarian Fish, a site that was put up for Mavis Fan’s project with her mother, Miss D.D. Mavis produced the self-titled album for her mother, and sang a version of Doris Day’s Everybody Loves a Lover [1] with a nice mother/daughter moment in their music video.
It’s hard to come by official links when looking in English, so I’m ecstatic that Mavis uses the channel for uploads of her group Mavis Fan & 100%, even if it’s just to wish us all Happy Chinese New Year with a short track/clip of The God of Wealth Has Arrived (財神到, Cai Shen Dao). And the doodles of the video are pretty funny, especially the one featuring Tony Leung because Mavis and Tony were on The Silent War last year. xD
I have often questioned Beyonce’s IT factor [1][2]. Whether her choice of choreography always left me cold, what she chose to belt, and how her music seems to be only dance club friendly having changed very little throughout the past decade. However, even I have to admit she broke down the Super Bowl Halftime show this year.
I mildly regret she missed her first floor-screen mark there and the black silhouette was all empty when she was a mere step away from it. BUT, she did rock that multiple-screen Beyonce performance quite flawlessly. And then Kelly and Michelle (could handle it~). It was Destiny’s Child’s first ever performance in like- FOREVER. And I’m shocked how little Michelle has changed, while Kelly and Beyonce had put on some- errr~ years on them. They all looked so kick-ass with their toned arms, and it was like high school all over again.
My only wish for the performance was that it could’ve ended before Beyonce played Halo, which seemed quite out of place in the show. But I guess she has to fill those 15 minutes? Maybe that’s why there was a power outage afterwards?
Over the years there has been some outstanding whiteboard marker illustration videos, like Drive: The Surprising Truth about what Motivates Us [1], Where Good Ideas Come From by Steven Johnson, or variations like James & Amy’s Electric Fence [MV] (drawn by James Cooper).
Spanish artist Pablo Morales de los Rios takes a look at the history of music and lays it out all on the table.
I’ve watched this performance — specifically this performance — of La Solitudine a few couple of times because I’m astonished by Laura Pausini and Lara Fabian’s voice combination.
A little part of me regrets never attending a Laura Pausini concert. I love Pausini’s voice, but at the same time most of her songs sound a lot similar to me — like, I can’t tell them apart. I know I should sit myself and just give it all a listen, the same with Lara Fabian’s full discography. Believe, I try to do that as often as I can.
