I obviously didn’t know about this cover because it predates my Indian movie journey… but it’s just so damn good, you gotta put it out there, you know? Mother India is so the quintessential Indian movie that every single person (in Peru) that has ever spoken to me about what Indian films they’ve seen, they’ve all name-checked Mother India. Regardless of social status… university professors, business owners, bloggers, taxi drivers, waiters… they all name-check “Madre India.”
Kore, nani nani nani??? Kirei~~~ xD
Here’s Vishal Bhardwaj’s The Blue Umbrella. I think he’s missing a children’s film to make it a full trilogy alongside Makdee, which -in fact- would make it a Little Girl’s Trilogy. Come on, do it, Vishal. Pick another girl and pair her against another great actor. My pick is Naseeruddin Shah.
The introduction to this movie against the snow is very reminiscent of Iwai’s Love Letter. o-genki desuka? Why the random link-up? There’s random Japanese in the movie. xD What Japanese tourist travels with their Japanese-styled umbrella? xD
Since I got my computer back (and found a set of hindi fonts too), I’ve been playing around with a basic Rani Mukerji Fake Criterion collection. I decided to skip Kabhi Alvida Naa Kehna, but include Aiyyaa. I actually like the movie a lot more than I initially did. Plus, it’s not a supporting role, so it beat out roles in Yuva, Bombay Talkies, Veer-Zaara, Kuch Kuch Hota Hai or Talaash.
Serious dramas lend themselves out for cooler Criterion covers, though I must admit that I liked the disorder in the Aiyyaa cover. And I have to apologize for the Laaga Chunari Mein Daag, I just couldn’t think of any particular symbol from the movie… but at least I got to test out that new (tricky) hindi font.
I think I might do a Sanjay Leela Bhansali set.
I still think Paheli deserves a bit more than its current 6.8 IMDb rating, though I’m pretty sure it’s gone up a couple of decimals since I first rated it. I just don’t know why it was so difficult to find this clip of the ending credits song, Phir Raat Kati, which translates to something like Then the Night Passed. It sorta tells you a story throughout the song, and the choreography is super fun while not being your typical Bollywood number.
The music in the movie is also pretty good, with lyrics by Gulzar.
Too bad it’s in this pretty bad quality clip, though it’s better than the good rips of the credits with the small window.
Not exactly new talent, but just discovered~
Jamyang Dolma (降央卓玛) is a Chinese singer, though I’m sure people would identify as Tibetan (for the obvious folk roots in her music, as well), who has been featured on CCTV programming. I’m pretty sure she would identify as Chinese or Chinese Tibet, otherwise she wouldn’t be featured on the channel. She’s also done her music school at the Sichuan Conservatory of Music [1], where all the famous people in the industry have studied… including famed Super Girl Chris Lee [1][2] ;P
And lately Chen Bing [1].
I just sorta fell in love with that song That Day (那一天), which is included on this 2014 album called Golden Calling II (金色的呼唤 II), which you can preview on Xiami, while some of her stuff is also available on iTunes.
Last night, I got the chance to watch a Nora Noh documentary, simply titled Nora Noh. She is Korea’s first fashion designer to ever put on a fashion show in the country. There were some highlight comments, like when Seo Eun-young points out all these Korean celebrities are trying to ride the Korean Wave, when the wave has already been ridden by Nora. Way back when there was no wave.
There was also the comment on Korean pedigree when paying foreign creative directors, makeup artists, photographers, models, etc. more just for being foreign, when they all have talented people in Korea.
I need to gather my thoughts~
And though the docu has an official poster, I played around with some photos… because I got my computer back.
I preferred the single sketch poster (3), I think.
Since I was kinda lukewarm with Season 2 of The Voice of China, and the format of the show seems to have expanded… and I don’t have my dad to watch with, I haven’t been following this year’s season. Just reading Cfensi’s recaps. xD
Also, there’s not as much variety of music genres and voices like in the first season. However, I’m always game for someone who wants to sing Mayday, because as my dad would note… there is a certain flare to Mayday’s music, as well as Ashin’s voice (plus composition skills!). Nobody can really do Mayday’s music like Mayday can.
But damn~ Chen Bing (陈冰), aka. Kiki, does it pretty well.
I’m not sure about being Kiki Chen, though. And it can’t be plain Kiki, because there’s Kiki from Milk@Coffee.
You can also get the clean song on Xiami, because those damn The Voice special effects can get in the way.
I don’t think there’s been any significant update since April [1], but since my internal hard disk got busted after a sudden power outage, I lost my last mindmap. Instead of recreating it, I revamped it with some clean-up names and added some others. The clean-up? I got rid off Aishwarya (at least, until I watch other films of her), Nana Patekar (haven’t seen him in a while), same with Arshad Warsi, Sanjay Dutt. Got rid off Kareena, Sonakshi Sinha, Abhishek Bachchan, Anushka Sharma, Ajay Devgn, Salman, and Preity.
Only filmmaker to go is M.F. Husain, because- well, no more films. Also, there’s more order, because I’m lumping all Karan Johar directed or backed projects on his hub.
It’s been a year yo! [1]
Objectively speaking, though I love Tabu with all my fandom heart, I gotta admit that Rani Mukerji is the best movie hub to start out. The only thing she’s missing, really, is films with these other directors like Vishal or Vikramadytia Motwane. I doubt Imtiaz Ali would ever cast her in anything- besides, most his movies… though decent, are quite overvalued. Especially RockStar. And she was >THIS< close to getting to The Namesake, that really…
Rani’s got Bhansali, Hassan, Balan, Konkona and Nawazuddin Siddiqui. That’s of course on top of Shahrukh Khan, Aamir (and the other two Khans), Mani Ratnam, Juhi, and family connections aside, Kajol. And look at the times she’s worked with Amitabh Bachchan… and even son. That’s basically the whole contemporary commercial Indian film spectrum.
Tabu, on the other hand, has Vishal Bhardwaj and Gulzar, sure. She would also get Hassan (though not at his best), and Konkona… as well as Mani Ratnam, Amitabh, and Juhi (in her leading lady days) — probably more crossovers like Govinda and Salman. She also has Mira Nair and Ang Lee in her bag (though not strictly Indian-verse), and a whole bunch of regional films… but they’re more Telugu than anything else. Then there’s Nagarjuna. She had that symbiotic film-relationship to Madhur Bhandakar, whose career isn’t very good at the moment, though I thought Heroine improved in the horrible story treatment he had in Fashion.
I haven’t dared to watch Juhi’s earlier filmography because there’s so much early Aamir, and I’m not a fan of him in those days or Indian commercial films in general. Confession: Hum Aapke Hain Koun…! and Hum Saath-Saath Hain are pretty bad. Both the same director, a director Tabu wants to make a new comedy with. Not a comedy with Rajkumar Hirani, or a Motwane-backed project like Queen or Hasse Toh Phasee. She wants the dude that gave you Salman.
I’m becoming one of those fans that question her film choices. xD Having said that, I am still looking for Idee Sangati (or however you romanize it). I know Telugu films aren’t my thing, and not even Manam is changing my position, but I need to watch that movie.
Jenji Kohan did a very good interview for The Hollywood Reporter where she talks about her journey as a spec writer, her stints on The Fresh Prince of Bel-Air, Friends, her experience with Weeds and Orange is the New Black. All with a fabulous cover with colorful hair, because, as her mother put it “if you can’t fix it, decorate it.”
Read the whole interview on THR website.
