An ode to all single mothers working multiple jobs.
An ode to Mrs. McDull.
Even when the whole world doesn’t trust you, I trust you. Even when the whole world doesn’t love you, I love you. I love you with my intestines. I trust you from head to toe.
The journey, you guys, the journey is two-and-a-half years old [1][2][3][4][5] already and counting. I’m no longer tracking what I’m watching because it got way too complicated. And though the number of Indian films I get to watch is minuscule to the actual output; at 38 films this year (of 203), it’s the most I’ve seen in a year. It’s almost one movie a week (!!) and it almost reaches my mark of 46 (of 274) of last year. And it totally surpasses my 33 mark in 2013 when I started it all.
*Note:Though 113 films (over 55% of the list) is English-based, not all of them are Hollywood movies. The number also considers UK, Canadian, Irish and Australian productions and some other mix-and-match co-productions.
Of course, I’m way more comfortable navigating mainstream Hindi cinema than I am Tamil or other industries. But Anupama Chopra has just released her video of the Best and Worst of Hindi Cinema in 2015, so I got inspired to have my own segregated list. xD
Anyone who’ve seen both Sanjay Leela Bhansali’s 1996 directorial debut Khamoshi: The Musical (Silence: The Musical) and last year’s Belgian-French La Famille Bélier -by Eric Lartigau- can spot the similarities between the two (as well as the 1996 German film Beyond Silence (Jenseits der Stille) by Caroline Link). You can even spot the similar plot points by either reading the outline or watching the trailer.
In the pivotal emotional punch of the movie, the daughter (played by Manisha Koirala and Louane Emera respectively) auditions to the coveted singing position, when her (deaf) parents -who had been against the idea- show up to see their daughter perform both vocally and in sign language. Koirala (voiced by playback singer Kavita Krishnamurthy) doing Yeh Dil Sun Raha Hain (This Heart Is Listening), and Emera singing Je Vole (I Fly).
Though Lartigau’s more modern take is much more musically accessible (let’s be honest, the film starts out with 2008 staple That’s Not My Name [1]), it’s also lighter. Bhansali’s story focuses a big chunk of his running time to tell the story of Manisha’s parents, also incredibly played by Nana Patekar and Seema Biswas, their struggle to raise a (hearing) child in near poverty levels, to the point that Patekar goes door to door with his daughter to make a living selling things.
Of course, both also have a love interest, and both Salman and Ilian Bergala are the weakest link.
Yu’s officially three-decades-old… but still is as cute as ever, even though she’s trying to be all grown-up and stuff. Just sit her in front of a nice matcha shaved-ice with red beans (or a velvety choco-purin), and you’ll get her all giddy.
That’s exactly what happened when promoting Dr. Rintaro on the Japanese variety Pon! with co-star on-screen mom Atsuko Takahata, who -I must say- is hilarious, too. These are obviously via the Yu Aoi Chinese fans. Watch the video. It’s 10min. long and it takes a while to load (for me).
She also did the Lilo & Stitchvoice-over event [1], and apparently got back together with someone from her Oha-girl days, so they did an Oha greeting! lol
Oh, man. I remember how much I used to love Yu-chan. xD I think I’m going to watch Climbing to Spring without subs, and hope to watch The Case of Hana & Alice now that it’s out on DVD.
I, of course, also ended up finally watching Peter Chan’s Perhaps Love (如果·爱), which is China’s -possibly- only formal foray into the musical genre. They were probably so into Moulin Rouge! and Chicago at some point, they got Farah Khan to whip some of her Bollywood 90s magic. You can see all the influences.
But, of course, Chinese people don’t believe in happy endings… even in musicals! Farah Khan probably watched this and was bored out of her mind because she probably doesn’t get us tortured East Asian souls. I did buy into all the grown-up lamenting love story.
To misquote Ron- I want to suffer, but I want to be happy about it.
I haven’t caught up with Dr. Rintaro since the first episode, but Yu-chan’s name has been going around on Twitter. Apparently — according to Twitter/Google/Bing translation — Yu is one of the actresses/actors who smoke. You know Japanese magazine rags, though, all text no images xD If anyone is shocked/surprised/following this, please do let me know. Otherwise, disregard. If Yu is, in fact, smoking… for years, hats off. Gurl, how do you keep yourself so young? Genes, I tell you, GENES!
In other news… The Case of Hana & Alice is (finally) coming out on DVD/BR disc in August.
There’s also news that Yu-chan will be voicing a character (I suppose the female robot) in an upcoming Disney Channel Lilo & Stitch SP. Complete with Yu & Stitch photo [picture][link].
I’m maybe one of two (or three) people that actually liked Ghaath. Actually, scratch that- IMDb is showing me that, at least, 20 people have voted this movie over 6. So there you go, we’re about 20 people. But maybe I have a strong bias, the film has a political moralistic theme of the late-90s early 00s era but avoids the masala shenanigans for the most part, it also has Anu Malik music — with two great songs that I enjoy — and the chemistry between Tabu and Manoj Bajpayee, who are also getting back together this year (after Salman in Jai Ho, Ajay in the upcoming Drishyam).
When a titillating item song comes on screen, I’m usually the one rolling my eyes at some of the embarrassment… and the Telugu film industry has usually taken the cake when it comes to silly sexism. Not even Tabu can escape it (her number in Pandurangadu gets the crown with that orange juice moment). However, I do remember the first time that I ever gasped seeing a Bollywood movie because *gasp* They kissed! It was the Chup Chup Ke [clip] number in Bunty Aur Babli. It was before I realized I did enjoyed seeing Abhishek and Rani together [1], but they were always married on film!
In the number for Teri Aashiqui Meri Zindagi, Tabu’s character is never married to Manoj’s, they fairly recently met at their family/friend’s wedding and had their moment in Hum Bhi Samajh Rahe Hain [clip] — there sure is a lot of rain and white-wearing caressing and singing, but it’s just playful boy-meets-girl girl-meets-boy, a lot of face-touching… but never EVER an engagement or wedding, yet… yet… there’s this 20-second love-making behind a torn down hellenistic column that results in a baby. LOL
There’s all sort of face and neck action foreplay (I’m like “Omo, omomomomomo I swear she’s licking that neck“) before the hellenistic column action, as well as the obvious after scene.
Of course there was a baby. There’s never a sex scene in these movies that doesn’t end with these consequences… it happens here in Ghaath, as it happens in Raiou.
Yasuhiro Yoshiura’s Time of Eve is one of my favorite animations of the decade so far, though I do prefer the series, I think. I don’t know how I missed the Kickstarter, though I’ve grown tired of them and it brings the Time of Eve release at the same price of the Japanese release. Sighs. Japanese products.
But look at this beauty~
The ones offered through Amazon, do not offer shipping to my location :( but The Time of Eve Shop does… at a kinda expensive price. Nearly $20 USD in shipping!
Since I’ve met you and moved to Sydney… I haven’t listened to one ABBA song. It’s because now my life’s as good as an ABBA song. It’s as good as Dancing Queen.