Because I couldn’t post these until the DVD ;P
Archives For Fun
*EDIT*
Gonna share this on the 2011 YAM Blogathon
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Let’s see, I missed posting yesterday! Coding is such a mess~ Please, if you know anything about WordPress plugins, programing, and crazy coding talk – HELP ME!
Anyway, to clear my head from that problem, I was having a debate on whether or not The Kids Are All Right is anti-male or not. The participants? The Film Snob (snobbyfilmguy), Kevin Ketchum (KevinnK), Johnny Splash aka. filmcave, Benjamin Vargas aka. bensower, and MovieBungalow.
When the film first came out, a lot of the critics and bloggers were singing praise left and right. TKAAR is my flare, light drama with bits of comedy. Plus, it’s got Julianne Moore and Mark Ruffalo, of course I was going to watch it. However, with positive feedback, there’s also the few that can’t help but feel disappointed… or outraged.
While reading IMDb (battle zone!!), and some comments on AfterEllen.com, you could find lesbians saying the film is “anti-lesbian” because no way Julianne Moore’s character would sleep with a man, saying that it makes it seem like lesbians can’t live without c*ck – their words not mine.
That’s like saying Imagine Me & You is “anti-heterosexual” because no way Piper Perabo’s character would go for a woman. Hmmmmmkay.
Let’s start with the basics. The Kids Are All Right is the story of a lesbian couple that’s going through a rough patch. Nic (Bening) is a doctor that’s spending more time tending to her patients, than her wife Jules (Moore) who’s a stay-at-home mom, whose string of career switches fill her with insecurities.
After years of marriage (ten?), they’ve got two kids, almost-18-year-old Joni (Wasikowska) mothered by Nic, and 15-year-old (16?) Laser (Hutcherson) mothered by Jules. They seem you’re average white upper-middle class family with no kids problems, no money issues. Since Joni is about to turn 18, her brother asks her to contact their sperm-donor father — Enters Paul (Ruffalo), and all hell breaks loose.
WARNING: LOTS OF SPOILERS~~~
I know a bunch of people were watching the American Music Awards on Sunday – does anyone care about the AMA once we grow older? I actually complained there was no broadcast, when there actually was… I just didn’t know there was, because I guess I didn’t care.
Also I rarely have the TV on in anything other than CNN, NHK, or CCTV LOL
Anyway, the New Kids on the Block and the BackStreet Boys performed together – which they’ve done before, only the video leaked that time was just a bunch of women screaming. So this one is an actual broadcast performance bringing oh so many memories.
They sang a mash-up (Glee fan-mode on) of Hanging Tough with Everybody, which then turned into I Want it that Way, which turned into Step by Step with The Right Stuff, and they finished off with Larger than Life.
Please, I was a teenage girl once – I know every single track name from any pop song of any pop idol prior to 2002. I know the choreography to those music videos. LOL
But now? Now I work on YAM, and I’m all about WORLDWIDE stuff.
Alright, alright – I am hardly not biased… but since going on my Joan Crawford marathon with DVDs and books — yeh, I’ve spent a bunch of $$$ on Crawford stuff this month — I’ve been thinking that Crawford’s life would make one heck of an interesting movie.
No, I’m not talking Mommie Dearest.
Imagine this:
Please, Carly Pope in her Crawford costume? Of course, no squinting of the eyes. Plus, Pope has already sort of played Crawford when they did that spoof on Ryan Murphy’s Popular.
She can totally nail it.
Crawford’s biopic would begin from her mysterious childhood, not knowing when exactly. Her biological father abandons her family, and later her stepfather is gone. Her life affected by it, and then her short experience at school. Not being an educated person would mark her life in that she feels not good enough. She’s not a sex bomb like other actresses, or seen as good as more talented actresses like Bette Davis — we can even bring Leslie Bibb for it. Crawford needed to prove she belong in that MGM lot, and she knew she only had her on street smarts to get ahead~~~
We gotta admit Crawford pushed women away… especially threatening to her career because she was insecure. With failed marriages, no biological children, her only “baby” was her career which started slipping away with the years. However, she was a survivor… changing to what the public needed her to be, and what she needed to be to survive.
A film with the struggles to reach the stars… from flapper to Hollywood diva, her marriages, and lovers~~~ including an on/off affair with Clark Gable, her friendship with him… what would have happened if both their love lives had finally met in the middle? Her miscarriages, her ultimate decision to adopt kids, her tormented relationship with the first two… until the final announcement of the release of Mommie Dearest, and her cutting her first two kids off her will.
Hollywood, make it happen. Her life is material for even two films… but considering we know so little of her beginning years, you can cram it into one, right?
In honor of Top 10 Films’ 1st anniversary~~~
1. First Film: Enter the Dragon
I figured it must be one of my dad’s favorites, since he’s the one who got the tapes and did the recordings on the Betamax from tv broadcasts…
I was watching my newly-purchased copy of Strait-Jacket with my father, having a blast — seriously, that movie is a hoot! Can’t really wait to take a look at the extras, and see Ms. Crawford with that ax.
But then, almost at the end of the film when Crawford is wrapping up, my dad goes on and says “Look, it’s Mario Vargas Llosa!” Freezing the image, we burst out laughing.
do you see it? I mean this photo of Crawford in the film isn’t really it. You must see her with her not-a-wig hair from where she is normal. It’s uncanny.
I was re-watching the DVD for Swallowtail Butterfly that I bought after watching the film on YouTube xD – and Because I’m cheap, I bought the Hong Kong version, when the Japanese version comes with English subtitles. I don’t think it’s the DVD per se, but the way it was shot. I don’t really know what it is, it’s scratchy, and it could certainly be because the film is kinda old. However, I would like to see a clean better release by Criterion… of all of Shunji Iwai written and directed films~
Ah, it’s been a busy weekend, but finally found the time to watch Hard Eight. Here goes to the Potluck! Why do I think about Chinese Hot Pot when I say Potluck? Makes me hungry~~~
First, I must admit that aside from There Will Be Blood and Punch-Drunk Love, I’m not familiar with Paul Thomas Anderson’s work. I mean, Magnolia and Boogie Nights do belong to my “to watch” list — the properly watch, not caught on TV when it was already on one — but it’s not like that list is getting any shorter.
Hard Eight beings with a very young John C. Reilly playing… Well, John being a bum outside one of those American diners, when Philip Baker Hall playing Sydney — which apparently was the original P.T. Anderson title… even though Hard Eight seems like a better title — picking him up, and offering a cigarette. Sydney asks John what’s up with him, and he says he’s broken even from the casino trying to get some money to bury his mom. Sydney asks him what he would do if he gave him $50. Simple John just tells him he’d buy a meal, but Sydney seems to have other plans… he’s going to teach him how to survive with just $50 and head over to Las Vegas for some trick gambling.
However, this is not a film about how John learns the craft, and lives happily ever after. First there’s a two-year jump, and we see John well-dressed, as Sydney plays Keno — isn’t that Bingo? Why the name-change? — They are living the life, but what were Sydney’s motivations for picking John up? It certainly wasn’t for cheap tricks, or taking advantage of him… as John responds “I will f*ck you up if you f*ck with me, ok? I know three kinds of Karate: Jujitsu, Aikido, and regular Karate.”
Oh, yeah~ Three kinds of Karate~
Thought Hard Eight is a bit “okay, I did not see that one coming” as much as it could be predictable, it’s pretty much worth it. I mean, not only because almost 15 years after — feeling old again — Gwyneth is being addressed as Gwyneth (and won an Oscar), and Philip Seymour Hoffman is an Oscar winner, and John C. Reilly is an Oscar nominee while P.T. Anderson is like a what – five-time Oscar nominee?
Hard Eight is the movie for Sydney, you want to know about him, why he does what he does, and in the end – you know, it’s worth it. The acting is convincing, but it just made me realize John C. Reilly pretty much plays that same role over and over again. And… must all actresses play a version of a hooker before they turn to serious acting? It’s Gwyneth… with, it must be some kind of neurosis! She just loved to get in trouble. That incident with the motel and the handcuffs… you must admit it came out of nowhere. LOL
I guess this might be the perfect time to get Magnolia and Boogie Nights~~~
3.5/5
Or at least that’s what I translated Tetsuko no Heya. xD
The interview is good, we learn a bit — including two questions that some fans wanted to know, or at least that’s what your questions were about. What was her favorite role (or at least that’s what I understood when she replied), and a bit about her family… which also gave us some new photos – including this one!
Sincerely, this has been Glee’s best episode of the 2nd season so far. We learned a bit from the characters, and the music didn’t take over. There was plenty of funny moments. However, I’m lazy – so this might be my last Glee Quote of the Week. Picking a quote each week is turning into “oh I don’t know what to pick” so it actually takes a lot more time than it did before.
With this post, I want to get off the hook in case I find it difficult next week.
Julie Andrews needs to be Kurt’s grandma, or auntie after his fierce number of Victor/Victoria. And talking about “aunties” – Tina, ain’t nothing wrong with dim sum. Or chicken feet. The Asian in me really wanted to use the chicken feet quote… because I can’t imagine salad with chicken feet. LOL
Having said that. What a gay episode. Rachel and Kurt are meant to be fag-hag and main-gay together. Brittany did Lady and the Tramp, but she had no one. Artie’s being a bitch. But the biggest bitch of all is Santana. The difference is that I like bitch Santana, and I think Artie’s just being a jerk. He’s all like “poor me, you took advantage of me”. Suck it, Wheels!
BitchSantana may be a major bitch, but still ain’t bitch enough to battle the biggest bitch of all. Santana meet Nicole Julian – I think you’re both known as Satan in your respective universes.
There was also cheerleader make-out scene. O_o
I’m like a lizard. I need something warm beneath me or I can’t digest my food.
I like that she doesn’t take offence in comparing herself with a lizard. xD
