Archives For Swedish

And since we’re talking about remakes of Swedish films, how about an article that says every of-the-moment actress in Hollywood wants to get a Dragon Tattoo. At least according to a post by Deadline.

Every hot young actress in Hollywood wants to play the lead in Sony Pictures’ The Girl With The Dragon Tattoo. But will director David Fincher cast one of them — or go with an unknown?

Sony execs insist they’re “nowhere near casting”. But Mulligan, Page, Kristen Stewart, Mia Wasikowska, Natalie Portman, Keira Knightley, Anne Hathaway, Olivia Thirlby, and Scarlett Johannsen are all circling.

You know what I think of Mulligan, Page, and Portman as Lisbeth, but what about the others? Well, about Stewart, I am not convinced about her acting, plus she still has Twilight commitments, meaning she wouldn’t be able to toughen up for the role because… well, then Bella would be all able to kick Edward’s ass. Plus, another series after a series? I don’t think it would be smart as an actress. She should keep it open for a while.

Wasikowska never ever crossed my mind as Lisbeth, she’s so delicate so she would also need to toughen up, and I mean it in the way she needs to gain a little more weight to get some muscle there. But she certainly fits the cute and tiny bill. And please! Keira Knightley is a total pass. WAY too skinny, and she’s not able (according to her) to gain weight, so she wouldn’t be able to get that bad-ass look down. Plus her eyes are dull.

Anne Hathaway is too old, and not the right body type, as is Johansson. Plus, she is known for her curvy body, would she lose that in order to get a bad-ass muscle body? As for Olivia Thirlby, I kinda liked that. She’s not really mainstream… but there’s also the thing about the bad-ass.

And wait for it, wait for it…

On the other hand, they think the male lead does require a star, and the studio is waiting for an answer from Brad Pitt.

Say what? I like Brad and all, but this is exactly what Lainey said would happen.

Can I just say Noomi Rapace is really REALLY bad-ass?

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It’s alive~~~~~~~~

re-fitted my computer this afternoon… man, those things can keep so much dust and other nasty stuff. And damn these Windows stuff, not saying that the new card is compatible… and then saying my audio driver wasn’t found, when it was RIGHT THERE where it’s supposed to be.

Then funny thing, after I put the video card in, Windows didn’t want to start. Looked it up online after typing the error number, and one of the tips was to take the hard disk out, and put it back in… and it worked. PCs are such weird phenomena. But now is finally over…

I kept the laptop my dad lent me, ha!

And, as you can see from one of my posts before, I listened to a LOT of music online.

And I also bought more books… LOL. I found the third tome of the Millennium trilogy – The Girl Who Kicked the Hornet’s Nest [Paperback][Kindle Version]… and the original Swedish title, Luftslottet som Sprängdes which is The Air Castle that Blew Up. *sighs* translations… translations.

I also bought Åsa Larsson’s Aurora Boreal (wtf?) from the original Swedish title Solstorm… which is literally Sun Storm like the actual English title. *sighs* anyway…

I also bought Yasunari Kawabata’s En el Lago (Mizuumi, The Lake), which I’m about to start. And… Cuentos Inolvidables according to Julio Cortazar, which included shorts by Capote, Borges, Edgar Allan Poe, Ambrose Bierce, Henry James, Tolstoi, Juan Carlos Onetti, Felisberto Hernandez, Leonora Carrington and Katherine Mansfield… which well, I found kind of boring.

And finally read Benjamin Button… but I enjoyed the movie better. To be honest, Benjamin Button was kind of a jerk in the book. I didn’t like him at all, but the story started out much more logical than in the film. How do people manage to make a 3hr film of a barely 50pg. book? LOL

OMG, I think I’ve broken my own whatever record of music heard ever.

I’ve been listening to whatever I could find for streaming. Including albums that I had no plans to listen to, but I figured I should just to say I have listened to them when giving my opinion, and not get that “well, if you don’t listen to it, how do you know it’s bad?” – you know that response, right?

So I think you’d be surprised to see what I’ve listened to.

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Seldom Book Talk

April 26, 2010 — 1 Comment

I don’t read as many books as I watch films, tv series or listen to albums… but I think that reading subtitles count on as part as the word count of how much I actually read… as well as reading lyrics xD

At the moment I’m reading — being trying to finish for the last month or so — Cronica del Pajaro que da Cuerda al Mundo (The Wind-Up Bird Chronicle, aka Nejimaki-dori KURONIKURU) by Haruki Murakami, but really can’t blame me for taking so long. It’s 900 pages long, and I know Harry Potter 5 is as long and it only took me 3 days to finish that one. But Cronica began really slow, and I left it there for a long long time until about 3 days ago, when I picked it up again. xD

I’m actually devouring any Murakami novel I ran into the bookstore. I have already bought Sputnik, mi Amor (Sputnik Sweetheart, aka SUPU-TONIKU no Koibito), and El Fin del Mundo y un Despiadado Pais de las Maravillas (Hard-Boiled Wonderland and the End of the World, aka Sekai no Owari to HA-DOBOIRUDO WANDA-RANDO).

I’m looking for Kafka on the Shore, which I saw at a bookstore’s listing, but when they checked… it was gone. Highly suspicious… I never believe things like books, cds or dvds ever get sold out here.

Julz will also be surprised to find out that I ran into copies of Män som Hatar Kvinnor… which wasn’t literally translated, as the book in Spanish is called Los Hombres que no Amaban a las Mujeres [literally, Men Who Didn’t Love Women for those of you non-Spanish readers] – I guess Odiar/Hate is too-strong a word? At least it beats “The Girl with the Dragon Tattoo” [Hardcover][Kindle Version]. Gosh. I was disappointed with the title in English when I saw the film. xD I also found a copy of Flickan som Lekte med Elden, which was translated to La Chica que Soñaba con una Cerilla y un Bidon de Gasolina [literally, The Girl who Dreamed with a Match and an Oil Drum] but the Swedish title means The Girl who Played with Fire [Hardcover][Kindle Version], right Julz? Which is exactly like the English title. Wonder who picks the titles…

However, I couldn’t find a copy of the third part. I will probably look for it after I finish all of the above, or buy it if I ran into it… – I wonder why they only had the two tomes.

Also, why are books so effing expensive here? I paid a bit over $30 for each Stieg Larsson book, and they’re not even hardcover editions. Frak, I even complained when that stupid Dan Brown book was $16 USD on Amazon… while they were selling it for nearly $35 USD in bookstores here. FRAK, I tell you!

The first time I saw Let the Right One in [LtROi], I was left with a shivering tingle. Obviously, it became my fave film of 2008, and I have seen it seven times already… loving the slightly unconventional love story, and presenting a wonderful character such as Eli.

This is why I don’t have to tell you how mad I was when I heard about the remake, right?

Well, not long ago… in fact, just after I commented on The Auteurs about watching it again, someone asked me what I felt about the remake. After a few minutes thinking about it, I concluded that I wasn’t as mad as I was when the news broke. I still don’t think Let Me In could be as good as LtROi and/or bring anything new to the genre.

Possibly, the best thing that could make me sway my decision is the casting of not only Chloe Moretz (Kick-Ass, (500) Days of Summer), but also Kodi Smit-McPhee (The Road). A moody and beautiful trailer would also help.

However, there’s still the fact that they probably won’t tackle certain topics by changing Eli’s name to Abbey, which makes her a full girl unless I don’t know any guy names that could be shortened to Abbey… you know like sometimes Ashley is a guy or girl name? Add to that the fact that Richard Jenkins’ character is called “The Father” – weird.

I’ll quote someone on IMDb who seems to explain it better…

By having Abbey being a girl, they’ve already killed one of the things I love about the original book, its not a conventional love story, it’s more about the idea of what love is and what it means. There is something so strangely touching about how Oskar is willing to still accept Eli in his life even after everything he finds out about Eli, I just found that really touching in the original novel. – damann861

I will probably watch the film… if it comes to local theaters, and if it doesn’t… well, I will probably take the time to download it. I mean, it all comes down to the trailer and the production stills. I want to see how it looks like before…

What are your thoughts on American remakes of foreign films?

Should they have waited a few more years to remake LtROi?

A few hours ago, I got back from watching Let the Right One In at the cinema. This is the 7th time I’ve watched the film in what… 2 years? [Twice as a screener, twice at the theater and three time on my DVD] And I still can’t seem to get enough of it. So thinking about whether or not I should add the film to my Top10 Favorite Films of all Time, made me remember that I have updated my Top10 Faves slightly already.

Considering I saw Memories of Matsuko less than 2 years ago (1.7 years according to Flixster), and I’ve also seen it 7 times. It’s quickly climbed up from spot #8 to #3~ While Grave of the Fireflies climbed up from #10 to #5.

What film in my Top10 should I displace? Jurassic Park is still in a special place in my heart, and Donnie Darko… hmm… or will Moulin Rouge! make a disappearing act? I need to watch these three films again and re-evaluate my Bottom5. I’m conflicted~~~ xD

In honor of the release of Let the Right One in here in Peru, I have put together my Top5 Little Girls on Film. It wasn’t how cute they were, it was about young girls — I’m only taking into consideration girls younger than 15 years old — dealing with not so innocent stuff. It wasn’t also about dealing with issues teens deal with normally.

These characters weren’t dealing with coming-of-age stories. These were already adults inside girly bodies.

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I don’t get the title.

But this is coming from Aiya They Didn’t.

GT: Do you see many Chinese films in US cinemas?

Rosen: There are not many Chinese films in the US, and the few Chinese films that are available in the US were directed by famous directors, such as Zhang Yimou, Ang Lee, and so on. There are several types of Chinese films that have played here.

Martial arts films are one type, such as Hero (Yingxiong) by Zhang Yimou and The Promise (Wuji) by Chen Kaige. The other type would be art films, such as those by Jia Zhangke, but these only get a limited release.

However, most Chinese films will never be shown in theaters here, because I think there simply isn’t enough of an audience for them. This is also true for most foreign language films. They are more likely to appear on DVD than to be shown in theaters.

Up to now, the most successful Chinese film has been Crouching Tiger, Hidden Dragon (Wohu Canglong), the second most successful was Hero, and then Fearless (Huo Yuanjia).

The most successful Chinese films at the box office in the West have all been martial arts films, where language is less important than the action on the screen.

These are some of my comments,

Instead of Rosen suggesting China focus on big historical blockbuster to compete with Hollywood films, he should have only suggested “you should dub your films in English” – I mean, even great films produced and directed by American fave Clint Eastwood suffered from the “why no dub version” threads online.

Just look at the percentage of Chinese films on the Top Grossing Foreign films. I think they’re doing pretty great as far a top grossing in the US compared to other foreign films.

What I would like to see is more Chinese films (and over all Asian films) being distributed more in cinemas… in my country. LOL The last Chinese film released here was Yimou’s Curse of the Golden Flower. AGES ago. So if China wants to have more distribution of their films, they could use their own embassies and consulates around the world to actually screen films locally, instead of the Beijing Screening for international distributors.

I bet most distributors watch them, like them but see no market for them unless they have action sequences. So in the end those distribution screenings are for nothing. China should take distribution of their films in their own hands, I’m sure a lot of people would go to the movies instead of watching online (at least many of you) if the films you want to watch are available locally.

Like I’ve said, I’m not trying to be biased, since I do watch films made in America. But if you take a look at what a Blockbuster is in America, which they are discussing in the interview, films like Transformers 2 and Twilight made big bucks. China’s productions just wonder how they can get that many people to watch their films… and not only martial art films, but other types of films too.

The fact is many foreign films don’t get wide releases because they aren’t mass-appealing (worldwide), most markets just are filled with a lot of crappy American films, and I’m not talking about District 9 or Up… but with things like Transformers 2 and All About Steve or any Jennifer Aniston rom-com. While crappy foreign films (because everyone has their crappy films) can’t even make it outside their country.

The other question is… why does Hollywood remake My Sassy Girl, when My Sassy Girl is a fine film. Why can’t they just release it with subtitles. What does China need to get a film like Internal Affairs in theaters in America, instead of getting The Departed winning Best Film at the Oscar?

Why is there a Best Foreign Film category?

I’m not sure i-sat will be broadcasting the Indie Spirits Live this year, as the schedule says it will air at 11pm, so I literally have no idea. Actually, I think they might be live and they just begin really REALLY late as the email they just sent me says that:

8pm Pacific Time/ 11pm Eastern Time
Hosted by Eddie Izzard

So there you go…

Anyway, I dunno where you can watch the show, but you can check the Live Arrival over at the Spirit Awards Ustream TV Channel. You can even check out the music they will be using~

Here comes the predictions~

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