Tell me the 4 Minutes performance wasn’t the hottest?
Category: Screencaps
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Emma Watson’s New Site is Pure PicSpam~
Well, color me surprised.
Not only has Emma Watson had her website re-designed with a brand new and clean site, but also it seems she’s finally bought off the previously bought EmmaWatson.com – as you probably knew (or didn’t) Emma’s previous URL was EmmaWatsonOfficial.com, which now redirects you to EmmaWatson.com so someone probably made a bit of money there.
The new site has a lot of very-welcomed white space, really big pictures, and easier navigation. Stuff is easier to find, and it’s probably easier to Google. And did I mention the pictures? There’s a lot of slideshows with her editorials and photoshoots and film stills. Sure, you can’t save it, but you can totally “print screen” them xD
And HELLO? Exclusive commissioned photos? People will probably print screen those too, but it is still nice to know you can rely on the official site to deliver original content.
Emma is proving to have a savvy online presence.
And be very fashion.
And I’m glad she doesn’t tweet.
Now all she needs to do is release a photobook. RIGHT?
Because photobooks are totally pretty. And she can pull it off… release a PB, I mean.
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UTweet!
Can’t get enough. xD
This intro [sort of] is what Sunao ni Narenakute (Hard to Say I Love You) should have been in the first 5 minutes… and this is coming from someone who’s never used Twitter. xD
If you wanna use your own Tweets and/or your own keywords…
Head over here~~~
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Lee Hyori Featuring Ceejay – Chitty Chitty Bang Bang
I swear to kamisama that Hyori-unnie has been watching a lot of films. Last time she did Black Balloons and creepy clow in a gloomy beach, which was totally arthouse. This time around she’s totally District 9 meets The Fifth Element meets Close Encounters of the Third Kind.
I love it. xD Thanks for the Hyori video-bombarding, Julz.
Hyori in the yellow feathery coat looks like a little pollito. LOL
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Parallel Lines: Five Films, One Piece of Dialog
While presenting their new fancy television screen, Philips is showing 5 very different short films that were made with the same piece of dialog. The visions are varied, but my favorite was The Gift ^^
You can check them out at the Cinema Philips website.
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Back with Glee Quote of the Week~ – S01×14 – Hell-O
Glee is back!
And so is Brittany with her many one-liners!
Did you know that dolphins are just gay sharks?
Oh~~~ Hello, Shark Tale?
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NHK ni Youkoso!
Based from the novel, and the manga series by the same same, Welcome to the NHK [which stands for most part of the series for Nihon Hikikomori Kyoukai or The Japanese Hikikomori Association] tells the story of a Hikikomori himself called Satou Tatsuhiro, a 20-something-year-old University drop-out who’s been living like a Hikikomori for almost 4 years of his life until an 18-year-old (?) girl named Misaki decides to take him on as a project and make Satou better of his social condition… as well as helping herself.
During the 24 episodes lasting 20 minutes [without opening and closing credits], we deal with a lot of what we’ve come to known as inherently Japanese odd behavior[though it’s really a global issue], including what we’ve learned to call the Japanese sub-culture of Otakus… Lolicon, video game culture, etc etc. However, we also deal with serious issues such as isolation, suicide and abuse – the last two often being such taboo topics in Asia or Latin America.
This animated series is what makes Japanese animation so avant-garde, in my opinion. Televised animation has hardly anything in its favor. They can’t ever boast on how great their graphics are, because they need to restrict their resources so they fit the budget… ultimately, animation as a medium is seen by many in America and, to a lesser extent, in Europe as a kiddies hobby. If the people often putting animated films and series down just because of being animated could give Welcome to the NHK a chance, they’ll understand it better.
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Salyu – Maiden Voyage – Merkmal Live @ Nippon Budonkan 2009
HMV JP takes top marks on shipping.
It only took 2 days! TWO days for my order to arrive~~~
It took Salyu 3 years to release her 3rd studio album, but it’s not like we were deprived of new music. In fact, Maiden Voyage contains many of the singles that Salyu had release these past years [6, if I count correctly]. You could say this could be a compilation of sorts, but it surprisingly works nicely as an album.
The album art gives you the visuals of flying… almost in a dream-like fashion — I mean, Salyu IS floating on a mattress and/or pillows, right? These visuals work really well with the overall themes and overall energy of the songs (yes, I actually grabbed the song book and followed the bouncing ball).
It also looks like Salyu is experimenting with her own music by finally stepping onto the writers chair, and even working on the music herself. Of course, she’s not doing it alone but with the help of Takeshi Kobayashi who has been there since the days of Lily Chou Chou. The collaborations between Kobayashi and Salyu are what we have come to get used to as far as Salyu’s sound is.
Interestingly enough, Salyu’s song (written and composed as least with the help of Tatsuya Kokufu) L.A.F.S (which stands for Love at First Sight) reminded me a little bit of what Salyu used to sound as Lily. Somewhat off-beat melodies, with really simple lyrics, but really moody.
Overall, the album really flows well and feels like a whole, except maybe for the oddball BIRTHDAY, which threw me off… in a really good way. The song, written by Salyu and composed again by Kokufu, sounded like Shiina Ringo and Bjork had a lovechild, if that were EVER possible.
I’ve taken to Salyu’s music because it’s soothing, as well as quite slow and easier to follow with a songbook. Salyu is really quite good to practice your reading and pronunciation. However on BIRTHDAY, she slurs her words and sounds completely different. I’m looking forward to more of that sound in the future. Hopefully.
As for the concert DVD. Well, it’s totally worth the price you pay for this limited edition with DVD
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Screencap galore after the break~
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We Are More by Shane Koyczan
One of the most “proud to be Canadian” moments at the Winter Olympics Opening, even if you’re not Canadian, was the moment Canadian slam poet, Shane Koyczan, took the stage with his “love song” to Canada “We Are More.”
CTV took some time to catch up with Shane after his presentation.
How does that feel?
I’m honestly flabbergasted. I don’t know how to react. All I can really say is thank-you, and those words never seem to suffice because I want to express the totality of my gratitude, but I don’t have much more to offer than thank-you. I guess it’s like I said in the poem: please and thank-you.
