Tag: tetsuya nakashima

  • Ip Man 2 and Kokuhaku at 2010 NYAFF

    I am all over Ip Man at the moment. So really, there’s no better way to kick of the New York Asian Film Festival than with the American premiere of Ip Man 2, which its pure kick-ass and feeling for martial arts. Sammo Hung will also be there, so that’s pretty kick-ass too.

    But the biggest news is that Tetsuya Nakashima’s latest film Kokuhaku (Confessions), which will open in Japan on June 5th, will be the Centerpiece presentation. According to Subway Cinema News, Kokuhaku has left dumbfounded at the market screening in Cannes. Must be the LSD on Nakashima’s film-making.

    Can’t effing wait for it now.

    via Nippon Cinema.


  • Dear Viz Media: I Love You, but…

    You guys really REALLY need to work on what you call “Special Features”. It’s been a long time coming, but the review I sent to Amazon.com of Linda Linda Linda never showed up, even though I was reviewing the material in the DVD and even making suggestions… so it was a valid write-up.

    Last time I bought something in Amazon.com, my order included a copy for the Viz Media release for Tetsuya Nakashima’s Kamikaze Girls (Shimotsuma Monogatari) and Linda Linda Linda by Nobuhiro Yamashita.

    Where to start?

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  • Kokuhaku – Confession Trailer

    The film is based on an award-winning novel written by rookie author and housewife Kanae Minato. Actress Takako Matsu (K-20, Villon’s Wife) plays a dedicated teacher at a junior high school who’s young daughter is found brutally murdered. Believing two of her own students are responsible, she decides to leave the school, but not before a final chilling confession to her class in which she informs them that she’s already enacted her plan for vengeance.

    Watch the trailer via Nippon Cinema.


  • If Only… Kamikaze Girls

    Continuing with the If Only… Yu Aoi Edition.
    We’re almost done with these, so if you haven’t
    participated, you can message me. I’ll email you with details.

    by Acerk

    2. Kamikaze Girls

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  • quick me updates~ NY, I Love Ya (not) and other dvds

    Let’s see… just saw New York, I Love You.
    as far as my expectations, I was disappointed… I did like two of the shorts. I was entertained by Brett Ratner’s segment (Olivia Thirlby and Anton Yelchin), but my favorite has to be Joshua Marston’s segment with Cloris Leachman.

    Natalie Portman’s segment was okay… but her acting segment was kind of weak — plus, the bald cap she used (coz that was a bald cap, right?) bothered me a little because we know how her shaved head looks like.

    Because I wanted to see something new by Shunji Iwai, I had high expectations and was let down. Nothing really wrong with it. Christina Ricci is okay, and I guess Orlando Bloom is okay… but did it have to be him?

    I also got my screener for Precious, which I have seen already… but it’s nice to get to watch it on my DVD player. I’m getting ready to vote for Independet Spirit Awards ^^ Second time around!

    Amazon hasn’t published my DVD Review of Linda Linda… why is that? It was a perfectly fine constructive critic that would have made Linda Linda a better release. If they don’t publish it this week, I will publish it here.

    I’m almost done re-watching Pushing Daisies…
    These are my last DVD buys:

    • Pushing Daisies Season 1
    • Pushing Daisies Season 2
    • The Animatrix
    • Linda Linda Linda
    • Kamikaze Girls

  • Tetsuya Nakashima’s Kokuhaku Teaser

    Seems like a good Nakashima-san project.
    I’m excited for it xD can’t wait for it…

    And that Masaki Okada, he seems to be everywhere, eh!?
    Check out the trailer via NipponCinema.


  • 10 J-Films Writing a Decade

    TheAuteurs has a nice post talking about some films that changed films in Japan in some way or the other…

    Two major consequences of this have been: the diminishing status of the director in the creative process, who comes in as a hired gun, and: the banality and triteness of encountering performers on a daily basis, from movie to TV drama to variety show to advertising. The last decade launched the careers of countless “talentos”, young and cute boy-girl products, yet revealed but a handful of actors & actresses one might be eager to follow over the next ten years.

    Wow, that statement sounds pretty negative xD almost making “auteur” films non-existent in Japan, and focusing on idol-pushing films that are more commercial than anything.

    Like Acerk pointed out, a shout out to Shunji Iwai’s Lily Chou Chou film;

    The film featured two outstanding young actresses, Ayumi Ito, discovered by Iwai for his 1996 Swallowtail Butterfly, and another Iwai revelation, Yu Aoi, who has since become one of Japan’s more original and refreshing performers. It should be noted that Iwai was among the first directors to hire TV drama stars as main actors in his films, to secure additional financing; he proved that when a director worked hard enough, he could get inspired work from talentos. This method has since been used by virtually every auteur in Japan.

    Hello, and thank-you.

    And more shout outs to Memories of Matsuko, and Tekkonkinkreet.


  • Memories of a Decade in Films

    at Cinencuentro again!

    This time around pointing out some experiences while watching those films, which doesn’t necessarily reflect what I consider the best… keyword, necessary.

    Sorry, only in Spanish.

    check it out here.


  • Experiment Awards’ 2006

    First, let me begin saying that I thought 2006 was a great year to watch films. Also, funny thing to point out — it was really, and I mean… REALLY tough to pick my Best Supporting Actress picks~

    Many of my favorite films have a 2006 tag in them, so this list might seem a little bias, even though I really tried hard to not be. You might noticed how hard I tried not to be bias. LOL — check the Best Actress category~

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