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Gomen, gomen. I skipped two months of random blogging this time around. I did, however, write my late 2024 Peruvian box office wrap-up, published in late February. And I did a small write up by the end of March about Malayalam cinema that is yet to be publish in case Jude Anthany Joseph’s 2018 is released locally this week. Just in case.

I have also picked up French once again! Officially since mid-January ;D Thanks to Nelly of Français avec Nelly. Everyday French (and slang, especially online slang) has improved, formal usage (has returned), but writing refuses to go back to levels (^=^!) to when I was a formal student and could actually write. It takes me ages to actually write, so it takes triple the ages to get something out in French.

Anyway- in one of the most recent videos where Nelly answers some subs questions, user tomas_valiunas asks about a website where you could watch French films for free, which is -of course- my expertise. I may not focus on writing about French films and festival films, because there are hundreds of others who do, but I do watch a number of French films and co-productions. And even though the French, and Europeans (and first worlders) in particular, are very finnicky about geo-restrictions and copyright, there are ways.

And the first and most obvious legal answer is TV5 Monde Plus.

I still have cable, so I don’t know how people who don’t have cable are supposed to find out about the TV5 Monde app for download or that they have a streaming website. Of course, there are a number of shows (broadcast on TV5 Monde) available to stream for free on YouTube like Echappées Belles or Des Racines et des Ailes.

They let you browse without an account, but you have to create one to actually watch the shows and films, otherwise you hit ‘play’ and just get the TV5 Monde logo and a ‘sad face’ lol

According to current (Mar 4th 2025) FAQ, opening an account and accessing the programs in the platform is free.

Right now they’re offering a bunch of Brigitte Bardot films like Boulevard du Rhum, Viva Maria!, La Bride Sur Le Cou, L’histoire très bonne et très joyeuse de Colinot Trousse-Chemise and En effeuillant la marguerite. Other classics like Peau d’âne by Jacques Demy, Jean Eustache’s La Maman et la Putain, and Truffaut’s Les Quatre Cents Coups are also available. And that rare Marlene Dietrich French film, Martin Roumagnac is also available.

Some of their co-productions are available, like Papicha by Mounia Meddour and Noces by Stephan Streker. However, considering the vast recent production of French animated films, I was a little underwhelmed from the selection of animation available; though Alain Ughetto’s Interdit aux chiens et aux Italiens, Florence Miailhe’s La Traversée and Une Vie de Chat by Jean-Loup Felicioli and Alain Gagnol are available as well.

But my favorite discovery available is Adrien Beau’s Le Vourdalak [Trailer] which I had been looking forward to watching. Sadly, it’s the only film labeled a fantasy. ^^’

Subtitles seem to vary, most (if not all) content seems subbed in English and French, there are also options for German (?), Arabic, Romanian and Spanish, though these two vary depending on the film you’re watching.

So I thought you should all know, even though no one reads blogs any longer, maybe someone will find this information on the vast nothingness of modern-day internet.

On December, I wrote about a couple of my concert music DVDs rotting away.

And the YT algo just popped this on the feed, talking about a number of Warner Bros titles that are apparently being affected.

Somebody on forums (!!! They still exist!) posted a list of probable affected titles, and to my dismay, the Greta Garbo and (both) Joan Crawford collections are affected. I just popped Mata Hari and Possessed on the player and seem to be playing fine.

Another one of the fears with (new) media and products that developed in types of plastic is that they’re decaying faster than people expected. I’ve had older (retired) players that were kept on storage that have a general sticky texture after a while. However, this doesn’t seem to happen to players that are in general exposure, not directly with sunlight, but in a generally airy room that’s in use, unlike a display room. I also happen to live in the mildest of climates, though high in humidity, temperatures never go above 30C (above 90F) or lower than 14C (lower than 55F). So maybe these conditions are affecting the storage of physical media.

I did the vast majority of my library collection before 2007, though. I did buy a number of things in between the mid-2000s to late-2000s, so if disc rot is affecting a general batch produced in between 2007-2009, it is a concern. I’m generally more worried with collections I keep in drawers instead of a regular shelf display.

… is Amy.

I asked the collective conscious who the biggest Yu Aoi fan was, and it pulled this up.

I’ll take it.

Amy is the biggest Yu Aoi fan.

Oh, wow. Look at this ridiculously good-looking photo of Dita Von Teese. What a face. What a shot. Bless Beau Nelson for this shot.

credits to Dita Von Teese’s FB, who -by the way- won’t let me access her Linktree because it says it goes against community standards. Facebook has become insane. It was bad before, now it’s worse. It’s almost nearly unusable now.

It took a while, but

Happy 1000th fan!

If you aren’t following the list yet, you might discover a gem or two!

My only Letterboxd anticipated message came in the other day, but I took a little bit longer to post because the better side of my OCD got to me.

But here it is!

I went on a Stephen Chow binge, and got to watch a bunch of Hrishikesh Mukherjee films for MUBI. Not to be the Debbie Downer of the terrible 2020, but I hope 2021 picks up. This is the first time in my movie-watching history that I only have one single 4-star rating in my Year Films Ranked list. Two titles if you consider Marona’s Fantastic Tale.

This 2021, I have decided to shut off social media and restart blogging once again. It doesn’t matter if it’s into a blackhole of information. I’ve started with this Spanish translation of a review for Zoya Akhtar’s Dil Dhadakne Do, since the film is in rotation at the Indian entertainment channel ZeeMundo. We also have a proper Spanish title for Haider (!).

So Long, My Xiami

January 6, 2021 — Leave a comment

Greetings, my fellow lurkers, if you are lurking still. Knowing that I haven’t updated anywhere and I’m hardly active on social media, I just wanted to say that I haven’t died and haven’t been swallowed by the Earth. I hope 2020 didn’t wreck you, and that 2021 finds you in a more… calm path.

As I sit here making plans of wanting to do a lot of things, and then getting nowhere, I reminisce the days of internet freedom when roaming through websites was like the wild west. And that’s when I discovered Xiami— according to WP word search find, the earliest mention of the music site on the blog dates back to 2010… with an even older mention of forgotten HaoTing. lol Since then, over a decade ago and many an indie Chinese music discovery, Xiami had been part of my daily life for thousands and thousands of days.

I took a screencap for posterity! My Xiami account was supposed to last until the end of the year, and then an extra 4 months.

So it is with great sadness, but hardly any surprise, that I report that Xiami will be no more… on February 5th this year, to mark my 35ths birthday, nonetheless. End of an era for my music streaming, end of the era… of my youth, I suppose. With my only consolation prize that a lot of Chinese music is already available on not only iTunes and Spotify, but also on YouTube. I just need to re-find them and subscribe to whatever their channels are. It will be, of course, a lot more difficult to discover brand new Chinese music.

Happy late holidays and New Year, everyone!

My most awaited Letterboxd e-mail came yesterday with my 2019 movie-data. Though my writing input has definitely not improved, cutting down on Mamamoo stuff has increased my movie watching habits, for sure.

Compared to 2018, I logged 480 films (though over 50 or even many more could be short films), which represents a 23% increase. In terms of hours, there was an increment of over 100hrs or 16%. This increase still doesn’t match my 2015 levels, when I reached 530 logged films (9.5% short) or clocked 959hrs (14% short)… but it’s getting there. I am still at 2017 New-To-Me level of movies, though.

My most-watched actor was Glenn Close because I went on a marathon of her movies because I really thought that she could win the Oscar, not that I wasn’t pleasantly surprised to see Olivia Colman win for The Favourite. And Francois Ozon was my most-watched director because MUBI programmed many of his films, including Les Amants Criminels, Water Drops on Burning Rocks, Young & Beautiful, and L’Amant Double.

And as my writing output has been so poor, I haven’t written any End of the Year (or Decade) posts. Gomen.

After years [1][2][3] of data; Yes, it’s Mamamoo’s fault. The positives, though, I have registered 31 more hours than I did last year with an extra 18 movies. My movie-watching in general got better because I managed to watch 132 brand new 2018 movies (compared to the 103 in 2017).

This year, I didn’t make any particular movie goal. Though, some of my favorite movies this year were Indian, as reflected by my latest highest ratings. No one has been able to surpass my love for Rene Liu’s Us and Them so far, though. It’s been an incredible year for… not movies made by Netflix, but they have expanded their distribution library enough to make it interesting.

My goal for this year is to increase the titles I watch; seeing that from this interview at Film Independent, the guy from IMDb states that “You should feel disappointed if you haven’t seen 700 movies in a particular year [laughs].” O.o I don’t feel half bad about registering half the amount of movies the guy from IMDb watches. Just saying.

Damn, I missed ya, Gaji~ I still miss Seju and all her drama, but Pet Aesthetics (애완의 미학) is as close as it’s gonna get for a while (at least), and I did see what you did there *wink wink nudge nudge* Also, I missed those *badump badump* The art, the aesthetic. Damn it.

I do wonder… are you gonna make me cry? lol