Ever since I saw Madhuri Dixit on Devdas, I was fascinated with her eyebrows because… well, BECAUSE!
Can you do that? HAVE YOU TRIED TO PULL THAT OFF? That’s a talent right there. And it seems to be her thing. I mean, I can move my eyebrows alright- one up and up the other goes, but it looks more like a look of mad confusion than the actual ease with which she uses.
Here~
You know how everyone EVERYONE likes to point out Aishwarya Rai was Miss World and ALWAYS point out she was at one point the most beautiful in the world. It irks me, because you get to see Devdas and see the most stunning amazingness.
And she’s overlooked by us (non-indian audience).
I mean, it does help that she’s gorgeously dressed and accessorized. And Madhuri Dixit has such charisma while talking or performing — not her dance numbers on film — but live or pre-recorded presentations. I haven’t gotten around to watching HER starring filmography just yet, but I literally spent a couple of hours browsing through her videos on YouTube.
I loved her throwing in some Michael Jackson movements, and she gave me some Flashdance vibe at some point, but she does have such ease to entertain and enjoy herself on stage. It makes the experience of watching her such a pleasure. I really can’t wait to get to her filmography.
Any day now.
Next week, it’s crazy, will be the first month my dad has been gone. Though the shock of losing him seemed to block my mourning for him, as the days have gone by, it’s been harder and harder. Specially this past Sunday. It was my fourth Sunday without seeing him… and I don’t get along with #4s. Today I woke up thinking that maybe I could hear his ringing my intercom the way he did so I knew it was him downstairs.
Music has been my blessing and my curse. It often distracts me from wandering into sad territory, but it also reminds me of him. “He would like this,” “I saw this with him,” my mind often thinks. Trying to make sense, over-thinking about it, it seems destiny has been sending me signals throughout the year. First through a Chinese Horoscope scare, and other little bits and pieces of mementos.
Father and daughter movies, songs being played at key moments and words left as token of peacefulness. The day before my father passed away, when he was in good spirits and I was visiting him, he said he had led a good life and that if he had to go, he could go tranquil. I didn’t know then that I wasn’t going to be able to give him a mix of his favorite group [1] to accompany in his hospital stay.
After my uneasiness started that day, I looked up at the sky and told my dad that if he had to let go, he could. Fifteen minutes later, I was informed of his cardiac arrest. It wasn’t more than 20min in the trauma room, when I knew that he’d decided to let go.
https://www.youtube.com/watch?v=CjPB3NpYsUw
Luck will have it that I didn’t get to watch Talaash until after my father passed.
I feel the need to over-share so I don’t wallow in self-pity.
So tell me, is this impressive for a couple of months watching Indian films or what? I must admit, though, that I’m still not familiar enough with Hindi or any other dialect spoken in films. My level of understanding goes from having a ladki or ladka giving their dil tere liye. And I’m not even sure that’s Hindi or Urdu.
Also, though most of the films I’ve come across are subtitled, some weren’t properly sync to their video sources. I think that happened to me with Ghulam, Nayak, Yuva, Chalte Chalte and maybe Hum Tum. I can’t even remember any longer. After this, I realized I really really REALLY love Rani Mukerji on screen… say it with her voice “she’s so cute.” And her eyes are so expressive with such on screen charisma. Her dancing doesn’t seem to be at the level of ease as… let’s say- Madhuri Dixit, but she compensate with the acting.
Though her performance on Hey Ram is barely 10% of the film, I do think it deserves its spot on the Top5 Top6 of her films and everyone should watch it. It’s an amazing movie.
Fan for life!
I think this is how it’s going to go~
… after I’m done with Rani, of course. xD
There are A LOT of Indian movies, and each star has A LOT of films in their filmographies. This time around, I’ve taken the “most voted” films in IMDb alongside the “best rated” and added a star with personal recommendations I’ve been given to create this list. I don’t even know if I will find all these with subtitles. If I managed to watch 15 or 20 of these, I might even have a Madhuri Dixit Films Ranked list [1][2] XD
After watching Fanaa a few weeks ago, I thought I might continue the Indian adventure with Tabu. Then, I watched Devdas — still unimpressed with Aishwarya Rai’s acting prowess and totally committed to watching Indian films because I can write hers and Sanjay Leela Bhansali’s names without googling now HUZZAH! — and was struck by Madhuri Dixit (no googling!) and her amazing “hooker with a heart of gold.” In fact, my favorite scene in Devdas is probably her dance duo with Aishwarya. And Bhansali’s films are still such a beauty to see. Sighs.
Then, when I thought I might head the Madhuri Dixit road, I watch English Vinglish and get struck by Sridevi (no google!). My first shock, of course, was realizing that I had knocked off ten years of her age right off the bat. Then while reading her wiki page (this is why it’s important to have a good Wiki page, fans), it hit me like a bucket full of cold water~
Sridevi was a successful child star, a sex symbol… and is possibly positioning herself as a MILF — my own observation here. Apparently English Vinglish was quite a hit, marking her comeback after 15 years off the screen.
I don’t think there’s ANYONE in the world of movies (or entertainment) that has been able to achieved this. I can’t think of a single actress (or maybe actor) who started out as a child, grew to be the actress made of dreams, moved on to becoming a sensible adult, apparently a great mother, and make a comeback to take all that’s “cinematically” hers.
The performance is okay (by Kpop standards, anyway), but Sridevi is totally charming in this show for the International Indian Film Academy (IIFA). I think the IIFA cameras shoot a quick reaction from Madhuri during the number, just as they showed Sridevi on Madhuri’s own performance (which rocked my socks) [1]. I could do with less Deepika reaction shots, though.
So… I am at a conundrum. Who should I go for first? Sridevi or Madhuri? And since both have sooooo many films, where do I start?
Ganesh will always bring me memories of Asami Mizukawa [1].
Here’s a clip of the show featuring Black Ganesha. xD
I finally re-watched my BR copy of Kuch Kuch Hota Hai — Kajol’s eye makeup close-up in THAT scene on a big screen is stunning — my third time overall since I began watching Bollywood films and the best 9 hours of my life.
While watching KKHH last night, right after catching the trailer for Japan’s remake of Love Actually, it made me think what the world of Kuch Kuch Hota Hai would be like through the eyes of Shunji Iwai. Of course that would mean several cultural changes and cuts for length. I’m uncertain on whether I would place the main characters as college students or last years of high school… or even whether the school years should be taking place in the late 90s.
What I was more focused on is the characteristics of the actors and their characters. For Kajol’s Anjali, I knew I needed someone who could be one of the boys but at the same time should be physically interesting, and I immediately thought of Ayumi Ito. Her boyish aura is best shown by her character in SOLANIN — her squishing the beer can is burnt in my mind — while having a sort of rough exterior. I know a lot of people who don’t mind Ayumi Ito, but I also know of some of these people who… given the time… were taken by her. So I don’t have any doubt in her talent.
Next up — I know SRK’s role is pivotal because Rahul is the epitome of the Bollywood heartthrob dufus, but I’m taking it down a notch. I’m not very knowledgeable about Japan’s heartthrobs, but I don’t want someone who would be too pretty to make guys nervous nor a guy that’s more of a guys’ guy. I thought Shugo Oshinari would be a nice middle point.
Continue Reading…
This is my first (proper) Aishwarya Rai movie, and though I wasn’t blown away or bothered by her acting (maybe yet); Sanjay Leela Bhansali more than over-compensates for his direction. While watching Hum Dil De Chuke Sanam, I just kept thinking “this has got to be the most artistic movie to ever have a fart joke in.” It’s a pretty gorgeous movie to watch.
While watching the performance for Dholi Taro Dhol Baaje [lyrics + translation], my brain just went “OMG, this is a beautiful sequence.” Then again, so was my reaction while watching Black. And so it was with Khamoshi: The Musical. Can you tell I’ve been taken by his directing?
And the music in this was awesome. Is it really true that they spent two years working on it? Coz with IMDb, you never really know these things for sure.
https://www.youtube.com/watch?v=6VBAGMkTjTs
Think this already deserves an India tag.
I just checked Amazon (and other online sources), and there doesn’t seem to be HD releases of his movies, though. It pains me so much.
