I haven’t done a fake Criterion fanart in a long time — possibly in over 4 years [1] — but after seeing M.F. Husain’s films, I couldn’t resist. Besides Madhuri Dixit- DUDE! Tabu as Meenaxi. I can’t possibly resist.
I do believe that Tabu acted miles around the material that Madhuri Dixit got, and that M.F. Husain should’ve used a lot more of Madhuri’s dancing skills and charisma to get his muse concept across. Especially considering how she was his muse and all.
Oh, man. I ran into a random photo of Tabu when she did a small part in Hum Naujawan back in 1985. My first reaction was “she hasn’t changed at all.” Then, I was pretty amazed at how easy it was to find a clip of it.
I could see why some people would think Meenaxi was a self-indulgent movie, but who am I to deny myself the self-indulgence of a lens focused solely on Tabu? Beautiful cinematography with a soundtrack by A.R Rahman to top it all off. I can’t. I could watch this film forever.
Oh, gosh. It hurts just to look at all this gorgeousity.
[Talking about her traits compared to her The Namesake character] In six months, I will drive my husband mad. I will cry; I will not cook because I do not know how. I will crave for home food and he will have to take me to an Indian joint. I will cry more because I will have to walk to the taxi. I will feel hot; I will feel cold… and I will be miserable, even though I will enjoy meeting new people and eating at nice restaurants.
A couple-worth of celluloid frames from Main Hoon Na.
xD
I ran into this episode of India’s Most Desirable featuring Rani, and watched it through the night. She explains the development of her personality, which resulted in her character in No One Killed Jessica. I find it a bit odd, but okay- I’ll take it.
What I found most interesting was her relationship with her parents, and the thing she said about having one set of parents in your lifetime really struck a chord with me.
Then she plays the games- the 2 Truths and 1 Lie game was a bit odd. She does elaborate on one hard to believe truth (a baby switch when she was born), but she totally skims through another one (almost married at 14?) ; I’m not sure if she was joking or not. LOL The fan questions segment was a bit weird, but Rani participates in all good fun.
I also made a [nomination] list of all my favorite foreign things of the last decade. If I had included all movies, general suspects would have applied (eg. Children of Men, Dancer in the Dark), but still remains a very ME list. I hope you like the selection, and don’t hesitate in suggesting films to watch.
Two weeks before the end of the year, I was already done watching all the Rani Mukerji movies I could get my hands on [1], and by Christmas I had already devoured about ten movies with Tabu [1], casting her in my Joan Crawford Indian re-adaptations. So I’m pretty much done watching Tabu’s main basic filmography. I might have two or three more that I want to watch (Prem, Border and Khudam Kasam) that I’ve been able to locate with subtitles, while Kala Pani I haven’t been able to find in a subbed version.
Her alongside Rani and Vidya Balan are my current top contemporary Indian actresses. I wish the first two were as eager to get lead vehicles (nowadays) instead of supporting… like Tabu in the last decade! Be it a lead or supporting role, though, Tabu remains interesting and slightly girl-empowering.Ghaath and Hu Tu Tu (and to a degree: Aamdani Atthani Kharcha Rupaiyaa) had Tabu in a tux or sporting a short hair with a tomboy-ish attitude, urging people to be revolutionaries (or terrorists, depending on your POV), and doing all those sneaky subtly sex scenes in things like Maqbool (to a degree -though not hidden- in The Namesake), Ghaath, and definitely Astitva.
I was amazed at how consistently good she was even in poor vehicles like Hawa or Silsiilay. She’s also a straight-forward no bullshit kind of person. Even if you give her the best role to fit her schedule, if she doesn’t like you, she won’t work with you. That means she’ll probably never agree for a Lars Von Trier movie, and that Ang Lee is the best.
Also, there are two new Tabu movies coming up~ Jai Ho with Salman seems like it can be crap because Stalin (the Telugu movie it’s a remake of) was so, and I’m completely unable to stand Salman Khan except for Maine Pyar Kiya. Then there’s Haider by Vishal Bhardwaj, so that’s -at least- some kind of relief. That has got to be somewhat interesting, even if it turns out not superb.
*Updated Apr’16*
I found this episode of Koffee with Karan extra hilarious… or maybe this is symptomatic of my Indian movie-watching. In any case, if you have not yet met Vidya Balan- please, get acquainted as soon as possible.
And I just gotten acquainted with Farhan Akhtar in Luck by Chance -literally- just a few hours ago.
Having said that… Vidya Balan talks about her married life and how she arranges books by their thickness (and her husband by height). I was going to ask “Who DOES that?” but my mother came to mind, and she suggested arranging books by color. So there you go~ As for me? I arrange books by topic or function. In the case of educational books (programming, design, photography, etc) or dictionaries. Fiction (books, plays, collections etc) is divided by West/East content arranged by author… and then I have a comic and graphic novel section mostly arranged by author and genre.
And Vidya is such a tease. She knows how to push Karan’s buttons.
https://www.youtube.com/watch?v=XWnkzKOOXWI
She also left us with this quote:
Women like it,need it, want it as much as men do.
I didn’t know you could actually watch The Dirty Picture subbed online. Thank you, Shemaroo.
— EDIT Nov 7, 2914 —
For some reason, StarTV has made the clips private, but you can still watch the episodes on their website.
The Indian film journey mindmap [1][2] collection is a little monster, and it keeps on getting bigger. This time some of the additions included about 21 films with Tabu, a few with Aamir Khan, a couple more from Madhuri Dixit… and about half a dozen with Konkona Sen Sharma.
Oh, and Juhi Chawla now has her own hub.
The connections now seem unreadable.
* RED bubbles denotes films from Jenna’s Beginner’s Guide to Indian Film
** BLUE bubbles are film hubs where a lot of actors show up.
*** PURPLE bubble is RED + BLUE. Duh.
