Yo~ that’s one heck of a great teaser for an upcoming album. Looks and sounds epic.
The best? Kent gets us, songs are available for stream on YouTube. Thank you so much~
Looks like the album is available everywhere on iTunes but the US xD
Archives For distributors
Last October I reported about Yu-chan returning to the leading-lady gig with Daigo Matsui’s AZUMI HARUKO wa Yukuefumei (アズミ・ハルコは行方不明). Twitter has just shown me a first still. There’s also a music video by Ishizaki Huwie (石崎ひゅーい) titled Flower Vase (花瓶の花, Kabin no Hana) attached to the press release on natalie.mu, but it’s geo-blocked :*(
I don’t know what Sony is doing. But it’s effing it up, I just know it. Head over to YAM Magazine for the full rant and all track/MV info. I’m just going to put this video on here, and bask myself on the beauty of the music.
We all thought Henry Zuo released a good album. Goddamn~ Su Yunying just blew it out of the park~~~ I know it’s not ideal (physical buy is always the best), but do buy the album on iTunes instead of streaming it. xD
So I’m late to the party (as always), and just started watching this year’s season of Sing my Song (中国好歌曲), which has been airing for a couple of weeks. It’s honestly my favorite of these many music contests because it’s new songs. I never ever stay through the actual contest, but… I do enjoy their blind auditions for the surprises!
Episode one, so far, has given me that awkward moment when Laurence Larson 罗艺恒 sings better Mandarin than me… nobody turns for blues singer 黄晓宁 Huang Hsiao Ning which makes David Tao cry (and reminds me of my dad, hence also making me teary), and gives us the meta moment of the night (and probably of the season) when Liu Wei 刘维 sings Because You Are Mavis Fan (因为你是范晓萱), using many Mavis music and lyrics cues, to make Mavis herself cry.
I’m a Mavis fan and I love I Want Us to Be Together to bits, so of course I loved it.
The song is available for download over at QQ (apparently, officially), but you gotta download their APP, sign up for an account (maybe pay to get the 320kbps version)… and for sign up, it’s asking for a mobile number to send a verification code, and I don’t use a phone, so I can’t sign up [Hipster First World Problems]~~~ so I only got myself a 128kbps from somewhere murky on the net LOL. If you happen to get the 320kbps one, do share it with me pretty please.
And it’s not like EVERYTHING is available on iTunes. On time.
Anupama Chopra’s Film Companion just published their interview with Anushka Sharma, where she talks about being an actress in the Indian film industry, Hollywood gender numbers, being a producer and a public figure. It all comes down to the simple~
At the end of the day you want respect.
It’s a big on the long side (33min. long), but it’s worth it. Anushka is really outspoken and it’s great to listen to with her back and forth with Anupama.
I like these one-on-one interviews, especially when you have performance-oriented people. Too bad Nawazuddin Siddiqui doesn’t feel comfortable speaking English- 1. Maybe these Meeting Ground interviews are always in English. 2. If they’re not necessarily in English, I wouldn’t understand a thing he says in Hindi. xD
This time Kangana Ranaut and Irrfan Khan are one-on-one after the commercial success of Tanu Weds Manu Returns and Piku, respectively. In the brief 20min interview, they talk about acting nuances with a super brief Acting 101, as well as people’s obsession with Box Office numbers (in this case, making the 100 crore club), the -now- discerning audience (and the massy one), not longer being a working actor who needs to constantly do movies to make a living, being an outsider, PLUS! the strength and vitriol that is social media.
Happy watching!
On the Box Office obsession and audience talks, it’s a general worldwide problem, you guys. Last year headlines declared How to Train your Dragon 2 a box office flop when it made “just” $50M USD. Joining the $1B USD club is big on studio heads, and having the most profitable franchise is a plus for actors.
The audience everywhere is half and half- good movie don’t make money, bad movies that make loads. The audience and press vitriol on review and social media. They’re not solely Bollywood problems ;)
OH, man~ the things one has to do to get Marit Larsen albums. Spark wasn’t that hard, since it somehow made its way to Amazon, but it seemed so unlikely that When the Morning Comes would show up there again, so I went hunting. It was not a fruitful web-hunt with everyone telling me they did not do international shipping.
More power to friends! Way to go, Julz~
Marit’s 4th album has finally joined its siblings. It also means Marit’s the only 2014 album I had actively physically purchased so far, beating my 2013 record when I only got BiBi’s Unlock as a present (more yay friends!). However, I did just recently physically purchased Calle 13’s Multiviral considering it was my album of 2014. I’m surprised myself.
I’m a little sad that most (if not all) my purchases are digital.
The end of another era [1][2][3], I suppose~ xD
I had never really been a RapidShare user, though had encountered the site several times over in many of my movie/TV journeys, but they’ve always been a pain for me. It doesn’t surprise me that bandwidth caps (for both free users AND PREMIUM), limited speeds and incredibly annoying waiting times that got longer and longer with captchas decreased users and traffic to finally put it out of business.
The relationship with cloud and file-sharing services with the DMCA or MPAA is a strange one. No matter what these services do to please them, it’ll never be enough.
If you read this blog and/or have stumbled upon a post on the subject or -somehow- seen my comments on social media or… maybe a review or feature I’ve written, you’d know I’m not very fond of Sonam Kapoor [1]. Or I wasn’t. At the moment, I’m not sure anymore. A while ago, I saw her on Khoobsurat, which in normal circumstances I wouldn’t have picked, but it was Disney (!) so I couldn’t help myself.
It’s perfectly fine light entertainment, though I think this is the first time I’ve seen a Disney movie where our female protagonist gets (though admitedly quite endearingly funny) pissed drunk, who then later accepts a bottle of soda with ruffies to end up kidnapped (don’t worry, it’s still Disney so nothing happens), and finally ends up with a (hot) prince that was engaged to some other woman. Anyway~ since then, I found myself not hating Sonam as it seems like she’s TRYING. Like- you can sense a change of pace/vibe.
Dolly ki Doli doesn’t look awful.
And in this segment for Anupama Chopra’s The Meeting Ground, Rajkummar Rao (who is also in DkD) makes her palatable. It gets a bit awkward when they keep going on their talk on star children and their upper hand in the industry. Sonam tries to make a point, but Angelina Jolie didn’t make her starring debut in a studio picture with a brand director. Angelina’s credits went from a small role in one of her dad’s films, to straight-to-video releases and shorts until Without Evidence.
Gwyneth and all her Gwynethness is a bit more lucky, but not as lucky as star children in India. TV Movie debut directed by her dad, small role on a movie until she cameo’d on godfather Steven Spielberg’s Hook. It wasn’t until a few years later when she landed Se7en with Fincher and PTA’s Hard Eight.
Nobody goes to Eva Amurri or Rumer Willis and tells their parents Susan Sarandon, Demi Moore or Bruce Willis, “I want to launch your daughter with this banner.”
LOL, this seemingly harmless post turned into a rant. But honestly, no one would care if a star child would begin with small roles in movies, working their way up. Instead, they are given starring roles in medium-big budget films to launch them.
Rant over.
Oh, man. I remember when I used to diligently run the As If fanlisting. Hadn’t even bothered to check on it for the past 5 years, so just deleted the whole thing because it all broke down. However, Pete brought to my attention a two-part piece that Digital Spy has run for the 10th anniversary of the show’s final episode- in their “retro” section nonetheless.
It’s a lovely catch up piece, and it just basically crushes what people had -somehow- hoped for~ a DVD release. Music licensing is just too damn expensive, and the show just relies too heavily on its music. Very much like the Popular conundrum. It’s a good read, catching up with almost everyone. I always giggle (and get giddy) when I spot anyone from the cast in other projects I’m watching.
- As If: 10 year retrospective of the cult Channel 4 teen drama – part 1
- As If: 10 year retrospective of the cult Channel 4 teen drama – part 2
I *cough* caught the show a very very VERY long time ago. *cough* You know where.
Oh, man. Sooz was my life.
The bad thing is that the show is not readily available… the good thing is that only the really cool people know it. xD
