Archives For Reviews

Hotel Atlântico (2009)
Genre: Drama, Comedy
Directed by: Suzana Amaral

Hotel Atlantico tells the story of an actor (Julio Andrade) – referred to as The Artist – who finds himself without a job, so he decides to embark himself into an aimless adventure, where he meets people and gets himself in unexpected… and even absurd situations.

Funniest thing is, all the supporting characters are probably more memorable than the protagonist himself. From the sacristan (Gero Camilo from Carandiru) and his aid, to Diana (Mariana Ximenes), the daughter of the doctor who wanted to be major. Though, Andrade had moments where he could have looked like the protagonist on Jesus Christ Superstar.

Perhaps, the most absurd of situations is how The Artist ends up in the hospital, and his meeting with Diana who happened to recognized him when he needed aid. But the most moving encounter is when he meets Sebastian or Sebastião (João Miguel).

2.75/5

COMPETENCIA OFICIAL – FICCION

Screenings:
Friday 6 – 10.15pm – Cineplanet Alcázar – Sala 8
Monday 9 – 7.30pm – Centro Cultural Católica – Sala Azul
Friday 13 – 10pm – Centro Cultural Católica – Sala Azul

El Vuelvo del Cangrejo (2009) – aka. Crab Trap
Genre: Light Drama
Directed by: Oscar Ruiz Navia

Crab Trap tells the story of Daniel (Rodrigo Velez) and the relationship he makes with La Barra, a little black community in Colombia’s Pacific coast. In it, he meets with Cerebro (Brain), the leader of the afro-descendant natives who are having territorial issues with a white man called El Paisa, who wants to build a hotel on the beach.

The film is a little over 1.30hr, even though it feels it could hit the 2hr. mark. It’s slowly-paced with descent performances from the main cast — even if some of the scenes and situations felt forced. The most interesting part of the film is, perhaps, Daniel’s relationship with Lucia (Yisela Alvarez) a little girl he befriends in the community. Other than that, I did not care about him as a character, so I didn’t care for what he was looking for, or whether he would get it.

Cerebro’s struggle with progress distanced me even further from the story, when you had other characters that didn’t have issues with it. Cerebro’s antics just end up as a childish, not comfortable with things changing. However, I will give in into something — El Paisa playing his damn Reggaeton music every night was annoying.

2.75/5

COMPETENCIA OFICIAL – FICCION

Screenings:
Saturday 7 – 8.30pm – Cineplanet Risso
Sunday 8 – 10pm –Centro Cultural Católica – Sala Azul
Wednesday 11 – 10.30pm – Cineplanet Alcázar – Sala 5
Thursday 12 – 8pm – Cineplanet Primavera – Sala 1
Friday 13 – 3pm – Cineplanet Alcázar – Sala 5

Rompecabezas (2009) – aka. Puzzle
Genre: Comedy, Drama
Directed by: Natalia Smirnoff

Puzzle tells the story of Maria del Carmen (Maria Onetto), a housewife who has just turned 40-ish, and has spent the last 20 years of her life worrying about her husband and two sons — who are now about to leave the nest. On her birthday, she receives a puzzle as a gift, and finds out she’s got a natural ability for them. Maria del Carmen decides to answer an ad of a man who’s looking for a “puzzle partner” to compete on the puzzle championship in Germany, despite her family’s discontent of her new hobby.

The film starts like this, Maria del Carmen is busy making snacks, and a cake for what’s obviously a birthday party. Later that day, her house is filled with relatives we will never see again, everyone is talking and eating while Maria del Carmen is still busy with party chores, like slicing the salami and serving it up. Finally, the lights are out and Maria makes her entrance carrying the cake with the candles, while the people sing Happy Birthday. Maria sets the cake on the table, and blows the candles herself. It was her birthday, and it makes the viewers see how much her family under-appreciates her.

Puzzle is a light dramedy about a woman who decides to put herself first, after years of putting her family’s needs ahead. It just so happens to be a slight obsession on puzzles, which is somewhat hilarious. World puzzle championships? Right, we couldn’t believe it either.

She begins training for a world-known puzzle championship with Roberto (Arturo Goetz), who like Maria, has a knack for puzzles. While she meets with him at his luscious place in the city, telling her family she’s visiting an aunt, her Taichi-practicing husband finds it somewhat annoying that she keeps forgetting the cheese, and her youngest kid begins dating a vegan who’s obsessed with how much pain a fish feels when getting caught.

Puzzle is full of charm, and Maria will surely remind everyone of their mothers — especially if they don’t have a grasp on technology. E-mail, anyone?

3.25/5

COMPETENCIA OFICIAL – FICCION

Screenings:
Friday 6 – 10pm – Cineplanet Risso
Sunday 8 – 10.15pm –Centro Cultural Católica – Sala Roja
Tuesday 10 – 2.15pm – Centro Cultural Católica – Sala Roja
Thursday 12 – 3pm – Cineplanet Alcázar – Sala 5
Friday 13 – 10.30pm – Cineplanet Alcázar – Sala 5

Carancho (2010)
Genre: Thriller, Drama
Directed by: Pablo Trapero

Carancho tells the story of Sosa (Ricardo Darin), a lawyer specialized in traffic accidents in Buenos Aires. Thanks to the corrupt system and insurance companies, he takes advantage of countless families victims of the roads who end up with nothing of the money these lawyers end up keeping. One night, while searching for a new client, Sosa ends up meeting Lujan (Martina Gusman), a young ER doctor who keeps herself awake with drugs.

Pablo Trapero’s thriller is filled with loads of good elements starting up, from your sassy young medical student, and a somewhat rough-on-the-edges Sosa and his victim-lawyers-insurance dealings. There’s fraud, and brutal beat-ups… however, it all falls apart in the last act. We don’t exactly understand why Lujan would end up willing to give it all up for Sosa, who promises to leave his way of earning a living behind, but we know from the start that it won’t be possible.

In the end, Trapero decides to wrap it all up nicely, but ends up feeling a bit desperate with an over-the-top rescue mission.

3/5

COMPETENCIA OFICIAL – FICCION

Screenings:
Saturday 7 – 10.15pm – Centro Cultural Católica – Sala Roja
Sunday 8 – 8pm – Cineplanet Alcázar – Sala 5
Monday 9 – 2.15pm – Centro Cultural Católica – Sala Roja
Tuesday 10 – 8pm – Cineplanet Primavera – Sala 1
Thursday 12 – 7.15pm – Centro Cultural Católica – Sala Roja
Friday 13 – 9.45pm –  Cineplanet Alcázar – Sala 1

Sorry, in Spanish only.

Still there are 2 missing xD and gonna get 2 more tomorrow. Hopefully, I will catch up tomorrow afternoon.

I wonder if I’ll have time to catch this for the 2nd time this week.

Anyway, I thought I should post my review for Inception here, so I could participate on the LAMB, because I don’t usually get to participate much. I gotta take any chance at ‘world premieres’ and early… or somewhat early releases. I actually reviewed this in Spanish over at TOMA-UNO.

Inception had been the most anticipated film of this Blockbuster season. I mean, we are talking about Christopher Nolan — whom people are referring to as the new “insert name of any filmmaker” [Hitchcock/Kubrick] — with his stellar cast that includes Oscar nominee Leonardo DiCaprio, Oscar nominee Ellen Page, Oscar nominee Ken Watanabe, Oscar Winner Marion Cotillard, Oscar Winner Michael Caine, as well as Golden Globes nominees Joseph Gordon-Levitt and Cillian Murphy. No doubt, Inception has a dream cast and crew.

In it, DiCaprio plays Cobb, a man on the run from the US system who happens to work on what is known as “subconscious exploration” which refers to entering your brain while on a dream-state to obtain information. Cobb is hired by Saito (Watanabe) for an impossible task to secure the disintegration of the competition’s company. For this to happen, Cobb must enter the mind of Robert Fischer Jr. (Murphy) and insert this idea, and make him believe it came from him. This is known as “Inception”.

Cobb will be joined by his team that includes Arthur (Gordon-Levitt), and a young architecture student named Ariadne (Page).

Despite everything said about this movie, I thought it was pretty straight forward. Of course, repeat viewings of the film would be more than useful, but as a regular movie, Inception delivers as much thrill as any action flick released this season. The cinematography is breathtaking at times, combined with special effects that drags you into the story.

The acting is more than solid, it’s DiCaprio’s most interesting role since his snubbed performance on Revolutionary Road, and I could easily see nominations for supporting acting for Joseph Gordon-Levitt and Marion Cotillard.

Of course, it doesn’t hurt at all to have an interesting story as the base of this action thriller. Dreams are interesting, and leaves you enough space to mess around with people’s minds without making them feel like you’ve cheated on the story.

I’m not sure, however, if this is deserving of a #3 spot on the current IMDb 250 Top Films yet, but it’s definitely one of the most interesting offerings of the year. Leave it to Nolan to deliver something like this.

4/5

Hi, some American [and Peruvian] distributor, you should totally buy this.

Newsweek has a very interesting article on Xiaogang Feng and his latest IMAX flick, Aftershocks (aka. After Shock, Aftershock), which has just beaten James Cameron’s Avatar in the biggest Chinese opening for a film. Aftershocks is the first ever non-American IMAX film… so of course Aftershocks opened in more than 4 000 screens – which is also a first – and it only made about $5.3M on a day, but it is still a feature. I mean, not everyone pays $15USD to get into the theater.

So when I think of IMAX… I think National Geographic under the sea films, Star Wars, and The Dark Knight. But let me tell you, Aftershocks is playing a complete different game. Aftershocks is a drama… it’s a tear-jerking, heart-tugging drama. It depicts the story of a family that was forever affected by the 1976 7.8 magnitude in the city of Tangshan, which had a reported death toll of 240 000 people.

When I first heard about Aftershocks, not being familiar with Feng’s style, I thought “Oh, China is making their big Hollywood Disaster Film on IMAX” and boy, was I wrong. Sure, the film counts with a luscious (and devastating) sequence that last several long minutes of the 7.8 magnitude earthquake… which felt like a mega-earthquake on screen. However, after that scene, which pretty much starts the film, it aptly turns into a drama telling the struggle of a mother that had to choose between her daughter and her son, and the hurt of a daughter that believes to have been abandoned.

The film lasts about 2hrs, and I was possibly in tears in the first few minutes as the earthquake struck, and the audience immediately feels connected to the mom and her kids. It instantly reminds me of writers telling me “You need something big so your reader believes the connection can happen,” and for the viewers watching Aftershocks, this big event is the devastating earthquake.

When you thought the worse of the crying was done, a brand new wave came over you and you were at it again. I think I was bawling for a good 1.30hr of the film. LOL

A good solid 4/5

Oh how I wish this opened in America so there could be ANY nomination for actress Fan Xu, though the whole cast was remarkable.

The first reviews from the Lima Film Fest are up… you can already buy tickets for the shows which start showing on August 6th until August 14th. They aren’t much, but you can get all the Lima Film Fest 2010 tagged items to keep updated throughout this week.

Here are the reviews at the moment:

Entre a Luz e a Sombra (2009)
Genre: Documentary
Directed by:  Luciana Burlamaqui

Between Light and Shadow is a documentary that spans 7 years into the life of a Brazilian actress, who devotes herself to working with the prisoners in Carandiru — which was the largest penitentiary in South America [there’s even  a movie about the 1992 massacre there]– A couple of the prisoners, Rap duo 509-E members Dexter and Afro-X, who were there for different sentences, are encouraged to create music.

The documentary shows that even though the actress [whose name escapes me, and doesn’t show up anywhere] and the guys from 509-E were born in the same city, but where born in different parts of town and in different families, there’s a disconnect. This is why The Actress spends 20 years of her life working with prisoners on theater workshops, dancing, encouraging them to create music, or paint, while also supporting 509-E in their rap careers in and outside prison. The rap duo is granted permission to perform at events outside prison while still doing their sentences because the judge granting these permissions is convinced that this is a good way to give prisoners a second chance.

Of course politicians and police enforcement officers are against prisoners going out and commenting on political issues. And of course the duo, young at that time, was against “The Man” so they didn’t waste any time to speak up.

There are problems in Carandiru, the prisoners take over the prison with hostages — “We have women and kids” read one of the messages they hung — and the situation got out of control. The prison was closed down, the prisoners transfered, and Carandiru was demolished. With terrorist groups running rampant in and out of prison, government officials stopped letting prisoners do public events… even when 509-E was winning big in the Rap festivals and awards.

Finally, as time passed by, Dexter and Afro-X split after Dexter was transfered to another prison, and Afro-X was given probation because he was fathering a child with singer Simony.

In a telling ending, both Dexter and The Actress — who were a couple in the beginning of the documentary — tells us what we’ve known all along. Maybe it’s just better to put your best effort in keeping children out of the prisons. Because once people live “the life” and feel proud of it, there’s never going back.

2.75/5

COMPETENCIA OFICIAL – DOCUMETAL

Screenings:
Tuesday 10 @ 4pm in Centro Cultural Catolica – Sala Azul

La Yuma (2009)
Genre: Drama, Comedy
Starring: Alma Blanco
Directed by: Florence Jaugey

La Yuma — don’t ask me what Yuma means, but La Yuma is the boxing nickname of the character — tells the story of a girl from the poor neighborhoods of Managua, Nicaragua, who wants to become a professional boxer. One day she sees her brother mugging a young journalist who loses a disc with his work, so she decides to return it to him, and decides that she likes him. As she deals with her possible love life, as well as her family life with her younger siblings, good-for-nothing mother with her good-for-nothing boyfriend, she finally gets the chance to train under renown boxing trainer Polvorita.

La Yuma pretty much reminded everyone of Girlfight — which launched the career of now the familiar Michelle Rodriguez — for their “tough girl who wants to box” theme, but ultimately La Yuma distances itself from boxing, and focuses on what Alma Blanco’s character has to do for her and her siblings to survive.

Since the story starts out as a boxing film, and then distances itself from it… La Yuma seems a bit disjointed, as if you were watching 2 or 3 different films. However, the film’s protagonist is interesting — she’s tough and sassy with a sense of humor — she keeps bringing you back into the story. The acting is a bit uneven, especially from Ernesto (Gabriel Benavides) the “love interest” and you wonder why La Yuma feels attraction towards him, but characters like Doña Scarlett (María Esther López), or La Cubana (Juan Carlos García) are enjoyable and memorable enough.

3/5

COMPETENCIA OFICIAL – FICCION

Screenings:
Monday 9 @ 5.15pm in Cineplanet Alcazar  – Sala 1
Tuesday 10 @ 7.30pm in Centro Cultural Catolica – Sala Azul
Thursday 12 @ 9.45pm in Cineplanet Alcazar – Sala 1