It took a while, but
Happy 1000th fan!
If you aren’t following the list yet, you might discover a gem or two!
Archives For Films
My only Letterboxd anticipated message came in the other day, but I took a little bit longer to post because the better side of my OCD got to me.
But here it is!
I went on a Stephen Chow binge, and got to watch a bunch of Hrishikesh Mukherjee films for MUBI. Not to be the Debbie Downer of the terrible 2020, but I hope 2021 picks up. This is the first time in my movie-watching history that I only have one single 4-star rating in my Year Films Ranked list. Two titles if you consider Marona’s Fantastic Tale.
This 2021, I have decided to shut off social media and restart blogging once again. It doesn’t matter if it’s into a blackhole of information. I’ve started with this Spanish translation of a review for Zoya Akhtar’s Dil Dhadakne Do, since the film is in rotation at the Indian entertainment channel ZeeMundo. We also have a proper Spanish title for Haider (!).
I’m probably two weeks ahead, compared to my Ballot posting last year, which means my Independent Spirit Awards ballot is still halfway done, but my Academy voting ballot is pretty complete.
I might end up watching The Two Popes, but all I’m really waiting for to open in theaters is Bombshell (which opens this Thursday), Little Women and 1917. Harriet is never going to open down here, but I really got a soft spot for this type of movies.
I’m really REALLY surprised Girl in the Hallway didn’t make the cut. You can watch the short on Vimeo.
Happy late holidays and New Year, everyone!
My most awaited Letterboxd e-mail came yesterday with my 2019 movie-data. Though my writing input has definitely not improved, cutting down on Mamamoo stuff has increased my movie watching habits, for sure.
Compared to 2018, I logged 480 films (though over 50 or even many more could be short films), which represents a 23% increase. In terms of hours, there was an increment of over 100hrs or 16%. This increase still doesn’t match my 2015 levels, when I reached 530 logged films (9.5% short) or clocked 959hrs (14% short)… but it’s getting there. I am still at 2017 New-To-Me level of movies, though.
My most-watched actor was Glenn Close because I went on a marathon of her movies because I really thought that she could win the Oscar, not that I wasn’t pleasantly surprised to see Olivia Colman win for The Favourite. And Francois Ozon was my most-watched director because MUBI programmed many of his films, including Les Amants Criminels, Water Drops on Burning Rocks, Young & Beautiful, and L’Amant Double.
And as my writing output has been so poor, I haven’t written any End of the Year (or Decade) posts. Gomen.
I haven’t had much time or chance to watch Yuki Tanada’s movies, and I’m still trying to catch up with recent Yu Aoi movies… BUT! Issei Takahashi has really sneaked into my Jdrama catching up. Incredible rise to fame.
I’m ready to vote! I received the most digital screeners this year so far, so it’s been easier (and it’s made it lazy-proof) to sit through dozens of screeners. Plus, Netflix has a lot of the nominated movies readily available too. This year is possibly my best award season ballot in my history of keeping up with ballots. lol
It’s not only my Spirit Awards ballot~
I also have a pretty complete Oscar ballot. lol
Continue Reading…
After years [1][2][3] of data; Yes, it’s Mamamoo’s fault. The positives, though, I have registered 31 more hours than I did last year with an extra 18 movies. My movie-watching in general got better because I managed to watch 132 brand new 2018 movies (compared to the 103 in 2017).
This year, I didn’t make any particular movie goal. Though, some of my favorite movies this year were Indian, as reflected by my latest highest ratings. No one has been able to surpass my love for Rene Liu’s Us and Them so far, though. It’s been an incredible year for… not movies made by Netflix, but they have expanded their distribution library enough to make it interesting.
My goal for this year is to increase the titles I watch; seeing that from this interview at Film Independent, the guy from IMDb states that “You should feel disappointed if you haven’t seen 700 movies in a particular year [laughs].” O.o I don’t feel half bad about registering half the amount of movies the guy from IMDb watches. Just saying.
Verve Magazine has a wonderful cover this month featuring Tabu — shot by Bikramjit Bose [Website][Instagram], because the promotions for Andhadhun [Trailer][1][2] are on full steam. I hope someone gets to scan it, ‘coz lol where to get a single issue.
Rajeev Masand also just posted a +40min. interview with Tabu, and has her overview her 10 favorite roles in her +80-film filmography. Her long-time favorite roles make it, of course. It makes for a great Beginner’s Guide to Tabu, except I’m not a big fan of Biwi No. 2 lol — Don’t judge me, I laughed so much more to Saajan Chale Sasural xD, and I was quite lukewarm with Cheeni Kum.
I was gushing about it over the weekend, but I thought I should also post about it here.
I think it’s oddly befitting that Yu-chan wins her first ever (unbelievable, right?) Japanese Academy Best Actress trophy the year that I’m celebrating my 10th year as her fan. It’s so moving. I’ve had a moving couple of days [low-ley Mamamoo insert, lol]. It was so satisfying seeing Yu-chan being so overwhelmed and so overcome with emotion that it just made me happy for her.
I haven’t seen KanoTori yet, ‘coz duh~ Japan obviousness xDDDDDDDDD but I’ve heard great things about it and, frankly, Yu-chan rarely disappoints me (I’m looking at you Henshin xDDDDDD). I had totally forgotten that Hula Girls was a supporting role for Yu, and that One Million Yen Girl was her last lead for a very long time… until Azumi Haruko and KanoTori.
Please, Yu-chan, don’t make us wait another 8 years or near-decade for your leading roles. You know it’s been ten years since Osen and since Camouflage?
Here’s to many many many more years of successes, Yu!
Your one and only Spanish-speaking Non-Japanese-speaking fan. xD
You know I’m a big fan of NHK’s Okaasan to Issho, right? Like, I’ve been watching it for years, I don’t have children, and my Japanese isn’t improving anymore… but I still watch it. LOL I’m still super shocked that Yoshihisa Kobayashi (小林よしひさ) – the guy that does the gymnastics – is still around since my original post a decade ago. He’s survived like two or three puppet changes, and this is like his third round of hosts— Takumi Mitani left a few years ago, and Daisuke Yokoyama officially left last year, giving way to Atsuko Ono subbing for Takumi, and Yuichiro Hanada taking over Daisuke.
I still miss Itou Mayu, tho xD
Anyway, I digress~ during the many changes in themes and puppets, they started showing the Galapico Poo (ガラピコぷ〜 , GARAPIKOPu) segment that begins with an animated intro that I’ve always been a fan of. It’s been years on air, and there’s no official clips (only poor TV-to-CAM captures, because LOL NHK), but I finally found Kuno Yoko (久野遥子) [Tumblr][Twitter] was in charge of the animation. FINALLY.
