Category: Films

  • The Race Against Rotting DVD

    On December, I wrote about a couple of my concert music DVDs rotting away.

    And the YT algo just popped this on the feed, talking about a number of Warner Bros titles that are apparently being affected.

    Somebody on forums (!!! They still exist!) posted a list of probable affected titles, and to my dismay, the Greta Garbo and (both) Joan Crawford collections are affected. I just popped Mata Hari and Possessed on the player and seem to be playing fine.

    Another one of the fears with (new) media and products that developed in types of plastic is that they’re decaying faster than people expected. I’ve had older (retired) players that were kept on storage that have a general sticky texture after a while. However, this doesn’t seem to happen to players that are in general exposure, not directly with sunlight, but in a generally airy room that’s in use, unlike a display room. I also happen to live in the mildest of climates, though high in humidity, temperatures never go above 30C (above 90F) or lower than 14C (lower than 55F). So maybe these conditions are affecting the storage of physical media.

    I did the vast majority of my library collection before 2007, though. I did buy a number of things in between the mid-2000s to late-2000s, so if disc rot is affecting a general batch produced in between 2007-2009, it is a concern. I’m generally more worried with collections I keep in drawers instead of a regular shelf display.


  • Finding Riches: Tabu vs. Tabu

    Not gonna lie and say I haven’t been obsessing over the trailer for Crew since it dropped, and looking at the clips for Ghagra [1] and kinda giddy at the cover remix of Choli Ke Peeche [1].

    I even finally re-watched Idhi Sangathi (with synced subs!) because of it.

    Tabu finding riches in highly unusual places!

    My only grip with the film, currently, is that my suspense of disbelief is dropped when I see them carrying kilos of gold. Autistic.

    Other than that, I’m a super fan of potty-mouthed Tabu (I hope the announcement that theatrical was edited only means we get the potty-mouthed version on Netflix), and I want someone to ask them how much of the funny bits were ad-lib and improv, because that scene where they tell Kriti to sell her assets and the reaction to it was hilarious.


  • The Film Library Is Shaping Up~

    Buying physical media has been a chore lately, you gotta keep an eye out so you make sure you don’t miss your delivery because, for some reason, people cannot just leave your package any longer.

    Plus, distributors are doing physical media less and less. The whole of the Indian Cinema industry has decided to phase out physical media in favor of going all in on OTT and VOD. Even enormous hits like RRR are left with no physical release, even in the West. Even Disney is letting Sony handle its physical media, which seems like the end of an era. Then there’s the whole thing about editing and disappearing media from libraries.

    So these are some of the most recent -and not so recent- films that have been added to the physical library. I wish I had more disposable income because there are a bunch of titles (and upgrades) that had been added to the wishlist.

    These on top of some Bluray upgrades like Sion Sono’s Love Exposure, Kalatozov’s The Cranes Are Flying, brand new Criterion’s for Los Otros and Laberinto del Fauno. Some random BR UK release for Whatever Happened to Baby Jane?

    Also, this post makes it so that this year is the most I’ve blogged since 2020. I’m coming for you 2019. Four posts in Feb’24 is the most continuous blogging since Aug’18.


  • Looks like someone’s a Yu Aoi fan – NINA’s Love Like This

    Having debuted back in 2022 under the name Song Soowoo (송수우) with the edgy-sounding song Love Me or Hate Me [MV], Song is back under the name NINA (니나) [almost impossible to look up without running into other Ninas] with the music video for Love Like This, directed by Jonah George.

    Alt link available at Super Sound Bugs!

    Which, if you’ve seen the Bugs thumbnail on YouTube, looks Yu Aoi-inspired. I say Yu Aoi-inspired, because it’s mostly Yuki Tanada’s One Million Yen Girl and heavily references Shunji Iwai’s Hana & Alice for obvious shots. However, it also heavily references Iwai’s 1995 Asian hit Love Letter which has inspired a whole generation of filmmakers [1][2] and idols.


  • It exists! It’s alive!

    The original latino dub of my Operación Dragón de Bruce Lee memories. After years searching, several copies acquired (The first thing I did when I bought my Special Edition DVD was check the dub). I even had to go through several copies of Spain’s Spanish, only to find out that the Latino version had a do-over, and that the original Latino dub of Bruce Lee’s Enter the Dragon was probably lost media.

    I even wrote to OG Hector Lee, who was the original Bruce Lee voice in the film.

    It has not been lost. These are my memories. I will cherish them.


  • Na Hosh Chale (Arijit Signh Version) Lyrics

    So I did this.

    Na hosh chale
    Na junoon chale
    Dil par kiska qanoon chale

    Tu jaan meri
    Meri jaan hai tu
    Chal jaise ragon mein khoon chale

    Tu kya hai
    Kya ehsas hai tu
    Ehsas ka koi wajood nahi

    Main kaise tujhe chhu leta hu
    Jab samne tu maujuud nahi

    Ae jaan meri
    Meri jaan hai tu
    Chal jaise ragon mein khoon chale

    Palko ki chhaon dhundta hu
    Main teri nazar ki dhoop tale
    Uss pyaase ka kya hoga bataa
    Jo sabnam ke paataal pai palin

    Ae jaan meri
    Meri jaan hai tu
    Chal jaise ragon mein khoon chale

    Full version of the audio is available here.

    Vishal’s version (labeled as “Film Version”) is slightly different after the first chorus, so might share in separate post.

    Translations to English would be appreciated.

    (more…)

  • Happy 1000th Top Flicks Fans

    It took a while, but

    Happy 1000th fan!

    If you aren’t following the list yet, you might discover a gem or two!


  • My 2020 Letterboxd Year in Review + More!

    My only Letterboxd anticipated message came in the other day, but I took a little bit longer to post because the better side of my OCD got to me.

    But here it is!

    I went on a Stephen Chow binge, and got to watch a bunch of Hrishikesh Mukherjee films for MUBI. Not to be the Debbie Downer of the terrible 2020, but I hope 2021 picks up. This is the first time in my movie-watching history that I only have one single 4-star rating in my Year Films Ranked list. Two titles if you consider Marona’s Fantastic Tale.

    This 2021, I have decided to shut off social media and restart blogging once again. It doesn’t matter if it’s into a blackhole of information. I’ve started with this Spanish translation of a review for Zoya Akhtar’s Dil Dhadakne Do, since the film is in rotation at the Indian entertainment channel ZeeMundo. We also have a proper Spanish title for Haider (!).


  • Oscar Ballot 2020

    I’m probably two weeks ahead, compared to my Ballot posting last year, which means my Independent Spirit Awards ballot is still halfway done, but my Academy voting ballot is pretty complete.

    I might end up watching The Two Popes, but all I’m really waiting for to open in theaters is Bombshell (which opens this Thursday), Little Women and 1917. Harriet is never going to open down here, but I really got a soft spot for this type of movies.

    I’m really REALLY surprised Girl in the Hallway didn’t make the cut. You can watch the short on Vimeo.


  • My 2019 Letterboxd Year in Review

    Happy late holidays and New Year, everyone!

    My most awaited Letterboxd e-mail came yesterday with my 2019 movie-data. Though my writing input has definitely not improved, cutting down on Mamamoo stuff has increased my movie watching habits, for sure.

    Compared to 2018, I logged 480 films (though over 50 or even many more could be short films), which represents a 23% increase. In terms of hours, there was an increment of over 100hrs or 16%. This increase still doesn’t match my 2015 levels, when I reached 530 logged films (9.5% short) or clocked 959hrs (14% short)… but it’s getting there. I am still at 2017 New-To-Me level of movies, though.

    My most-watched actor was Glenn Close because I went on a marathon of her movies because I really thought that she could win the Oscar, not that I wasn’t pleasantly surprised to see Olivia Colman win for The Favourite. And Francois Ozon was my most-watched director because MUBI programmed many of his films, including Les Amants Criminels, Water Drops on Burning Rocks, Young & Beautiful, and L’Amant Double.

    And as my writing output has been so poor, I haven’t written any End of the Year (or Decade) posts. Gomen.