Archives For Japanese

I found an interesting post!
Here’s an excerpt;

Just as the music industry had it’s comfy, soulless, profit-raking, creatively-void existence shaken out of it’s tree, so too the film industry started to feel their profits shrivel in this freshly democratic media landscape. It seems innovation and profit didn’t necessarily go hand in hand though as the massive film production companies tried to plug the gaps with endless remakes, 3D tomfoolery and crap loads of marketing driven genre dirge. If anything it was a decade of extremes, as the mainstream became more generic and formulaic so there were the occasional glittering gems shining through the shinola, that kicked against the tide and were all the better for it.

They talk about Hollywood remakes, Indies and International films~~~

One thing to note, there aren’t any Asian films… like you know, Memories of Matsuko, 3-Iron, Oldboy, In the Mood for Love, All About Lily Chou Chou, Crouching Tiger Hidden Dragon, Battle Royale, Nobody Knows, Still Walking, etc.

You can read the post here.

THR Reviews Otouto

February 27, 2010 — 2 Comments

It is a mixed review, but it has a nice comment on Yu and Ryo’s storyline.

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Wow, it seems like such a small # of albums xD

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This seems VERY open. It’s Asian, and it’s also Hollywood… so it seems like my kind of award. Funny thing is that some of those nominees seem very off and certainly kind of random.

For example the historical film The Founding of a Republic is… nominated for Best Comedy? OMG, is that ironic? Also… Inglourious Basterds didn’t make it to Best 2009 Film (even though you can vote for “other” and add it), and Bigelow didn’t make it to Best 2009 Director…

Anyway, some of the nominees in the international bits include usual suspects Avatar, The Hurt Locker, District 9, A Prophet, and Inglourious Basterds~~~ even Peru’s The Milk of Sorrow. xD

The Asian nominees include Mother, Thirst, Air Doll, Red Cliff, Ponyo, Forever Enthralled, Nobody to Watch Over me, Jackie Chan, Takeshi Kaneshiro, Eason Chan, Rain, Maggie Cheung, Gong Li, etc.

Some of the unusual categories include Best Asian Entertainer in Hollywood, Best Asian Movie of the Decade, 10 Best Asian Actors and Actresses…

You can vote here.

I haven’t had a Fortune Cookie in forever~~~

Take a look at The Killing of a Chinese Cookie, for a short documentary that talks about the history of this pop culture icon that is not so Chinese… or Japanese. It’s interesting and funny! Favorite part was the judge’s cookie~

https://www.youtube.com/watch?v=eboi6keicvg

You can actually  order it on DVD, watch it onDemand… or as a Rental, or you can just head over here.


I had recently bought a whole bunch of Haruki Murakami novels because I have fallen in love with his style. His narrative holds this air of melancholy… missing the past, but also a terrible sense of unhappiness. It’s utterly depressing, but this is why it’s so good.

Norwegian Wood (or Tokio Blues, in Spanish) is already being adapted into a film with a possible release for Dec’10, so it wasn’t a stretch to think about actual people playing the characters in the book.

It tells the non-chronological story of Watanabe Toru, who all of a sudden remembers Naoko, the girlfriend of his best friend in high school, who ended up killing himself. It deals with the aftermath of the suicide, Naoko’s life pre and post-suicide, and Watanabe’s life pre and post-suicide as well.

Just as the other Murakami novels, the story has that vibe of quiet sadness, great soundtrack and a sense of great cinematography. The characters are often quiet, and internalize everything. They are so real, that you can’t help getting into someone else’s shoes and call someone a jerk or a bitch.

I had problems starting  the novel, I read the first two chapters fine, but lost something during the middle part that made it almost tedious to continue with it. However, I was over it once I read about Midori, and how her developing relationship with Watanabe clashed with Watanabe’s feelings for Naoko… and then Reiko. As much as I wonder why these three end up sucked into the gravitational forces of Watanabe, and how I think that is somewhat sexist… I can’t help but want the best for him. And, in my opinion, that was with Hatsumi…

I can’t wait to see this on screen!

3.5/5

Hey, guys~

Just wanted to let everyone know that I created a Yu Aoi list on TheAuteurs ranking her films. I’m still undecided about overall film or just Yu’s performance, so I’m going to say a mix of both.

I think it’s time to take the post-its off…

If Only… Picnic

February 20, 2010 — 6 Comments

Well, now that I’m much better I can continue going through Acerk’s and my own picks for Yu Aoi wishful thinking films. We are almost done, and I really wish more people would participate, not only commenting but also suggesting your own.

Anyway… here we go~

2. Picnic

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Recover your Sense of Wonder

February 20, 2010 — 1 Comment

When I was a little kid, my parents once gave me a chemistry set. It had the little microscope, and test tubes, with different chemical components… until one day, I mixed something that turned black and it blew up. LOL Later, my parents gave me a magic set that came with a magic wand and a bunch of other stuff.

It was around that time that Frecuencia Latina used to show the David Copperfield shows, and I remember him flying out of whatever venue he was performing at. “WOW!” I thought, “he really can fly!”

Ever since those days, I haven’t experience magic with that innocent sense of wonder. Sure, David Blane was pretty good when he started out — he’s rubbish since he started that surviving in the tank act — and Criss Angel is okay, but I’ve never really warmed up to him or his show.

Now I’ve finally found out about Lu Chen (Liu Qian), a Taiwanese magician that has given me back the “Wow, how did he do that?” factor that comes with having an innocent sense of wonder. It’s not his big tricks, like escaping from a box that explodes in 60sec. while a truck is about to run over it. Lu Chen’s strength relies on his street magic with common goods like buying Tapioca Milk Tea, buying a T-shirt, or eating Baos on the street.

Thanks for giving me back my sense of wonder.

check out the playlist here.

I would have liked to find out about this a bit sooner to report, but oh well.

The resurgence of Japanese cinema in the 1990s dramatically reconfigured the aspirations, practices and reception of one of the largest and most continuous film cultures outside of the United States. This three-day event features films by three contemporary Japanese filmmakers whose work has crossed national borders and been viewed outside of Japan, elsewhere, in the world: Shinji Aoyama, Shunji Iwai and Ryuhei Kitamura.

According to a forward by the USC Biological Sciences Blog, The School of Cinematic Arts and Visions and Voices will be holding a 3-day event showcasing 6 samples of Contemporary Japanese Cinema. The films are:

  • Baton
  • Hana & Alice
  • Air Doll
  • Azumi
  • Eureka
  • Sad Vacation

The event starts today Friday 19th, until Sunday 21st [more info on that website]. According to the information provided, there will be panels discussion. Today’s panel for Baton and H&A apparently includes Shunji Iwai. We would love to have a report on anyone attending the event. It would be awesome.