Archives For 2011

Ahh fandom… NSFW fandom.

Shane and Molly have Asian fans! It figures~ I wonder if some pairings are more popular in each region just because of cultural preferences. The fact that Shane wanted to become a better person… more studious, more knowledgeable for Molly is what sold me on the pairing. I also think it’s a very Asian thing xD

Plus, they’re hot… but Shane and Carmen was hot– but too much drama.

I liked they used a song by a Taiwanese singer called Joanna Wang. She reminds me of the style of those easy listening tracks by Kendal Payne, or those tracks used so often in Grey’s Anatomy xD And the ending of the video, so sad.

I really meant to post this sooner.

Remember that Glee episode in which we have a flashback of Kurt as a kid with his dad? That was amazing casting, and just to test my theory, I screencapped some bits and showed them to my mother. Her verdict? She thought it was really Chris Colfer as a kid!

So kudos with the casting on this one:
Eric Dawson, Carol Kritzer & Robert J. Ulrich ~~~

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Please, I finally have found out about this photoshoot. I didn’t really recognized Ayumi Ito on this, since I wasn’t really THAT familiar with her work when I found the pictures, and I was probably too embarrassed to ask anyone about this shoot… because, the photos actually make me feel kind of uncomfortable LOL

And you know I wouldn’t post photos just for posting. I wanted to know, and I finally figured it out.

Whenever I see Yu-chan sharing a photoshoot with a co-star — usually male — it’s weird, like really awkward. I always thought it was a Japanese thing… have no chemistry, or barely touching your co-star. It’s something that worked with Ninomiya in that Tekkon photoshoot, because it’s him… and he’s pretty much sexless to me. LOL

I have no idea if it’s because Ayumi Ito is really REALLY awesome, and that Yu Aoi really gets along with her, but this photoshoot made me re-think my whole “it’s a Japanese thing” theory. Maybe it’s because Yu-chan feels more comfortable doing this stuff with girls — because there’s no sexual tension… or if she doesn’t get along with most her male co-stars. Or maybe it is a cultural thing, and it’s wrong in Japan to see her getting cozy with her male co-star for a shoot~~~

Anyone can explain? Enlighten us~~~

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I’m not even a fan, but woman knows how to work that stage. She certainly knows how to close a show! On a very VERY long new year night… imagine having to download 11Gb to watch a roughly 6hr show, Jpop duo DREAMS COME TRUE was the most memorable number of the night — which includes a giant tsuru (crane), and a rock n’ roller tongue-wiggling ojiisan,

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Are you kidding me? A marching band (the Kouhaku Marching band) with a lead singer jumping in a kimono? That’s an automatic win. xD Plus, Ikite yuku no desu (生きてゆくのです) is super catchy, the performance just brings it to the level of memorable.

This is the best I can do for the moment, the only clip I’ve been able to find. If/when I find something better, will re-post. Now, if NHK was smart, they’d be posting the Kouhaku performances on their own site for embedding, instead of taking down the performances that make it online…

OMG, how time flies!

Gou begins this Sunday!! And it’s supposed to be a 70min. episode.

Please, that clip of Juri possibly crying… and possibly pulling at each other’s cheeks, I’m going to be crying and laughing with this… just like when Atsuhime aired.

The BiBi Discography

January 3, 2011 — 11 Comments

I told you BiBi was going to be my first post of 2011! xD

It’s common knowledge I don’t buy singles… or usually “best of” compilations — unless it’s an artist with too many albums that I don’t want to “catch up” on with.

Julz also knows I don’t do mini-albums.

But I do own all of BiBi’s albums ;P I have named myself her biggest fan living the farthest away. LOL Unless BiBi has a fan living in the Patagonia, I’m taking the title, thankyouverymuch.

Bibi’s latest albums are far from perfect. Really respect that she’s trying to expand her style, her vocal range, as well as her image. Though it sometimes feels like her label doesn’t know what to do with her, like they need to change her style (from Time to i.fish.light.mirror) to sell well in Taiwan and Hong Kong – where she probably did sell well after the change.

I sat today listening to her first album (not counting her EP), Who Touched My Violin String?, and it was really quite good. Very strong, except for maybe two skippable songs.

Her second effort, her double album NOW and WOWUMPH! They’re a killer combo. After over two years of listening and discovering Chinese pop music artists, I have learned to appreciate NOW a lot more. But WOW blew me away right away for its hard to figure out sound.

In NOW, she is a lot more traditional sounding… a few “Chinese” or I guess zhongguo feng songs, nice ballads with tight vocals, great production values, and lyrics. In WOW, she does the opposite. She’s R&B without sounding R&B, she’s a bit Rock without being Rock, she’s Pop without being truly Pop — she’s got funk, soul… her lyrics are whack, and she sounds like no one else.

If Leehom coined Chinked-out style, BiBi was able to pull it off in WOW.

I really believe those two albums have been the highlight of her career, and hope that her new contract with Gold Typhoon lets her — as an artist — experiment with those styles more.

Hopefully, I will be able to get the pinyin for Bibi’s songs. In the meantime, you can check the one that’s already done for the WOW album. If you’re lucky, I will learn Chinese hahaha… tough luck!