Archives For korea

Just had a listen to Se7en’s (seven) newest mini-album Digital Bounce, and couldn’t help but hear similarities between Track 6 — Drips — and Justin Timberlake’s Love Stoned. Just listen to the verses.

Drips vs. Love Stoned

What say you? Similar?

Ahhh… I’ve always had a love/hate relationship with BoA. Why? I know she can perform, I know she can dance… but for the love of me, I can’t stand most her pop music. My friend liked her a lot, and I wanted to like her… but I never could get into her.

Now, if only BoA and Hyori could make up one person. She’d be Queen of the world. LOL

Now, call me crazy and what not, but BoA with this blond hair, and wacky clothing. I swear to god, she looks exactly like Hyori in some of those shots. It’s crazy. I was even thinking to myself that it couldn’t be because “not all Asians look alike,” but GOSH. Anyway, not gonna say that I’m crazy about this video — I mean, compared to I Eat You Up which is a very silly song… Game lacks a bit of HMPH.

Seems like everyone’s making a comeback. What is it? Comeback year?

How old is Se7en supposed to be? I feel like he should be contemporary of Bi Rain, but he looks as young as the “younger” DBSK, Big Bang, 2PM, 2AM and every other goddamn K-pop boy band released in the past 3 or 4 years.

Okay, having said that… did anyone else thought of Europop when listening to the song? I mean, the song it’s okay – but okay only. It’s too much autotune from the beginning, and the choreography is okay. I dunno if I’m being too “gay” now, but the women in K-pop are kicking k-pop “boys”  butt lately. Hyori and Narsha alone look so much cooler than Bi and Se7en.

Though the title of the video 飞蛾扑火 (Fei E Pu Huo) seems to mean literally The Moth that Flies into the Fire… or Fatal Attraction (wow, that’s such a cool metaphor).

This is what happens when a Chinese singer gets thrown into the K-Pop scene, and then goes back to the C-Pop scene after much legal fanfare. This songs sounds pretty much K-pop, and looks pretty much that way… except it’s not.

I’m not gonna say I like it. First of all, I’m not a Super Junior fan — even if I did get stuck with Sorry Sorry… and okay, Supergirl because of that god damn Ni shi wo de Baby girl which is more catchy than You’re my baby girl. LOL However, it’s not like I was a huge C-Pop fan either… so I say, YEAH. Commercial C-Pop needs a spark that the commercial K-Pop scene seems to have grasped.

Like I told Julz now, I like BEG. xD Well, I liked GaIn better in the Abracadabra video, which I spent all weekend listening to. However, I also listened to Narsha’s new mini album… which was pretty ok.

This video, however, wow… is this a nominee for Most Use of Hair Styles or what??? xD I’m not gonna say I love it, but I’m probably gonna be caught humming it — just like I say Chitty Chitty Bang Bang Hyori style now.

You know what I like now? I like that the Kpop music scene is keeping the worldwide pop scene in good shape, with loads of style, colors, choreography, well-cut videos and quite danceable pop. Yeah, as much as I could criticize the commercialism, I can sit back and tell all of you, at least I would make an effort to pay for it. The Kpop scene has good quality pop acts… despite the ones whom you could be labeled as “guilty pleasures” *coughGeecough*

Yeah! Take that Miley, Bieber and… are the Jonas still relevant?

*EDIT*

Here’s the English subtitled version.

RIP Seukjin-Oppa

July 5, 2010

gone too soon.

Someone sub this ASAP!

Found a subbed version xD

Hyori never fails to make me laugh, despite the lacking elements in her albums or performances [idol, not an artist], I find it very compelling to just watch her… especially on variety programs. I mean, sure… she’s hot, and in that case photos would do, but her thing are variety programs. She just shines in those. Like in here~

The old people part was hilarious.

Photographed by Hong Jang Hyun.

I feel I shouldn’t be posting these, hahaha. But you know, Julz sent them… and I have nothing to post at the moment, so I figured some people should see them xD

So I’m linking this time.

For the full set, NSFW… I mean, looking at bikinis catalogs at work is kinda creepy — go to Eiffel in Seoul.

via Julz email xD

Hi, there TOP? Why do you sound so much like Sean Paul? No wonder Nayeli thinks Koreans speak English like Jamaican people. Look, TOP… I love your sexy voice why do you have to go and mess it up with autotune. You can do a spoken word album, and it would sound good. LOL

Having said that. Your video looks good. You look awesome… and you being dorky kills me.

Also… you know what would have been even more killer? If you had Yu Aoi playing those drums… even a cameo would have killed G-Dragon, and you know it.

Holler if you just said “What?”!

You might be asking me why I would put Natalie Portman as #3, who is virtually known by everyone, and is the role model of  virtually 95% of late teens/early 20s young actresses around. We admitedly find Kristen Stewart’s fangirl-y-ness kind of cute and amusing [1][2]. However, if we decided to put Natalie Portman as our #1, then that would be a little bit boring, right?

Plus, this time we are choosing quality over quantity. ;P

So~~~ on our list of 20 Actors to Watch, here it is: Doona Bae on #2.

Born in Seoul, South Korea on October 11th 1979, this 30-year-old actress is best known as archer Park Nam-Joo in the monster film The Host (Gwoemul) by Bong Joon-ho, as well as playing activist Cha Yeong-mi in Sympathy for Mr. Vengeance by Park Chan-wook.

Born to famous stage Korean actress, Kim Hwa-young, it seemed that Bae was born with acting in her veins. However, she always felt that acting was only for people of extraordinary talent, so she kept away. One day in 1998, after graduating from university, Bae was scouted by a model agency, and one year later she was already debuting on the KBS TV drama School — which earned her the KBS Drama Award for Best New Actress, while making her big screen appearance with a brief role on The Ring Virus, the Korean remake of the Japanese horror RINGU.

In year 2000, she was cast as Hyeon-nam in Barking Dogs Never Bite, directed by Bong Joon-ho due to her willingness to appear without makeup, which many other South Korean actresses refused to do. This earned her another award as Best New Actress, at the Blue Dragon Awards. She followed it with two films that were received positively by critics, first in 2001 with Take Care of my Cat by Jeong Jae-eun, for which she earned Best Actress by the Korean Critics Association, the Korean Film Directors’ Society (Chunsa Film Art Award), and the whole South Korean entertainment industry with a PaekSang Arts Award. And in 2002 with Park Chan-wook’s Sympathy for Mr. Vengeance, for which she earned a Best Actress at the Director’s Cut Awards, chosen by Korean Film Directors, and would lead to a future collaboration.

After two weak films in 2003, Bae decided to take some time off from acting, in which she took up photography, and participated in the stage production of Sunday Seoul, co-written by Park Chan-wook.

In 2005, she went across the sea, and starred in the Japanese cult hit Linda Linda Linda, playing a South Korean exchange student in a Japanese girl rock band trying to play at the school’s festival — for which she recorded an EP titled We Are Paranmaum under the name Paranmaum — by Nobuhiro Yamashita, which also became a favorite of the film festival circuit. The year after it, she had a supporting role in Bong Joon-ho’s South Korean biggest box office success The Host.

Bae also appears on a few music videos, and has released Photo essays for London, Tokyo and Seoul. Finally, in 2009 she played an air sex-doll in the Japanese drama Air Doll by acclaimed director Hirokazu Koreeda. For the role, she earned Best Actress wins in festival circuits, as well as nominations at the Asian Film Awards, and the Japanese Academy Awards.

What’s next for Doona Bae? We have no idea. But if she’s making us wait another 3 years for a new movie on the big screen, and it’s as GOOD as Air Doll was when we waited those 3 years after The Host. Well, it’s all worth it.