Archives For comeback

7 years — SEVEN FREAKING YEARS! — after starring on Yuki Tanada’s One Million Yen Girl, Yu Aoi is finally going to star in a new movie as a lead. The lucky production? An live-action adaptation of Yamauchi Mariko’s (山内 マリコ) book AZUMI HARUKO wa Yukuefumei (アズミ・ハルコは行方不明), which translates to Azumi Haruko Is Missing, which will be directed (and most likely adapted) by Daigo Matsui (松居大悟).

yu-aoi-azumi-haruko-film-announcement

My Japanese is going to the gutter. lol

BUT! The internet (meaning me) is all excited about it! Actually, I see a lot of tweets on it, but I’m too lazy to read or google-translate them, so I will just pretend we’re all excited about this.

YesAsia has an “English title,” and lists it as Lonely Girl Has Gone.

I don’t know what the book is about, if you do- tell me. Other essential info? Apparently it started shooting in mid-September, and it’s set for a 2016 release.

Sources: Natalie, Yahoo JP. Big version of this photo on Eiga.

It doesn’t matter how many people perceived Kidman’s films to be bad, I’ll still watch any of them- I mean, not for nothing she placed #2 in my list of favorite actresses. She and Doona Bae keep crossing paths in my fandom life~

So, Nic is back in London and back on stage. People who get to go to London to actually watch her perform live are mad excited… for the rest of us, we’re just damn jealous.

The Guardian also has a lovely 3min. clip where Nicole talks about who Rosalind Franklin was, the relevance of the story, the female voice, and “the sell” culture.

The Independent also has an interview with director Michael Grandage, who talks about the story, why it attracted Kidman, and attracting a younger audience.

I’m maybe one of two (or three) people that actually liked Ghaath. Actually, scratch that- IMDb is showing me that, at least, 20 people have voted this movie over 6. So there you go, we’re about 20 people. But maybe I have a strong bias, the film has a political moralistic theme of the late-90s early 00s era but avoids the masala shenanigans for the most part, it also has Anu Malik music — with two great songs that I enjoy — and the chemistry between Tabu and Manoj Bajpayee, who are also getting back together this year (after Salman in Jai Ho, Ajay in the upcoming Drishyam).

When a titillating item song comes on screen, I’m usually the one rolling my eyes at some of the embarrassment… and the Telugu film industry has usually taken the cake when it comes to silly sexism. Not even Tabu can escape it (her number in Pandurangadu gets the crown with that orange juice moment). However, I do remember the first time that I ever gasped seeing a Bollywood movie because *gasp* They kissed! It was the Chup Chup Ke [clip] number in Bunty Aur Babli. It was before I realized I did enjoyed seeing Abhishek and Rani together [1], but they were always married on film!

In the number for Teri Aashiqui Meri Zindagi, Tabu’s character is never married to Manoj’s, they fairly recently met at their family/friend’s wedding and had their moment in Hum Bhi Samajh Rahe Hain [clip] — there sure is a lot of rain and white-wearing caressing and singing, but it’s just playful boy-meets-girl girl-meets-boy, a lot of face-touching… but never EVER an engagement or wedding, yet… yet… there’s this 20-second love-making behind a torn down hellenistic column that results in a baby. LOL

There’s all sort of face and neck action foreplay (I’m like “Omo, omomomomomo I swear she’s licking that neck“) before the hellenistic column action, as well as the obvious after scene.

Of course there was a baby. There’s never a sex scene in these movies that doesn’t end with these consequences… it happens here in Ghaath, as it happens in Raiou.

I think… in contrast to last year, I might be liking Dum Laga Ke Haisha much better than movies like 2 States or Queen. It’s modern like those two dealing with issues, it’s got as strong acting (though Queen had the disadvantage of foreign acting, which always tends to be the weakest link anywhere in the world), but it’s much fresher in style with its honest 90s Bollywood throwback. And thank you gods that there was no bumping electro-dance disco song.

It’ll need to simmer, but it looks good for YRF at the moment.

It’s only a couple of days more, and the movie will finally open [1], but here’s the Rene Liu song that’s promoting the film full of feels~

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