It is a mixed review, but it has a nice comment on Yu and Ryo’s storyline.
Category: Moving Media
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Currently on The Auteurs for FREE
Every other time, TheAuteurs.com shows some of their films for free. You only need an account there to watch the films, and you can even login with your Facebook account.
Since I joined, these films were added and restored:
- Hanyo (The Housemaid) [1960] – which is being remade.
- Susuz Yaz (Dry Summer) [1964]
- Touki Bouki [1973]
since then, free movies have come and gone…
some are still free, but some others now require paying~- Tikimentary [2009]
- Gina, an Actress, Age 29 [2001]
- Someday my Prince Will Come [2005]
- Bir Olayın İnfazı Hakkında Tutanağın İki Adı ve Kırık Plaklarla Dolu Bir Bavul
(The Two Names of a Testimony About the Execution of a Happening and a Suitcase Full of Broken Records [2007] - La Mère (The Mother) [2007]
- Sons of a Gun [2008]
subtitled in English when not in English.
so watch while it’s still available! happy viewing!
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Vote for the Green Globe Film Awards
This seems VERY open. It’s Asian, and it’s also Hollywood… so it seems like my kind of award. Funny thing is that some of those nominees seem very off and certainly kind of random.
For example the historical film The Founding of a Republic is… nominated for Best Comedy? OMG, is that ironic? Also… Inglourious Basterds didn’t make it to Best 2009 Film (even though you can vote for “other” and add it), and Bigelow didn’t make it to Best 2009 Director…
Anyway, some of the nominees in the international bits include usual suspects Avatar, The Hurt Locker, District 9, A Prophet, and Inglourious Basterds~~~ even Peru’s The Milk of Sorrow. xD
The Asian nominees include Mother, Thirst, Air Doll, Red Cliff, Ponyo, Forever Enthralled, Nobody to Watch Over me, Jackie Chan, Takeshi Kaneshiro, Eason Chan, Rain, Maggie Cheung, Gong Li, etc.
Some of the unusual categories include Best Asian Entertainer in Hollywood, Best Asian Movie of the Decade, 10 Best Asian Actors and Actresses…
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BAFTA Winners 2010
I’m almost kind of glad BAFTA decided to honor their own by naming Firth and Mulligan Best Actor and Actress, even though I haven’t seen A Single Man yet, I felt very underwhelmed after watching Crazy Heart.
The Hurt Locker puts itself front and center coming Oscar week with this BAFTA sweep, which makes me a bit tingly inside. If only a set of much better films could have joined Hurt Locker, it would make make Bigelow’s future win a little less bittersweet.
And I’m not even mad Let the Right One in lost to A Prophet, because both are such great films.
Anyway, here are the winners…
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If Only… Picnic
Well, now that I’m much better I can continue going through Acerk’s and my own picks for Yu Aoi wishful thinking films. We are almost done, and I really wish more people would participate, not only commenting but also suggesting your own.
Anyway… here we go~
2. Picnic
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Recover your Sense of Wonder
When I was a little kid, my parents once gave me a chemistry set. It had the little microscope, and test tubes, with different chemical components… until one day, I mixed something that turned black and it blew up. LOL Later, my parents gave me a magic set that came with a magic wand and a bunch of other stuff.
It was around that time that Frecuencia Latina used to show the David Copperfield shows, and I remember him flying out of whatever venue he was performing at. “WOW!” I thought, “he really can fly!”
Ever since those days, I haven’t experience magic with that innocent sense of wonder. Sure, David Blane was pretty good when he started out — he’s rubbish since he started that surviving in the tank act — and Criss Angel is okay, but I’ve never really warmed up to him or his show.
Now I’ve finally found out about Lu Chen (Liu Qian), a Taiwanese magician that has given me back the “Wow, how did he do that?” factor that comes with having an innocent sense of wonder. It’s not his big tricks, like escaping from a box that explodes in 60sec. while a truck is about to run over it. Lu Chen’s strength relies on his street magic with common goods like buying Tapioca Milk Tea, buying a T-shirt, or eating Baos on the street.
Thanks for giving me back my sense of wonder.
check out the playlist here.
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USC Japanese Cinema Screening and Panel Discussion
I would have liked to find out about this a bit sooner to report, but oh well.
The resurgence of Japanese cinema in the 1990s dramatically reconfigured the aspirations, practices and reception of one of the largest and most continuous film cultures outside of the United States. This three-day event features films by three contemporary Japanese filmmakers whose work has crossed national borders and been viewed outside of Japan, elsewhere, in the world: Shinji Aoyama, Shunji Iwai and Ryuhei Kitamura.
According to a forward by the USC Biological Sciences Blog, The School of Cinematic Arts and Visions and Voices will be holding a 3-day event showcasing 6 samples of Contemporary Japanese Cinema. The films are:
- Baton
- Hana & Alice
- Air Doll
- Azumi
- Eureka
- Sad Vacation
The event starts today Friday 19th, until Sunday 21st [more info on that website]. According to the information provided, there will be panels discussion. Today’s panel for Baton and H&A apparently includes Shunji Iwai. We would love to have a report on anyone attending the event. It would be awesome.
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Otouto Takes a Darker Tone
I found a review of Yoji Yamada’s Otouto, which will be closing the Berlinale this 21st – hopefully Yoji Yamada and the cast can be there. The review has possible spoilers~~~
So you’ve been warned!
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From the The Mainichi Daily News
by Tomomi Katsuta
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We Are More by Shane Koyczan
One of the most “proud to be Canadian” moments at the Winter Olympics Opening, even if you’re not Canadian, was the moment Canadian slam poet, Shane Koyczan, took the stage with his “love song” to Canada “We Are More.”

CTV took some time to catch up with Shane after his presentation.
How does that feel?
I’m honestly flabbergasted. I don’t know how to react. All I can really say is thank-you, and those words never seem to suffice because I want to express the totality of my gratitude, but I don’t have much more to offer than thank-you. I guess it’s like I said in the poem: please and thank-you.

