Fandom funny crossover~
I was watching (finally) Tokyo Kazoku — which I liked more than I thought I would — and just felt this incredible marriage pressure during the the scene in which Yu’s character is accepted by the father with that terribly heavy “There may be some hard times ahead, but if you’ll consent to be his wife, I’ll be able to die in peace.”
My mind immediately went to Arshad Warsi’s Circuit; “No tension, bhai.”
… is getting ridiculously messy [1].
But I gotta admit I’m loving it.
So… the Ram-Leela thing didn’t pan out (boo hoo!). Instead, we’re getting Dhoom 3 for the New Year, so I gave Dhoom a watch. Without noticing (much) my life had also been inundated by Bachchan Jr., not that I mind much… I had a better first impression of him (I think it was in Yuva), than I did with Aamir Khan, as well as Kareena Kapoor. Poor the both of them, I hated them from the get go. However, I found that I kinda liked them together. Talaash was a good one, but they really reeled me in with 3 Idiots to the point that I don’t think I hate them any longer. I’d better avoid Aamir from most things pre-2006, though.
Besides getting acquainted with Vidya Balan — I’m on my third Kahaani re-watch and still loving it — as well as getting cozy with Madhuri Dixit’s filmography, I’ve been getting to know Sanjay Dutt, whom I totally thought was Salman Khan’s dad (from the Deewangi Deewangi number on Om Shanti Om). I was really REALLY surprised by the range of his acting, since I thought that he was gonna be one-note like the likes of Sylvester Stallone, Schwarzenegger, or Bruce Willis. I even found him endearing as Munna Bhai. I’ve never had that happened to me with any of them.
As for the rest? I like Preity Zinta more outside in the real world (interviews and maybe Twitter), Hrithik Roshan isn’t all that bad (and he’s super hot), and I still find SRK more endearing than cool (or anything else). I re-watched Life of Pi, and I’m super psyched about embarking on Tabu’s filmography, and I just found out (like a couple of hours ago) that Naseerudin Shah played Gandhi on Hey Ram. Totally gasped at that one.
I’m so totally game for the third Munna Bhai installment, excited for Dedh Ishqiya… and I don’t think I mind Dhoom or Don. I also daydreamed SRK made a Don-esque movie set in Hong Kong alongside Jackie Chan. I’d be totally game for that. I’d hate to see Jackie losing to him, though, so they should both play bad guys… or SRK should play good cops with him, even if that may result too much like a Rush Hour movie. It’s gotta be a serious funny action movie with them.
I haven’t worked with mind maps since my school days were over. I remember I used to work with FreeMind, but it’s been so long since then that I wondered whether there were any good web-based mind-mapping applications around today. I found two slightly different ones that I tested working on a mind map of my Indian Movie-watching Journey [1].
First, there was MindMeister, which worked the most similar to FreeMind. The free version seems to be bare, it doesn’t allow you to save styles (for formatting) or setup your share options — smart~ — it just goes from ‘private’ to ‘public’ … or you have to invite people, which should work for most. But it works and it lets you save your work, export in different sizes and formats, so it’s all good.
Next week, it’s crazy, will be the first month my dad has been gone. Though the shock of losing him seemed to block my mourning for him, as the days have gone by, it’s been harder and harder. Specially this past Sunday. It was my fourth Sunday without seeing him… and I don’t get along with #4s. Today I woke up thinking that maybe I could hear his ringing my intercom the way he did so I knew it was him downstairs.
Music has been my blessing and my curse. It often distracts me from wandering into sad territory, but it also reminds me of him. “He would like this,” “I saw this with him,” my mind often thinks. Trying to make sense, over-thinking about it, it seems destiny has been sending me signals throughout the year. First through a Chinese Horoscope scare, and other little bits and pieces of mementos.
Father and daughter movies, songs being played at key moments and words left as token of peacefulness. The day before my father passed away, when he was in good spirits and I was visiting him, he said he had led a good life and that if he had to go, he could go tranquil. I didn’t know then that I wasn’t going to be able to give him a mix of his favorite group [1] to accompany in his hospital stay.
After my uneasiness started that day, I looked up at the sky and told my dad that if he had to let go, he could. Fifteen minutes later, I was informed of his cardiac arrest. It wasn’t more than 20min in the trauma room, when I knew that he’d decided to let go.
https://www.youtube.com/watch?v=CjPB3NpYsUw
Luck will have it that I didn’t get to watch Talaash until after my father passed.
I feel the need to over-share so I don’t wallow in self-pity.
So tell me, is this impressive for a couple of months watching Indian films or what? I must admit, though, that I’m still not familiar enough with Hindi or any other dialect spoken in films. My level of understanding goes from having a ladki or ladka giving their dil tere liye. And I’m not even sure that’s Hindi or Urdu.
Also, though most of the films I’ve come across are subtitled, some weren’t properly sync to their video sources. I think that happened to me with Ghulam, Nayak, Yuva, Chalte Chalte and maybe Hum Tum. I can’t even remember any longer. After this, I realized I really really REALLY love Rani Mukerji on screen… say it with her voice “she’s so cute.” And her eyes are so expressive with such on screen charisma. Her dancing doesn’t seem to be at the level of ease as… let’s say- Madhuri Dixit, but she compensate with the acting.
Though her performance on Hey Ram is barely 10% of the film, I do think it deserves its spot on the Top5 Top6 of her films and everyone should watch it. It’s an amazing movie.
Fan for life!
I finally re-watched my BR copy of Kuch Kuch Hota Hai — Kajol’s eye makeup close-up in THAT scene on a big screen is stunning — my third time overall since I began watching Bollywood films and the best 9 hours of my life.
While watching KKHH last night, right after catching the trailer for Japan’s remake of Love Actually, it made me think what the world of Kuch Kuch Hota Hai would be like through the eyes of Shunji Iwai. Of course that would mean several cultural changes and cuts for length. I’m uncertain on whether I would place the main characters as college students or last years of high school… or even whether the school years should be taking place in the late 90s.
What I was more focused on is the characteristics of the actors and their characters. For Kajol’s Anjali, I knew I needed someone who could be one of the boys but at the same time should be physically interesting, and I immediately thought of Ayumi Ito. Her boyish aura is best shown by her character in SOLANIN — her squishing the beer can is burnt in my mind — while having a sort of rough exterior. I know a lot of people who don’t mind Ayumi Ito, but I also know of some of these people who… given the time… were taken by her. So I don’t have any doubt in her talent.
Next up — I know SRK’s role is pivotal because Rahul is the epitome of the Bollywood heartthrob dufus, but I’m taking it down a notch. I’m not very knowledgeable about Japan’s heartthrobs, but I don’t want someone who would be too pretty to make guys nervous nor a guy that’s more of a guys’ guy. I thought Shugo Oshinari would be a nice middle point.
Continue Reading…
This is my first (proper) Aishwarya Rai movie, and though I wasn’t blown away or bothered by her acting (maybe yet); Sanjay Leela Bhansali more than over-compensates for his direction. While watching Hum Dil De Chuke Sanam, I just kept thinking “this has got to be the most artistic movie to ever have a fart joke in.” It’s a pretty gorgeous movie to watch.
While watching the performance for Dholi Taro Dhol Baaje [lyrics + translation], my brain just went “OMG, this is a beautiful sequence.” Then again, so was my reaction while watching Black. And so it was with Khamoshi: The Musical. Can you tell I’ve been taken by his directing?
And the music in this was awesome. Is it really true that they spent two years working on it? Coz with IMDb, you never really know these things for sure.
https://www.youtube.com/watch?v=6VBAGMkTjTs
Think this already deserves an India tag.
I just checked Amazon (and other online sources), and there doesn’t seem to be HD releases of his movies, though. It pains me so much.
When I was little — maybe between the ages of 4 and 6 — I used to watch a really worn out tape (maybe transferred from a Betamax tape to a VHS one) about a huge furry green alien whose name was Muzzy- Big Muzzy. Many years later, many courses of English after and once the internet became a reliable search tool, I came to learn that the movie… a BBC educational video, was called Muzzy in Gondoland, though I knew it as “The Big Muzzy Story.”
As a Spanish speaker, I don’t recall ever understanding English growing up. Though I had some games and watched some animated shorts and movies in English, I don’t think the language ever registered as a language. I recall I was dreadful at it in school until I turned 10 or so and began attending classes after school. I’ve been speaking English more than half my life already, and it’s the language I primarily work in. I read, write, listen to… and consume most of my media in English. I don’t think I dream 100% in the language, but I’m known for having dreams I don’t understand — I don’t think I’ve dreamed in Mandarin, but I’ve had chunks of them in Japanese and most notable in Korean, even though my Korean abilities reach the levels of greetings, the random “I miss you,” or “this is my friend,” as well as the very helpful “I’m hungry” or “my tummy hurts.” I can also request things with the very useful three-year-old Korean level phrase of “item- chuseyo” LOL
The preferable term would be “cookie” though I’m sure Muzzy would prefer clocks or parking meters.
Anyway, I found two copies of Muzzy in Gondoland. The one that’s split in 8 segments has the original audio I remember as a child. While this version that lasts 2.30hr seems to have different voices for Sylvia, Bob The Gardener and Covax. I’m 50/50 on the voice of the Queen.
Apparently there are updates in different languages like French, Mandarin and Spanish redone in basic 3D with segments in Flash. Have been watching the French one, and they’ve omitted the fact that the Queen is fat. Obviously because it’s not politically correct to call someone fat nowadays, and the Queen does so in the adjective section. Plus, the King flatly calls her fat with the exclamation “You are fat!” which obviously is kind of ridiculous. LOL
Also, the AEIOU song doesn’t translate well.
I also found the original animation in Esperanto.
I really can’t remember exactly when I started out the Top Flicks About Chicks list on MUBI, but it must have been around the same time I wrote how Chick Flicks was a doomed genre in regards of critics. So it might be almost 4 years… and I’ve finally reached 300 titles in the list!!!
A Chick Flick should center on little girls, girls, young women and women… as students, as neighbors, as friends, as daughters, as granddaughters, as sisters, as mothers, as lovers. They are simply women. With that alone, we can tell all sort of other stories that have little to do with romantic comedies.
The purpose of the list, of course, was to encompass an array of female character — not only in the binary sense, since the list also includes men/boys who identify as women/girls… and viceversa — of various cultural, ethnic, social backgrounds. Not favoring one genre over the other, not valuing dramas over comedies… just simple stories about different women.
Though I’m sure the list could be longer, that’s 300 feature length films out of the 2896 (counting shorts) currently rated on the site- that’s roughly 10% so I suppose the list could expand to up to 500 or maybe 1000 once I reach 5000 or 10000 rated films on the site.
1. Treeless Mountain 2. Welcome to the Dollhouse 3. Juliana 4. Labyrinth 5. Fuckin’ Amal 6. Mirrormask 7. Gun Hill Road 8. Pariah 9. Bend it like Beckham 10. Swing Girls 11. The Land of the Deaf 12. Sunny 13. Whip It 14. Stoker 15. Maria Full of Grace 16. Breaking the Waves 17. My Marlon and Brando 18. 4 Months, 3 Weeks and 2 Days 19. Dil Bole Hadippa! 20. The Girl with the Dragon Tattoo 21. Kotoko 22. Violeta Went to Heaven 23. Skin 24. Raise the Red Lantern 25. Incendies
I picked 25 of the 300 films to illustrate some of the variety (I hope it’s AS varied as I intend the list to be), though I ran out of picks and couldn’t include any of the ‘older’ female characters. If I could pick 5 more, they’d be: Lemon Tree, Frozen River, Late Bloomers, Mother, For 80 Days.
I just watched Shunji Iwai’s Vampire – FINALLY! – sadly, it didn’t give me any important feels about it despite the LONG wait. Not even Yu-chan’s performance, though I really think having to speak English hindered her usual scene-stealing capabilities. It also seemed Iwai was slacking around with his script, and he just dropped Mina’s role for Aoi there if she wanted it at the last minute because she’s just so damn relaxed in it.
I have no feelings towards Kevin Zegers, and Iwai only used all her actresses as passersby so even Keisha Castle-Hughes (only in the beginning), Kristin Kreuk (all the way into the end) and Katharine Isabelle (somewhere in the middle for a few minuets) fans are going to be disappointed. Rachael Leigh Cook has a bigger part in the film, but plays not a very compelling character, which I think would have been a better fit for Isabelle.
