I gotta admit that I haven’t watched many of Juhi’s films yet. She’s certainly popped up quite a number of times in supporting roles here and there, but in terms of fandoms, Madhuri’s filmography has taken the lead. Having said that, I was taken by how candid and honest Juhi was with her answers.
While Madhuri is strictly diplomatic with her answers, revealing enough but not too much; Juhi’s relationship with her rise to fame and her mistakes through the course of her career seemed… refreshing. I’ve barely seen her, but it feels like I got a small window to get to know her. That’s an interesting quality in movie stars nowadays.
But seriously- THE moment of the day is Ranveer Singh’s tribute to the both of them. How could anyone be sexy, sweet, cute, funny, dorky and such a good actor.
I haven’t done a fake Criterion fanart in a long time — possibly in over 4 years [1] — but after seeing M.F. Husain’s films, I couldn’t resist. Besides Madhuri Dixit- DUDE! Tabu as Meenaxi. I can’t possibly resist.
I do believe that Tabu acted miles around the material that Madhuri Dixit got, and that M.F. Husain should’ve used a lot more of Madhuri’s dancing skills and charisma to get his muse concept across. Especially considering how she was his muse and all.
I ran into this episode of India’s Most Desirable featuring Rani, and watched it through the night. She explains the development of her personality, which resulted in her character in No One Killed Jessica. I find it a bit odd, but okay- I’ll take it.
What I found most interesting was her relationship with her parents, and the thing she said about having one set of parents in your lifetime really struck a chord with me.
Then she plays the games- the 2 Truths and 1 Lie game was a bit odd. She does elaborate on one hard to believe truth (a baby switch when she was born), but she totally skims through another one (almost married at 14?) ; I’m not sure if she was joking or not. LOL The fan questions segment was a bit weird, but Rani participates in all good fun.
I couldn’t resist myself because it’s likely I’ll never see an animated GIF of this golden nugget from Satoshi Miki’s Ore Ore. Especially because there’s not enough Eri Fuse love on the net.
I was watching (finally) Tokyo Kazoku — which I liked more than I thought I would — and just felt this incredible marriage pressure during the the scene in which Yu’s character is accepted by the father with that terribly heavy “There may be some hard times ahead, but if you’ll consent to be his wife, I’ll be able to die in peace.”
My mind immediately went to Arshad Warsi’s Circuit; “No tension, bhai.”
Can you do that? HAVE YOU TRIED TO PULL THAT OFF? That’s a talent right there. And it seems to be her thing. I mean, I can move my eyebrows alright- one up and up the other goes, but it looks more like a look of mad confusion than the actual ease with which she uses.
So tell me, is this impressive for a couple of months watching Indian films or what? I must admit, though, that I’m still not familiar enough with Hindi or any other dialect spoken in films. My level of understanding goes from having a ladki or ladka giving their dil tere liye. And I’m not even sure that’s Hindi or Urdu.
Also, though most of the films I’ve come across are subtitled, some weren’t properly sync to their video sources. I think that happened to me with Ghulam, Nayak, Yuva, Chalte Chalte and maybe Hum Tum. I can’t even remember any longer. After this, I realized I really really REALLY love Rani Mukerji on screen… say it with her voice “she’s so cute.” And her eyes are so expressive with such on screen charisma. Her dancing doesn’t seem to be at the level of ease as… let’s say- Madhuri Dixit, but she compensate with the acting.
Though her performance on Hey Ram is barely 10% of the film, I do think it deserves its spot on the Top5 Top6 of her films and everyone should watch it. It’s an amazing movie.
After watching Fanaa a few weeks ago, I thought I might continue the Indian adventure with Tabu. Then, I watched Devdas — still unimpressed with Aishwarya Rai’s acting prowess and totally committed to watching Indian films because I can write hers and Sanjay Leela Bhansali’s names without googling now HUZZAH! — and was struck by Madhuri Dixit (no googling!) and her amazing “hooker with a heart of gold.” In fact, my favorite scene in Devdas is probably her dance duo with Aishwarya. And Bhansali’s films are still such a beauty to see. Sighs.
Then, when I thought I might head the Madhuri Dixit road, I watch English Vinglish and get struck by Sridevi (no google!). My first shock, of course, was realizing that I had knocked off ten years of her age right off the bat. Then while reading her wiki page (this is why it’s important to have a good Wiki page, fans), it hit me like a bucket full of cold water~
Sridevi was a successful child star, a sex symbol… and is possibly positioning herself as a MILF — my own observation here. Apparently English Vinglish was quite a hit, marking her comeback after 15 years off the screen.
I don’t think there’s ANYONE in the world of movies (or entertainment) that has been able to achieved this. I can’t think of a single actress (or maybe actor) who started out as a child, grew to be the actress made of dreams, moved on to becoming a sensible adult, apparently a great mother, and make a comeback to take all that’s “cinematically” hers.
The performance is okay (by Kpop standards, anyway), but Sridevi is totally charming in this show for the International Indian Film Academy (IIFA). I think the IIFA cameras shoot a quick reaction from Madhuri during the number, just as they showed Sridevi on Madhuri’s own performance (which rocked my socks) [1]. I could do with less Deepika reaction shots, though.
So… I am at a conundrum. Who should I go for first? Sridevi or Madhuri? And since both have sooooo many films, where do I start?
