Archives For Art

We’re always bombarded with news at how the music (and movies, and everything else) industry is losing money to piracy, even though we keep hearing all these facts about how Glee has had more songs charted than The Beatles.

When Sarah, from the Music Production Schools’ design team, emailed me this infographic depicting all these facts onto one place… is hard not to share, right?

I won’t lie to you, the numbers are good — though I really don’t know how that works with adjusted inflation — but the numbers also make me sad. To imagine Katy Perry standing on similar ground as MJ or Flo Rida standing on similar ground to The Beatles… or Ke$ha selling MORE than The Beatles. It’s depressing.

Mainly because there are MUCH better artists out there, and half the world haven’t even heard about them. I think it’s a crime that everyone knows Katy Perry, but it’d be rare if someone knows who Shiina Ringo is.

In any case, this is an infographic about sales~ so there you have it.

Full infographic after the break~

Continue Reading…

Or at least, that’s what I understood scanning through the articles in Japanese (with Google Translate, LOL).

Tokyo Kazoku (Tokyo Family) was supposed to start shooting in early April last year, but due to the earthquake, it was postpone — postpone long enough, until now. Apparently (if I read right), Tokyo Kazoku began shooting on May 31st. There was a press conference that day, and the cast was there~ including Satoshi Tsumabuki and Yu-chan.

As you may (or not) know, Tokyo Kazoku will be a re-telling of the 1953 classic Tokyo Story (東京物語) by Yazujiro Ozu. Apparently, Yu-chan will be taking on the role played by Setsuko Hara. But… I really can’t tell you more, because I’m ashamed to admit I haven’t watched Tokyo Story, even though every cinephile has.

But if Setsuko Hara-san’s character was the same as Satoshi Tsumabuki’s girlfriend [1], then you probably already knew that. If it wasn’t… then it’s all news to us. xD

In the meantime… Yu looks grown-up. I feel like I haven’t seen her in so long, even though she was in that episode of Shokuzai in January. Of course, Tokyo Kazuko will be released on January 2013.

Here’s a video of the event.

There was a surge on Yu Aoi searches today, so I was browsing what I was missing~

First~ there’s a new batch of CMs for JINS glasses that were released in early May and on May 31st. This Making Of clip is from the last batch of commercials.

–EDIT–

The JINS YouTube channel has released most of the videos.

x

Continue Reading…

Obsession with hair is obsession. xD

I think I might cut my hair like the first one, though without the colors. My hair can’t take the dye any longer. Maybe highlights… I haven’t done things to my hair in ages.

Juanes said that he dreams in Spanish, so that’s why he usually doesn’t sing in another language, even though he’s collaborated with artists that don’t necessarily sing in Spanish. So when he did his song Hoy Me Voy [YouTube] — included in his 2007 album La Vida Es un Ratico — and did a Spanglish version with Colbie Caillat, it was interesting.

For the most part, the Spanglish version does a good job at translating the Spanish — “Devuélveme ese corazón que tú no supiste valorar lo que te daba yo de verdad.” to a pretty close “So give me back this heart of mine ’cause you didn’t feel the love that I would give to you every day and night.

A literal translation would be “Give me back this heart that you didn’t value what I really gave to you.

You know there’s a problem when you add the words “every day and night,” as well as the cringe-worthy random “baby.” xD Which they use in the chorus (nonetheless!!!) — “Tengo miedo de no olvidarte y por eso de ti me despido” with the line “I am scared baby, I won’t forget you and that’s why i need to let you go, so-

The literal translation for that would be “I’m scared of not forgetting you, and that’s why I’m saying goodbye.” Compared to that, the Portuguese/Spanish version (Spanguese? Portugish?) goes the dramatic way with the line “Tive medo, fui covarde, é por isso que de ti me despeço” which translates literally to “I was scared, I was a coward, and that’s why I’m saying goodbye.

https://www.youtube.com/watch?v=T4K7zySqNas

Obviously, the mixing of Spanish and Portuguese is way more natural than with English. However, it’s super interesting that the changed lyrics in Portguese are even more dramatic than in Spanish… which usually have dramatic lyrics.

Anyway, I prefer the arrangements for this version with Paula Fernandes because it gives it a super serious and more devastating tone. The original version of just Juanes in Spanish is a little too peppy, and the version with Colbie Caillat is just… too soft.
Continue Reading…

There’s also shots of Theron with Kristen Stewart, but who cares. xD

I haven’t really been properly following Okaasan to Issho — this means I haven’t been practicing my Japanese much — so I was really REALLY surprised: first, when they changed the weather mascots so soon. I suspect it didn’t suit well with the whole Tohoku Earthquake. They seemed to have lasted just a couple of years compared to some of the others…

Anyway, the second thing that surprised me was… Itou Mayu is no longer there! Apparently she did her last show by the end of March. Sadly, I haven’t found any clip of that online.

Continue Reading…

There’s a stunning photoshoot with Fan Bingbing in the June issue of Vogue China, that somewhat reminded me of Alice in Wonderland. I think that has to do with the blond and the light blue dress. The styling is mad.

You can check the other photos over at Fashiontography.

I don’t watch as much i.Sat as I used to, but this is my favorite commercial I’ve seen from them.

I’m so glad they have it on their YouTube account. xD

Stop fueling the Machine!

Cocaine Unwrapped in a documentary by Rachel Seifert on how cocaine consumption affects South America’s production of drugs.

Agency: Leo Burnett London
Production house: Stink
Postproduction studio: Platige Image
Director: Tomek Bagiński
CG Supervisor: Grzegorz Kukuś
Producer: Agata Socha
Art director/Concept Art: Piotr Jabłoński
Compositing: Alan Uran
Rendering: Mateusz Bargiel, Grzegorz Kukuś
Animatic: Damian Nenow
Modellers: Mateusz Gajewski, Artur Owśnicki
Textures: Bartłomiej Walendziak
Additional Technical Director: Mateusz Popławski
Offline: Adam Kałuski
Conforming: Piotr Popielawski
DOP:: Kamil Pohl
Camera assistant: Maciej Żak
Make-up artist: Monika Bagińska
Cast: Karolina Mann

Here’s the Vimeo link. There’s also a YouTube version available.