You know you’re fucking awesome when you lipsync through a whole show and nobody gives a shit, because it’s still awesome. Though, I would argue that MJ should’ve stopped his performance in Dangerous.
Not since Michael Jackson began dazzling the pop music stage has there been any other pop act that has been able to define dancing the way Michael did. To this day and age, when dance pop music (in America) is stale, and Korea gives me pretty choreographed skill [1] — there’s still no one bringing anything new to the pop table.
Seems that trolling one another has been around for a while. xD
So I found some Audio Latino last episodes of Power Rangers in Space — aka. Power Rangers en el Espacio~ and I still think Astronema’s look is super funny when everyone “comes out” as a Power Ranger. xD
The ending of the Zordon era is still cheese [1], but it’s pretty darn good cheese. Continue Reading…
Googling about (as always), I ran into this Best of Beakman’s World collection [1], split into 6-part 10-min clips~ lo and behold! Complete episodes of Beakman’s World Español Latino dubs [1]!!! Because El Mundo de Beakman just melted my brain with the idea that the dubbing voice of Will Smith (Juan Alfonso Carralero, who just happened to be on TV last week as the voice of Viggo Mortensen in A History of Violence xD) was ALSO the voice of Beakman.
I miss children programming like Beakman’s World — I know there are a few “science educational” children programs out there, but all of them lack the sense of fun and wonder that Beakman had. :(
You know, I’m not currently a big fan of Helados D’Onofrio mainly because since the mid-90s, the company has been regurgitating the same type of ice cream over and over again. There’s only many ways you can mix vanilla and chocolate on a stick, you know?
Their brand has gotten stuck in a way that it only does combinations of chocolate, vanilla, lucuma [1], and a very cringe-worthy hot pink strawberry.
Then again, the same thing happens with snacks and sweets. There’s only so many ways you can mix chocolate cookies with vanilla cream, or vanilla cookies with an assorted arrays of creams (yes, once again: chocolate, lucuma, strawberry… but sometimes mint and if they’re feeling adventurous, peanut.).
But as with many things you grow up, you can’t hep but have a weakness for the memories it brings back. I do remember enjoying my chocolate Buen Humor, the chocolate-cookie-vanilla-ice-cream Sandwich, the fruity Eskimo, and as a little kid it was all about the Copa K-Bana (you know, as in “Copacabana”), and the Vasito (little cup) which was a tiny cup with a one-single flavor “scoop” — Yes, it was either chocolate, vanilla, lucuma or strawberry.
The Bombones (chocolate bonbons filled with vanilla ice cream), the Jet (chocolate covered vanilla ice cream on a stick), Frio Rico (cone with vanilla ice cream with scattered chocolate, which has developed in coffee or dark chocolate versions lately), and I clearly remember Huracan (“hurricane”, water-based orange or lemon ice-covered vanilla ice cream), which had that silly commercial of… what was it? A sumo wrestler (?) wondering if it was “an earthquake or hurricane” and when tasting the ice cream, he would scream “HURACAN!!!”
But the one thing that brings the most memories to me are the D’Onofrio men and women who would bike the city blowing their horns to the typical sound of Helados D’Onofrio.
As a developing nation, we have been trying to minimize the sounds of the city (because we’re a very noisy city). Lima is filled with signage asking drivers to not honks their cars, etc. because noises are bothersome. Small business have sprung, with families opening small bodegas where they sell an assortment of things, and you guessed it, ice cream. This is why, D’Onofrio sellers cannot always be found riding their bikes everywhere around town — except for some neighborhoods that remain relatively small — and when you have the luck to run into one (a picturesque sight that brings many memories), they don’t really use their horns any longer.
So ever since I read this post, equaling the sound of a D’Onofrio ice cream seller to “the death cry of an exotic bird,” I’ve been thinking about them. The hard work it must be riding around the city, under the sizzling and humid summer, seeing people passing by and knowing that they now compete with little bodegas who sell ice cream which are properly refrigerated.
I feel a bug of making a documentary about them, but I haven’t work on film for years now. I feel inadequate, but I feel the need to put this out there. Somebody must do something to remember all of this, because… as Osen would put it — it’s in danger of been swept away with the times.
YouTube had been conspiring against me showing me a series of videos of my childhood over the weekend, making me feel older than I should. One of these videos had to do with one of Nubeluz‘ host — aka. a Dalina — her name, Monica Santa Maria.
Her tragic ending in a bizarre high profile case of suicide wasn’t really registered in my subconscious. Maybe I was too little to understand, but I don’t think I realized she killed herself well into my years. Watching the videos of the case, looking back at those times with my grown mind, all one can really infer is that she had a deep troubled mind… one way or the other, it was going to end up bad. It’s terribly ironic that she never did what she preached — to enjoy life, embrace it… whatever small beautiful things you may get because life was short.
It’s such a sad thing to see.
ANYWAY. I remember that Nubeluz was celebrating their 20 years — GOSH! — and I ran into this clip of Almendra Gomelsky and the whole cast of the show back together. EVERYONE came back, however big they became… actress Daniela Sarfati, actress Rossana Fernandez Maldonado, twin hosts Anabel and Antuanet Elias, host Maria Pia Copello, and etc. Phew.
They sound atrocious, but it was damn fun. I don’t think Peru has ever developed as good a show as Nubeluz ever was. It has nothing to do with nostalgia. I don’t particularly think the show translated well into English, but I think they had a really good deal with the concept and songs.
I have a really special and complicated relationship with Britney Spears. Despite my moving on from fandom in the early millennium, I think… deep in my heart (I know it’s only you, xD) – deep in my heart there’s always going to be a soft spot for Britney. The one side of me that’s always going to get happy when something good happens to her, and the side of me that gets preoccupied when something bad happens.
I think in terms of ‘true’ Britney fans — you can recognize them by how much they love her ballads. Because Britney is not necessarily famous for her powerful vocals, but her long-time fans love Britney and actually miss her ballads — I actually love I Will Be There with those lyrics of… “when you’re feeling low, baby, let me know… and I will be there.”
Then there\s Girl in the Mirror — she must’ve sung that song when she was 19 or 20 years old… but there’s an unequivocal innocent… almost too naive character to the song. It’s the kind of inner drama that 15 year old girls used to listen to and have ultimately stopped.
Despite of the technical qualities of this fan video, it’s a very VERY sad and emotional clip. Especially with its beginning with a very young Britney and showing all those clips. It just… it almost breaks my heart… as if I had forsaken her.
Time will take us apart, but I will still love you. I promise.
I remember in 1999, I was obsessed with this song — at least, it was one of the many songs I obsessed over in those years. It has nothing to do with the video, even though I probably taped the video a million times over on VHS. Hey! We didn’t have YouTube back then!
The video is… very 90s Latin America. Floating face hovering on top of the movie — because Recuerda was the main theme song for an Argentinean movie called La Venganza. You would notice the use of Mistral in one of those scenes. It’s hilarious to watch the video now.
The song is pretty simple in lyrics. Diego Torres is an apt vocalist and songwriter at times, but nothing too extraordinary, so his songs tend to be easier to translate. He’s got some pretty good singles, though. Continue Reading…
I’ve been talking a lot about Popular lately, it feels [1]…
So I was updating yammag lists — especially the actors one — and I usually double-check people’s follows (sometimes to my disappointment ToT – I’m looking at you, Naka Riisa >,<). Anyway, it turns out Duncan Jones (Moon, Source Code) follows Leslie Bibb, then I checked her follows and found that she was following Tamara Mello.
Things went on, and I decided to make a list of everyone who was on Popular that was on Twitter.
I thought that I would practice my Spanish to English translation skills by translating some songs — I’ve recently done partial translations of Marc Anthony [1], as well as Shakira and Gianmarco when I talked about What Were Good Lyrics. I’ve also done full translations for Polvos Azules: A Cinephile’s Paradise, and random songs of Los Nosequien y los Nosecuantos [1][2].
So I thought I would pick an oldie, the 1995 Gianmarco release — some say it’s a 1994 release, but my copy has a 1995 print — of Entre la Arena y la Luna (Between the Sand and the Moon). Obviously, I can’t post ALL lyrics on one go, so I’ll probably add them as I work on them. Gianmarco’s lyrics weren’t as complicated then — and they’re pretty short — so they should be fairly easy to translate.
