The Indian film journey mindmap [1][2] collection is a little monster, and it keeps on getting bigger. This time some of the additions included about 21 films with Tabu, a few with Aamir Khan, a couple more from Madhuri Dixit… and about half a dozen with Konkona Sen Sharma.
Oh, and Juhi Chawla now has her own hub.
The connections now seem unreadable.
* RED bubbles denotes films from Jenna’s Beginner’s Guide to Indian Film
** BLUE bubbles are film hubs where a lot of actors show up.
*** PURPLE bubble is RED + BLUE. Duh.
I haven’t run into many magazine photoshoots with Tabu (only about a handful), but gosh~ look at those striking features. Even in as bare a photoshoot as this one.
And she’s the best when on screen. Effortless flawless.
For the past week or so, I got into my Tabu movie journey and while watching Hawa, there was a particular shot that just struck me like a lightning bolt (pun!) and reminded me of Joan Crawford.
It’s a strong eyebrow thing (I have going on). Plus, Tabu’s got a nose with character (and the character to back it up). With her acting chops, she could totally pull off- let’s just skip The Women, coz I can’t picture a catty Indian version of that and just go straight into Crawford’s 40s- A Woman’s Face (or its En Kvinnas Ansikte version), Mildred Pierce (of course, I would love that), Humoresque, Possessed (1947), Daisy Kenyon, Flamingo Road, and The Damned Don’t Cry. Tabu is also at the perfect age.
The only thing about her that’s off is that… she doesn’t have the hunger for fame and power that I sense from Crawford.
Possessed and Mildred Pierce in contemporary Indian are topping my list.
So… the Ram-Leela thing didn’t pan out (boo hoo!). Instead, we’re getting Dhoom 3 for the New Year, so I gave Dhoom a watch. Without noticing (much) my life had also been inundated by Bachchan Jr., not that I mind much… I had a better first impression of him (I think it was in Yuva), than I did with Aamir Khan, as well as Kareena Kapoor. Poor the both of them, I hated them from the get go. However, I found that I kinda liked them together. Talaash was a good one, but they really reeled me in with 3 Idiots to the point that I don’t think I hate them any longer. I’d better avoid Aamir from most things pre-2006, though.
Besides getting acquainted with Vidya Balan — I’m on my third Kahaani re-watch and still loving it — as well as getting cozy with Madhuri Dixit’s filmography, I’ve been getting to know Sanjay Dutt, whom I totally thought was Salman Khan’s dad (from the Deewangi Deewangi number on Om Shanti Om). I was really REALLY surprised by the range of his acting, since I thought that he was gonna be one-note like the likes of Sylvester Stallone, Schwarzenegger, or Bruce Willis. I even found him endearing as Munna Bhai. I’ve never had that happened to me with any of them.
As for the rest? I like Preity Zinta more outside in the real world (interviews and maybe Twitter), Hrithik Roshan isn’t all that bad (and he’s super hot), and I still find SRK more endearing than cool (or anything else). I re-watched Life of Pi, and I’m super psyched about embarking on Tabu’s filmography, and I just found out (like a couple of hours ago) that Naseerudin Shah played Gandhi on Hey Ram. Totally gasped at that one.
I’m so totally game for the third Munna Bhai installment, excited for Dedh Ishqiya… and I don’t think I mind Dhoom or Don. I also daydreamed SRK made a Don-esque movie set in Hong Kong alongside Jackie Chan. I’d be totally game for that. I’d hate to see Jackie losing to him, though, so they should both play bad guys… or SRK should play good cops with him, even if that may result too much like a Rush Hour movie. It’s gotta be a serious funny action movie with them.
After watching Fanaa a few weeks ago, I thought I might continue the Indian adventure with Tabu. Then, I watched Devdas — still unimpressed with Aishwarya Rai’s acting prowess and totally committed to watching Indian films because I can write hers and Sanjay Leela Bhansali’s names without googling now HUZZAH! — and was struck by Madhuri Dixit (no googling!) and her amazing “hooker with a heart of gold.” In fact, my favorite scene in Devdas is probably her dance duo with Aishwarya. And Bhansali’s films are still such a beauty to see. Sighs.
Then, when I thought I might head the Madhuri Dixit road, I watch English Vinglish and get struck by Sridevi (no google!). My first shock, of course, was realizing that I had knocked off ten years of her age right off the bat. Then while reading her wiki page (this is why it’s important to have a good Wiki page, fans), it hit me like a bucket full of cold water~
Sridevi was a successful child star, a sex symbol… and is possibly positioning herself as a MILF — my own observation here. Apparently English Vinglish was quite a hit, marking her comeback after 15 years off the screen.
I don’t think there’s ANYONE in the world of movies (or entertainment) that has been able to achieved this. I can’t think of a single actress (or maybe actor) who started out as a child, grew to be the actress made of dreams, moved on to becoming a sensible adult, apparently a great mother, and make a comeback to take all that’s “cinematically” hers.
The performance is okay (by Kpop standards, anyway), but Sridevi is totally charming in this show for the International Indian Film Academy (IIFA). I think the IIFA cameras shoot a quick reaction from Madhuri during the number, just as they showed Sridevi on Madhuri’s own performance (which rocked my socks) [1]. I could do with less Deepika reaction shots, though.
So… I am at a conundrum. Who should I go for first? Sridevi or Madhuri? And since both have sooooo many films, where do I start?
