Archives For quotes

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You cannot kill me. You cannot kill China. Not even a million deaths could crush the soul of China, for the soul of China is eternal. When I die, a million will take my place, and nothing can stop them, neither hunger nor torture nor the firing squad.

We shall live on until the enemy is driven back over scorched land and the armies of decency and liberty are on the march. China’s destiny is victory. It will live because human freedom will not perish. Out of the ashes of ruin and old hatreds, the force of peace will prevail until the world is again sane and beautiful.

This quote is taken from Robert L. McLaughlin and Sally E. Parry’s We’ll Always Have the Movies: American Cinema during World War II because the audio of Lady from Chungking isn’t very clear.

I don’t know what they’re waiting for to make an Anna May Wong biopic with Tang Wei, and Joan Chen as director.

So… I caught up with Fresh Off the Boat over the weekend for my birthday and Chinese New Year~ and I made it to that episode, which apparently is the first time CNY has ever been shown on TV in the US. Jessica (Constance Wu is my favorite) is prepping for the holiday… and becomes my mom.

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Jessica: I overslept. Get up! GET UP! We have to go to the airport!
Eddie: What time is it?
Jessica: 5 a.m.!
Eddie: The flight doesn’t leave until 2 in the afternoon.
Jessica: EXACTLY! WE’RE LATE!

EXACTLY!

This is where I get it from. And my aunt also features in the episode a minute later~

Happy Chinese New Year y’all bunch of lurkers!

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An ode to all single mothers working multiple jobs.
An ode to Mrs. McDull.

Even when the whole world doesn’t trust you, I trust you. Even when the whole world doesn’t love you, I love you. I love you with my intestines. I trust you from head to toe.

“What else can I say, I love my mom.”

It was Tabu’s birthday yesterday, so happy birthday!

The web was flooded with wishing-well graphics and trivia posts of some of the same-old same-old trivia bits. The best one was Jitesh Pillai [1][2] who shared some photos of the new issue of Filmfare Magazine– Tabu has a couple of pages in a shoot by Vivek Bhatia [Facebook], there doesn’t seem to be an interview, just a photoshoot of four shots with short texts.

— May 8th, 2016 edit —

I don’t know why I was under the impression that Vivek Bhatia was in charge of the photoshoot. Correction: these photos were by Abhay Singh.

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She gets up with the morning’s prayer on her lips… and the night’s pleasure in her eyes.

Is that suggestive or is that suggestive?

And the cherry on top? The Filmfare issue also includes a short 10-trivia article on Vidya Balan with photos by Rohan Shrestha [used here][and here]. However, it doesn’t seem to be connected to this mysterious photoshoot that I loved so much. My favorite bit about that?

If there are no subtitles in an English film, then I don’t enjoy watching it. The actors speak so softly that I can’t understand the dialogue. I hate to miss even a single word.

There’s so many mumblers, nowadays. I do watch everything with subtitles— English, Spanish, French, Portuguese… in that order, and if there’s none available in those, I’ll try to wing it in Chinese.

 

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– Master, I wanted to see someone, but couldn’t.
– Have you not seen him in your heart?

That is all, Toni~

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Since I’ve met you and moved to Sydney… I haven’t listened to one ABBA song. It’s because now my life’s as good as an ABBA song. It’s as good as Dancing Queen.

Todo lo que se diga de mí es mentira, no soy Doña Diabla, ni una mujer sin alma, ni mucho menos China Poblana que se queda con lo que no es suyo. Con la imagen que el público tenía de mí, no hubiera podido vivir, me conformaba con que dijeran que soy la mujer más bella del mundo, salí de El Peñón de las Ánimas y llegué a París como La Bella Otero, he sido una eterna enamorada, pero no soy una diosa arrodillada. He sido La Generala de mi pueblo en Sonora, así como Doña Bárbara, La Mujer de Todos, me conocieron como La Devoradora porque todos eran los ambiciosos que querían a la Maclovia de Pátzcuaro.

Maria Felix: Rostro del Cine Mexicano

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Everything that’s been said about me is a lie, I’m not Doña Diabla nor the Woman Without a Soul, much less a China Poblana that keeps what’s not hers. With the image the audience had of me, I wouldn’t have been able to live, I settled for them saying I was the most beautiful woman in the world. I came out of The Rock of Souls and made it to Paris as La Belle Otero, I’ve been A Woman in Love, but I’m not The Kneeling Goddess. I’ve been La Generala of my hometown in Sonora, just like I was Doña Barbara, One Woman for All. They knew me as La Devoradora because everyone else were the overambitious that wanted the Maclovia from Patzcuaro.

Buongiorno, Principessa! Stanotte t’ho sognata tutta la notte, andavamo al cinema, e avevi quel tailleur rosa che ti piace tanto, non penso che a te principessa, penso sempre a te!

-I just realized… the English quote is so weirdly translated.

Buongiorno, Principessa!

You tell them, Janeane.

I’m totally not the demographic for Bravo, but here goes Janeane Garofalo telling it like it is- like my mom told my school 20 years ago when they “required’ her to do parenting lessons for my catechesis. I’m totally bummed she’s no longer on the show.

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I apologize for having a job. I’m sorry I make a substantial income to pay for your green-grocer small-batched locally-sourced farm-to-table ethically-butchered hormone-free gluten-intolerant bills, but- here’s the thing; I don’t work, my kids don’t go to school. So if you wanna call and tell me tuition is free, I’d be happy to be here for Story Time, and Arbor Day, and kids court, and snack bar, and talent night, and the Nose-Picking Olympics, and every other bullshit holiday that costs me a fortune. But if you’re not gonna tell me it’s free, then I gotta work, ‘coz I’m a working mother… with a boatload of mouths to feed.

Girlfriends’ Guide to Divorce 1×03 – Rule #47: Always Take Advantage of “Me” Time

Oh.mah.gosh.

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It’s a battle of the horse-riding sword-brandishing tough ladies that -actually- existed in real life, with lives brought onto the silver screen, beautified while being personified by THE faces of their own Golden Eras.

In the case of Greta Garbo, of course, with Hollywood in her most fun and most relaxed Queen Christina, often mistaken for a man and featuring the infamous scenes of Garbo kissing a lady and being romanced by John Gilbert while in mannish get-up. Then there’s the Mexican and Latin movie classic diva La Doña Maria Felix as Catalina Erauso, escaping a convent and dragging it up as Don Alonso, making the ladies of the Peruvian Viceroyalty swoon in La Monja Alferez, with a twist ending to match Some Like It Hot.

And to quote Toni Collette:

We’re women dressed as men dressed as women!

This is a tough one. I do have a terrible Greta Garbo bias, but I think I’m handing it down to La Doña on this one. Maria Felix is like the awesome fusion of everything that’s good with both Greta Garbo and Joan Crawford.