Archives For movie classics

New j’Adore Dior CM with Charlize Theron, Grace Kelly, Marlene Dietrich and Marilyn Monroe

Fashion and perfume CMs are so pretty, huh? [1][2]

This latest j’Adore Dior CM, which Charlize Theron has been promoting for a while doing those long walks almost naked but not showing anything have been… pretty normal. But this latest one which features Grace Kelly, Dietrich — both look like pretty close impersonators (I’m not even sure! LOL), but Marilyn looks pretty close to the actual Monroe and it looks like it might be footage. I’m not sure either, but it’s just pretty cool hahahaha.

Theron is the long-legged giantess and with those uber high high heels, I don’t even want to think of how tall she must be with those. I love it. LOL

Having said that, does anyone know the legality of using a dead icon’s image to use on a CM?

I love it.

Posted on September 6, 2011 In Celebrity, Commercials, English, Sharing , , , , , , ,
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Please Cast Carly Pope in a Joan Crawford Biopic Now

November 20, 2010 — Leave a comment

Alright, alright – I am hardly not biased… but since going on my Joan Crawford marathon with DVDs and books — yeh, I’ve spent a bunch of $$$ on Crawford stuff this month — I’ve been thinking that Crawford’s life would make one heck of an interesting movie.

No, I’m not talking Mommie Dearest.

Imagine this:

Please, Carly Pope in her Crawford costume? Of course, no squinting of the eyes. Plus, Pope has already sort of played Crawford when they did that spoof on Ryan Murphy’s Popular.

She can totally nail it.

Crawford’s biopic would begin from her mysterious childhood, not knowing when exactly. Her biological father abandons her family, and later her stepfather is gone. Her life affected by it, and then her short experience at school. Not being an educated person would mark her life in that she feels not good enough. She’s not a sex bomb like other actresses, or seen as good as more talented actresses like Bette Davis — we can even bring Leslie Bibb for it. Crawford needed to prove she belong in that MGM lot, and she knew she only had her on street smarts to get ahead~~~

We gotta admit Crawford pushed women away… especially threatening to her career because she was insecure. With failed marriages, no biological children, her only “baby” was her career which started slipping away with the years. However, she was a survivor… changing to what the public needed her to be, and what she needed to be to survive.

A film with the struggles to reach the stars… from flapper to Hollywood diva, her marriages, and lovers~~~ including an on/off affair with Clark Gable, her friendship with him… what would have happened if both their love lives had finally met in the middle? Her miscarriages, her ultimate decision to adopt kids, her tormented relationship with the first two… until the final announcement of the release of Mommie Dearest, and her cutting her first two kids off her will.

Hollywood, make it happen. Her life is material for even two films… but considering we know so little of her beginning years, you can cram it into one, right?

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Joan Crawford vs. Mario Vargas Llosa on Straight-Jacket?

November 16, 2010 — Leave a comment

I was watching my newly-purchased copy of Strait-Jacket with my father, having a blast — seriously, that movie is a hoot! Can’t really wait to take a look at the extras, and see Ms. Crawford with that ax.

But then, almost at the end of the film when Crawford is wrapping up, my dad goes on and says “Look, it’s Mario Vargas Llosa!” Freezing the image, we burst out laughing.

do you see it? I mean this photo of Crawford in the film isn’t really it. You must see her with her not-a-wig hair from where she is normal. It’s uncanny.

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My Top5 Scary Films that I Own

October 31, 2010 — 10 Comments

Ahh, Halloween — everyone’s doing lists about their fave scary movies… their fave scary moments, and the reviews of many scary movies. Now, horror isn’t exactly my favorite genre, so I’m not well-versed. xD This is why I’m just ranking the scary films that I own… based on scale of how scared I got. LOL

First bonus first!

The Others

Thought that it was scary, but IMDb is not marking it as horror. However, it is one of my favorite Kidman films/performances — and that old lady in the closet! BAM!

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What I Like about Hollywood Movies

September 25, 2010 — 3 Comments

Following AM’s advise on better blogging, I thought it’d be cool to follow through with my post on “What I Like about Japanese Cinema” which I wrote for the J-Film blog-a-thon last year.

So now I’m going to be talking about Hollywood movies! And by “Hollywood” I mean American films. Since I’m more familiar with commercial Hollywood stuff, while I’ve only begun catching indie flicks online (or when I was in Canada) for the past few years.

My current Facebook Flixster movie count says that I’ve rated 2431 films. Of course, that’s only counting the films that I’ve been able to find in their database (american, foreign, commercial, or indie), and I’m far too lazy to send them stuff now. My MUBI account states I’ve rated 1450, so that should give you a proper average… I think.

So what do I like about Hollywood Movies?

1. Ah… the Hollywood Golden Era.
I’m familiar enough with Garbo and Crawford to know that I loved their films. And it’s fact, LOL, Hollywood created movie stars, and actors went to Hollywood to become movie stars… and I love movie stars. I always complain now that they don’t make them like that anymore.

Sure, sure… people who aren’t into “old films” keep telling me that films in the era didn’t look as great as they do now, or that acting was weird, and that subject matter in films have improved since then. To them I tell them… well, 1986 is not that old. Try a film from 1929. ;P

2. No matter how Indie they are, they still look sharp and clear.
There’s something my mom always tells me when we, for some odd reason, end up catching a clip of any local – hint: non-American – film, “Why do films here look like they’re stuck in the 70s?”. It isn’t that the local cinema shows the great quality of films in the 70s, here they just look like they’re stuck with the technology.

It happens in American film, but not as often… and if it does, it’s because they’re really REALLY low-budget. But even really-low-budget filmmakers manage to bring a great DP on board. I mean, have you seen some of the stuff posted online? It’s amazing what people are doing with “I shot this with my Canon” LOL

3. You guys have mastered the art of pseudo-indie.
Right? I mean, you have also begun to call these films Hipster… in a mocking kinda way, but alright – I admit it, I tend to like them because well, to me, these films can only be American. I cannot imagine an Asian hipster film, I cannot imagine a European hipster film. Little Miss Sunshine, Juno – people say Juno reminded them of me, LOL – they can only be American.

But you guys have also mastered the art of making big budget films, and call them independent. I mean how on earth do you call Inglourious Basterds an independent film but spend $70M USD in making it. To me, that’s a big Hollywood movie – and I like it. LOL

4. Don Bluth, Disney, and Pixar
I grew up with Don Bluth’s and Disney animation. Now, I’m growing old with Pixar (oh, gawd… I’m growing old). I mean, anyone my generation who hasn’t grown up with Disney animation and Don Bluth’s work, they might not have had a childhood – unless, of course you’ve grown up with Studio Ghibli… in which case, hate you.

5. I love when you support World Premiere… even if it’s for sucky huge blockbuster films.
I’m an impatient gal, if I want to watch a new film over the weekend, it needs to open locally over the weekend, otherwise my enthusiasm for the film will wane, and I’ll just end up catching it on dvd – or worse, on cable.

Most major studios have offices in most major cities in countries, so now it’s easier to get a film to open on the same weekend as in the States. It just happened with that new Drew Barrymore rom-com, which opened one week after the US, and I’m pretty sure we’re getting Narnia and Harry Potter (not that HP is American, but it’s being distributed by Warner so…) the same day, or one day ahead. Now, if that could also happen with flicks like Black Swan, and other Award season flicks, I’d be a happy gal.

So… how about you guys? What do you guys like about Hollywood Movies/American Cinema? Or why do you hate it? I know some of you hate anything American with a passion. Such a tiring task. LOL

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HBO’s Mildred Pierce Teaser

September 15, 2010 — 4 Comments

You know I love Joan Crawford, I said the same thing when this project was announced, and even if I can girlcrush on Kate Winslet, and I’m an Evan Rachel Wood enthusiast — not as fervent as a few years back — I’m still holding on judgement because HBO does good.

First of all, I don’t remember any subtext from the mother/daughter relation from the movie. And also… is it only a little weird Winslet is like just a couple of years older than Rachel McAdams, and that Evan Rachel Wood is just a few years younger than McAdams, are playing Mother/Daughter? xD Just a tiny bit Mexican Telenovela? Actually, no – Mexican Telenovelas are out of control. The actress playing a mother can be 35 and the actress playing the daughter can be 25, and you’re supposed to buy it. Even worse, you’re 50 and you’re supposed to have a 25-year-old granddaughter. xD

At least Winslet looks like she’s been not been madeup for glamor or a party.

not tagging this as trailer yet xD

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The Girls – Sappho Goes to Hollywood – Diana McLellan

September 13, 2010 — 3 Comments

My fascination with Greta Garbo made me pick up this book. Author Diana McLellan – a writer of the Washington Post, hence… journalist? – tells me she’s written the book with accounts of stars’ memoirs, FBI and CIA documents and everything in between and around the people involved in this book. However, I decided to read this from the point of view of a fanfiction reader.

Now, I have never read (or written) fiction based on real people, but I’m aware it exists. In The Girls, there’s so much stuff going on – let’s say “so many characters” – that you’ll get confused of who’s who from time to time. If you’re already familiar with the names — besides Greta Garbo and Marlene Dietrich — you’ll be more than fine probably.

In it, McLellan says that Garbo and Dietrich met on set of The Joyless Street, which goes uncredited on Dietrich’s filmography even to date on IMDB even as the author states that there’s an interview in which Marlene talks about a crucial scene that was eventually cut from the film, and that they had a fling that ended so bad that would define the rest of their lives. Then, throughout the whole book, they begin explaining how was Hollywood during the 20s and early 30s, and what events began changing the perceived morality of that era… bringing on the Hays Code. It deals with Marlene’s supposed husband, a spy named Otto, who worked for the Communist Party as the Nazis were taking over Europe. And just like in movies, war, spy stories, people using each other and so on… the book also deals with loads of sex. It talks about how gay Hollywood was. Or I guess… how lesbian it was or how bisexual. It turns out everyone I watched on old films was not completely straight. LOL

The book contains so much drama, and recounts anecdotes of so many celebrities of the time, that’s when I began thinking that it might be a little too adorned to be completely true. Of course, there’s that bit about what truth hides behind the lies they tell you on official biographies or approved releases. Or something about the lies hidden behind the “truth” they give you. It was just a little too much fun to read all these encounters. My favorite being that of Greta Garbo and Joan Crawford – how these details are known, not entirely sure – because I love the both of them.

During Grand Hotel, she [Crawford] said later, the two passed on the stairs one day, and Joan was so overcome that she lowered her eyes. Garbo blocked her way with an arm, gazed directly in her eyes, and crooned, “I am glad we are working in the same picture.” Joan reported that Garbo “took my face in her hands and said, “What a pity! Our first picture together, and we don’t work with each other. I am so sorry. You have a marvelous face.” Her knees went weak, Joan related. “She was breathtaking. If ever I thought of becoming a lesbian, that was it.”

Chp. 24 – Flirting – “Her Knees Went Weak”
pg. 152-153

That’s from that famous Garbo/Crawford not-getting-along report I’ve so much read about. I mean, I really REALLY loved Crawford when I saw Grand Hotel — included in the Garbo Collection — that I ended up buying the Crawford Collection. LOL So I pretty much agree with Garbo’s possible comments on her marvelous face. xD

As for Marlene Dietrich… Wow~ her chapters, I thought I was reading one of those cheesy romantic novels that grown married women read. LOL She really REALLY got around. With a lot… and I really mean A LOT of people. It’s like… she was older than any of my parents, and she was still getting some. Disturbing, but true. LOL

Marlene tore down Edith’s panties backstage in a Berlin theater and, using just her mouth, brought Edith’s to orgasm.

Chp. 9 – A Swede Steams In – “Using Just Her Mouth”
pg. 62

Even her daughter Maria was afraid her mom would sleep with her fiancé. xD

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Alla Nazimova…

September 10, 2010 — Leave a comment

was such a cougar xD

Just began reading The Girls: Sappho Goes to Hollywood, and OMG – I couldn’t put it down. LOL It was scandalous — as in Telenovela — and hilarious, and I had just begun. As for Dragon Tattoo? I left that in the middle, but I finally got into that one. It’s all the fault of the Amazon order.

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31-Day Movie Meme: Anomalous Edition

September 8, 2010 — 2 Comments

Ahh… I hope I can finish this post in less than 30min. LOL Or sure I’ll be whining with the people at Anomalous Material for posting so many Memes xD

But we’re lazy, so we’re doing a 31-day Meme into one post. Just like we did on the TV Meme… only with more pictures! Because I think that TV Meme needs photos, right?

1. A Sequel that Shouldn’t Have Been Made

You know there should be something wrong when all the sequels went straight to DVD. That’s a sad sad ending for a good cheesy film like Bring it On. The sequels bring so much shame when mentioning Bring it On, which by the way had Kirsten Dunst and Eliza Dushku… and Gabrielle Union. And cheers. I said Brrrr it’s cold in here! There must be some Clovers in the atmosphere~~~ LOL a perfect introduction to setup what the cheese will be about, and a more poppy-end-of-the 90s-rendition of Hey, Mickey!

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More Garbo Fake Criterion

August 13, 2010 — Leave a comment

Yay! I’m done with the Garbo films that come on the TCM Garbo Signature Collection. On this batch there’s Queen Christina — my favorite just because of the line about being a bachelor xD — then there’s Anna Karenina, Camille and Ninotchka.

My favorite of this batch turned out to be Anna Karenina, even though it was the trickiest one to do. I wanted to use the train as the symbol of the film, but I couldn’t find a perfect train with the perfect smoke/steam. In the end, I ended up looking for smoke/steam alone… and I almost just use that by itself, but I thought it would look too much like the cover for Devil and the Flesh… so I made a composite image. LOL

Fake Criterion Collection: Greta Garbo Collection - Anna Karenina

I also sort of liked how Ninotchka turned out. It’s completely different to the other covers, except for the Criterion logo and titles, but like I told my friend JK when he asked why Anna Christie was the only one in color – besides whiskey not being whiskey without the color… Anna Christie was Garbo’s first Talkie, so to make it different in a “Garbo Talks” sort of way, there’s color. LOL, but you know… that may be total bull.

Fake Criterion Collection: Greta Garbo Collection - Ninotchka

Same with Ninotchka – “Garbo Laughs” and so the cover is completely different to the others. It’s got more color, the titles and signature are in black. You can check the whole Fake Criterion set on Flickr.

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