Like I’ve said before, my GG predictions are kinda rubbish~ So what I’ll do is list the films in the order of their chances of winning, as well as the one I want to win.
I’ve actually seen most of the films, except for 13 (3 of which are foreign), so I think that’s pretty good.
# of likeliness of winning – movie
* I want this one to win
Actually, this is the happiest I felt with nominations…
let’s wait to see who wins~~~
However, still important omissions for Moon, as well as Mary and Max. But loads of love for Hurt Locker (7), Basterds (8), and Up in the Air (5), and both Up and District 9 with 4 nods.
It’s been a good year for Sci-Fi.
Yes, more nominations! More awards… get a grip. This is the Screen Actors Guild Awards~
The round up? Very few surprises… Up in the Air, Precious, and Inglourious Basterds got 3 nods… the most between movies. The one nod that’s a bit weird is Nine, which got only a nod for acting to then get the Best Ensemble? Since it’s an acting award… the Best Ensemble IS Best Film. Get it?
On the TV categories… 30 Rock, The Closer and Dexter *jumpy bloody claps* got 3 nods each too. Also! Jumpy claps for Glee who got a nod on the Comedy Ensemble!!! Yay!
And the nominations and winners continue, this time with the Chicago Critics’ nominations (and tomorrow with the SAG nominations). It is a busy time.
Leading the nominees with six is one of the many awards favorites, Jason Reitman’s Up In The Air. But hold on just a moment. It has a co-pilot. Also riding a wave of six nominations is Spike Jonze’s adaptation of Maurice Sendak’s Where the Wild Things Are,
…
Joining both films in the Best Picture race from Chicago are Kathryn Bigelow’s The Hurt Locker, Quentin Tarantino’s Inglourious Basterds (each with five nominations) and Joel & Ethan Coen’s A Serious Man with 4.
some nice changes and surprises!
check the nominees!
Nominations are in! Just with a quick look, I’ve only seen 60% of the nominees, so I’m excited to see the rest. Looking good for some of those peoples there. Not really big surprises, except for a couple double nominations and one double nomination in a category… and some new names in the Foreign category.
My scandalous and ironic side says Peruvians will hate Chile even more (for unnecessary issues) – dearest The Milk of Sorrow didn’t make it to the list.
Also! Jumpy claps for Glee!! and Jumpy bloody hands for Dexter!!
More nominations. Are you keeping up?
These nominations seem like a pretty random bunch. Especially considering Nine has had little to no love until now… with 10 nominations (a big WEEEE for Marion!!), and also finally some love true for Inglourious Basterds~
BEST PICTURE
Avatar
An Education
The Hurt Locker
Inglourious Basterds
Invictus
Nine
Precious
A Serious Man
Up
Up in the Air
The New York Film Critics also revealed their choices for this year, and Hurt Locker is already a lock for a Best Picture coming newer nominations, which would mean a serious female director for the win… finally.
Also, more snubs for Carey Mulligan, and mixes for Best Actor. But Supporting are locks.
Winners after the break.
Woah. Really? I really liked Hurt Locker, but I’m still surprised at how these awards are starting. We will have to wait for Golden Globe (this Tuesday) and SAG nominations (this Thursday) to find out.
More surprises? In the actor and actress category~~~
First, let me begin saying that I thought 2006 was a great year to watch films. Also, funny thing to point out — it was really, and I mean… REALLY tough to pick my Best Supporting Actress picks~
Many of my favorite films have a 2006 tag in them, so this list might seem a little bias, even though I really tried hard to not be. You might noticed how hard I tried not to be bias. LOL — check the Best Actress category~
I watched District 9 yesterday, and I enjoyed it a lot. Actually, I watched Moon this past weekend as well, which was also pretty great. However, I had noticed that I had previously marked both films as “not interested“. Why? Actually, because I marked most films that way, unless I’m already interested. But this also made me think about the films I’ve watched this past year, and which ones I’ve enjoyed the most.
I’ve never followed Star Trek, but I admit I enjoyed watching the film this year.
And on a similar topic, I finally finished watching Battlestar Gallactica Season 1. LOL
But why do I seem so reluctant to watch Sci-Fi? Yes, it’s the nerd tag… I guess. I think my mother puts it best — She’s not interested in aliens, in other worlds, or UFOs — I think I’ve had the notions that Sci-Fi was just escapism, and it is in some of the films, but some of my friends (some sci-fi and comic book lovers) have taught me and made me understand that Sci-Fi can be so much more. And I do love a good drama.
But in the end, people don’t really listen.
My cousin, yes… that same one that told me Love Happens was money well spent, HATED District 9. Her brief Facebook status read something like “District 9, sucks! Badly…” and it got a bunch of comments including mine asking whether to believe her or not, considering she liked Transformers 2 (So good, she said), to which she replied “aliens!? c’mon>>>> no more comments“. LOL – The fact that she thought the idea of aliens is ridiculous should have hinted that she shouldn’t have picked District 9. Actually, she told me she didn’t wanna watch Inglourious Basterds either, to which I fainted. xD
What is good sci-fi? My friend made me sit in front of my computer screen (we haven’t seen each other since we graduated) and told me I was wrong. He told me Good Sci-Fi is Good Drama, you get social commentary in the form of metaphor and you can place those stories in the real world. Good Sci-Fi is about the characters… much more than the universe created. He is the same friend who made me watch Firefly. Yes, that same sci-fi show that my sci-fi-hating mom loved to watch.
So if you’re not sure you like sci-fi, you can give Firefly a try.
Good Sci-Fi is also not about how high-end and kick-ass your special effects are. It’s not about how many explosions you can get on screen at the same time. It’s not about how cool your props look like.
As we see on Moon, it’s almost as if this sci-fi world becomes a character piece in which the main character talks to himself and re-discovers himself in the process. About his daughter, about his wife, about his work. The miniature models are far from the high-end spectrum of regular CGI effects, yet hold this charisma or perhaps it’s nostalgia.
On District 9, what could have been an alien invasion film with explosions where people save the day turns into a film where aliens live in slums among us, as big corporate heads try to find the way to use their bio-technology weapons and think they can get away with it when one of their workers begins changing. The character sort of begins a transformation worthy of Kafka, in which he starts becoming more a “monster,” but in reality human beings are the monsters. It’s sad.
