Archives For contemporary classics

Hi, some American [and Peruvian] distributor, you should totally buy this.

Newsweek has a very interesting article on Xiaogang Feng and his latest IMAX flick, Aftershocks (aka. After Shock, Aftershock), which has just beaten James Cameron’s Avatar in the biggest Chinese opening for a film. Aftershocks is the first ever non-American IMAX film… so of course Aftershocks opened in more than 4 000 screens – which is also a first – and it only made about $5.3M on a day, but it is still a feature. I mean, not everyone pays $15USD to get into the theater.

So when I think of IMAX… I think National Geographic under the sea films, Star Wars, and The Dark Knight. But let me tell you, Aftershocks is playing a complete different game. Aftershocks is a drama… it’s a tear-jerking, heart-tugging drama. It depicts the story of a family that was forever affected by the 1976 7.8 magnitude in the city of Tangshan, which had a reported death toll of 240 000 people.

When I first heard about Aftershocks, not being familiar with Feng’s style, I thought “Oh, China is making their big Hollywood Disaster Film on IMAX” and boy, was I wrong. Sure, the film counts with a luscious (and devastating) sequence that last several long minutes of the 7.8 magnitude earthquake… which felt like a mega-earthquake on screen. However, after that scene, which pretty much starts the film, it aptly turns into a drama telling the struggle of a mother that had to choose between her daughter and her son, and the hurt of a daughter that believes to have been abandoned.

The film lasts about 2hrs, and I was possibly in tears in the first few minutes as the earthquake struck, and the audience immediately feels connected to the mom and her kids. It instantly reminds me of writers telling me “You need something big so your reader believes the connection can happen,” and for the viewers watching Aftershocks, this big event is the devastating earthquake.

When you thought the worse of the crying was done, a brand new wave came over you and you were at it again. I think I was bawling for a good 1.30hr of the film. LOL

A good solid 4/5

Oh how I wish this opened in America so there could be ANY nomination for actress Fan Xu, though the whole cast was remarkable.

The first few stills for Aronofsky’s Black Swan have been released, as well as confirmation that the film will be opening the Venice Film Fest. *Excited*

My film count this 2010 is… atrocious. Can’t wait for this movie.

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Whatever your thoughts are about Toy Story, and Toy Story 2, if you got the chance to grow up and grow old with the Toy Story franchise, you’re going to feel like Toy Story 3 will be pulling your heart strings. I wasn’t emotionally attached to the franchise, and I still felt the nostalgic ending, quite reminiscent of the ending in the Winnie the Pooh books. That of having to grow up, and let go.

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I saw Love Exposure (愛のむきだし) last night, and despite the nearly 4-hr running time — yes, the film is EPIC — it did never seem uninteresting. Yes, it actually felt like 2 or 3 films into 1, yet somehow… it didn’t bother me. It was highly entertaining… in a very dark and sick kind of way.

I mean, it can only be Japanese.

Ai no Mukidashi tells the story of Yu Tsunoda, a boy growing up in a very Christian family. Suddenly his mother dies, but before she does… he promises to introduce his Maria to his mom when he meets her. With the death of his mother, his father decides to become a priest, until he meets with a woman in church who has decided to become a Christian herself. She is baptized, and when she does her first session at the confessional, she tells Father Tsunoda that she is in love with him.

At first, Father Tsunoda refuses but in the end gives into this woman, and begins having an affair with her while still giving sermons at church. Three months later, the woman in question seems bored of him, and is tired of sneaking around as the priest doesn’t show signs of quitting priesthood, so she leaves him which turns Father Tsunoda into a pessimist who gives sermons about doom and destruction.

This also makes his relationship with his son Yu difficult, as Father Tsunoda gets a sick satisfaction from hearing his son confessing his daily sins, whom in turns has been looking for better and scandalous sins to commit in order to please his dad. His major sin-accomplishment is becoming a panties-photo-snapping-on-the-street perv.

That’s a whole movie all on itself, then there’s the part where he meets the most perfect panties, falls in love/lust, there’s a lot of killing, girl-on-girl action, girl-on-drag fantasy… etc, etc and… then there’s crazy women.

Or… I mean, crazy girl.

Psychotic women… sociopaths~~ it’s all about the crazy… and not only because they’re unstable. They are scary because they coolly kill people or get people killed, and they show no remorse.

It is so sick… but highly entertaining.
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In honor of the release of Let the Right One in here in Peru, I have put together my Top5 Little Girls on Film. It wasn’t how cute they were, it was about young girls — I’m only taking into consideration girls younger than 15 years old — dealing with not so innocent stuff. It wasn’t also about dealing with issues teens deal with normally.

These characters weren’t dealing with coming-of-age stories. These were already adults inside girly bodies.

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Just started this.

My Fake Criterion Collection

Looks kinda interesting~~~

Plus! Ewan! Pierce! Wilkinson!
Olivia Williams! And Samantha… I mean, Kim Cattrall…

Though I feel the trailer spoils the film a bit too much.
The only person who can answer this is Julz…
Does it?

I love Kore-eda’s work and sensibilities as a director. He always gets to me. And doe-eyed Doona Bae is always so good to see. Perfect to play a blow-up doll. LOL

https://www.youtube.com/watch?v=RI46dEsDaBM

I suck at Best Kissing Posts. It’s been over 10 months since my last posting on it.

Let’s make things clear first. To me, Cinema Paradiso was a film about love… but above all, it was a film about love of film, and life. My favorite version is not the Director’s cut, but most my friends loved it more because it focused more on the romantically tragic love between Salvatore and Elena.

That kiss on the rain during the public screening after Salvatore curses to the heavens about Elena not being there, and Elena coming back and kissing him like that it’s hot.

https://www.youtube.com/watch?v=95wzYxbZTuM

But the scene that made the movie for me was the last 3 minutes of the film, when grownSalvatore sits at the theater to watch what Alfredo had left. Continue Reading…

Late post! Internet issues! But it gave me the time to watch this awesome kick-ass animated film that apparently was released early in the year, but I have heard nothing about it. So Amy do, as Amy does.

I am pushing for a nomination, ha! Here’s a brief write-up:

I just saw the best animated film I’ve seen all year. A stop-motion funny, yet compelling serious drama about the unlikely friendship between one cute, albeit kinda weird, 8-year-old girl in Australia and some 40-something-year-old Jewish/Atheist man living in New York.

You should all try to check it out, even if it’s online because if it weren’t for the internet, I wouldn’t have EVER heard about it.

Now I’m pushing for a nomination… AT LEAST a nomination. We all know Pixar’s UP is a lock on it, and will probably win (boooooring), so I’m pushing for Mary and Max this season.

If it gets a nod (very unlikely, since there’s no marketing or buzz), I will die of happiness~~~ xD

Check out my FyC graphics here and here.