Archives For Moving Media

A while back I was able to catch a viewing of Tom Volf’s Maria by Callas documentary, which I adored. Some time last year (near my birthday?), I got to catch a special screening of Callas – Paris, 1958, which we got to see alongside a very very very tiny group of people ^^’

And, of course, I made sure to watch Pablo Larrain’s Maria before the year was over, because why not.

It’s the perfect Maria Callas triple feature-

  • The divine diva of Callas – Paris, 1958
  • Maria seen through the eyes of Callas in Maria by Callas
  • The human being in Maria.

My absolute favorite sequence in Larrain’s depiction is probably the whole segment at JFK’s birthday party. Though Maria’s scene with her sister is devastating.

YAMMag Mononoke Happened

December 30, 2024 — Leave a comment

This is likely the last post of 2024, breaking a dry spell of the last few years with a record 20 posts since 2018 when I posted 38 times.

This last post of 2024 is dedicated to Kenji Nakamura’s Mononoke the Movie: Phantom in the Rain (劇場版「モノノ怪 唐傘」), which crowfunded a while ago and has recently fulfilled orders. What an adventurous journey! We got a special credit for YAM Magazine!

It is an honor that we get to put our name in one of the team’s favorite series.

Let’s all look forward to what 2025 may bring!

I hope you all had an incredible 2024, and that you all were able to achieve what you set out to do (or close to achievement, anyway).

Promotion season has just started for this dream collaboration that all quality J-Film fandom had wished for— a Koreeda series starring Rie Miyazawa, Machiko Ono, Yu Aoi and Suzu Hirose. Loads of crossover fandoms. Even if expectations are too high and are not fully met, it will still be good.

Specially good for Yu-chan and Suzu-chan fans who have been wanting a collaboration since we saw Suzu-chan in Shunji Iwai-verse.

Yu-chan fans are also being fed well with a quick comeback since Yu-chan became a mom and did her quick appearance on NHK’s asadora. Netflix’s Asura (阿修羅のごとく) re-adaptation is also a milestone for Yu-chan because longtime fans know Like Asura is one of Yu-chan’s favorite projects.

The +30min press conference is super fun, and YouTube auto captioning Japanese to English immediate translation is decent enough, even though translate features in browsers don’t seem to be doing well translating Yu’s name for some odd reason.

Netflix only has a 1min clip of the opening (of the show?). I would love love love the name of the song featured, though. I wasn’t able to find any info on that other than it being by Takeshi Yoshida (吉田武史) and Katsura Uehara (上原桂). The show is supposed to be available in early January 2025 (though Netflix has been known to make stuff disappear in different regions).

I’m really really excited about this project.

I stumbled across a vinyl version of Meenaxi – A Tale of Three Cities, and I’m almost disappointed it’s just a generic pressing of one of A.R. Rahman’s most underrated soundtracks and, of course, one of Tabu’s most underrated gems.

For a while now, I’ve been lamenting the death of physical media in India. The movie collection is really really suffering from it.

The world is also suffering from lack of high definition promo materials and HD transfers for M.F. Hussain’s Meenaxi. The world deserves multiple color vinyl editions to play on the Yeh Rishta [MV]/Rang Hai [MV] color palette themes of the movie. Blue, yellow, orange, purple, besides the red one.

I forgot to post this a while back, but this is a total feeling when you’re listening to music and the song comes up.

If twenty years ago you had told me that Crayon Shin-chan was gonna have a smoother transition from 2D to 3D than Studio Ghibli, I would’ve asked you what you were smoking. Yet here we are. lol

The plot for Shin Jigen! Crayon Shin-chan the Movie wasn’t even all that bad, and gets quite meaningful by the end! What a wild world we live in.

You’re often on my mind.

Thank you for giving us Two Tigers (兩隻老虎) and its theme song Ke Yi (可以) [1].

And off-topic, this amazing commercial.

It’s been about a month or so since the first reports of Nicole Kidman’s AFI Lifetime Achievement Award started trickling. I had already read that she was thanking the audience that had stuck by her doing some of her weird little films, but it was still different watching the video and hearing her say it.

the audiences that have stuck by me through everything — I just want to say thank you because there’s so many little weird films I’ve done and I know there’s people out there that go and find them and watch them. You’ve stood by me and stuck up for my weird, weird choices and I’m so grateful for that.”

I was obviously to young to watch To Die For or Portrait of a Lady in the mid-90s, but it is no wonder I’m thought of as one of those odd ones when I had dragged friends from school to watch things like Birthday Girl or Steven Shainberg’s Fur, which I have rewatched this past weekend. Reese’s speech about Kidman’s passion for cinema just reaffirms my love for Nicole and her body of work throughout these past two decades, in which she has been resurrected by the press more than once with so-called “comebacks.”

Here’s to two more decades of amazing films (and series). *Cheers*

I was doing one of those random searches I do (every other year now) in search of an old show from early to mid-90s, which featured Canadian actress Lani Billard, who later starred on 1993’s Ready or Not alongside Laura Bertram. It was called F.R.O.G and it aired on Discovery Kids Latin America. The show, which apparently was produced by Toronto’s OWL TV (maybe PBS in the US?), was a shown now commonly known as “edutainment” -entertainment with an educational take- about a group of children that used to get together to discover or solve a physics/mechanical/nature/science issue of the day.

I clearly remember two episodes of the show— one featured electromagnetics, which were used to power racing toy cars. The other one featured hydronic heating systems, which were built with a water hose installed on the roof of a shed to “warm up” with the sun. Apparently, the show only featured 13 episodes, to the surprise of everyone’s brains who feels like shows used to last forever, but they were all miniseries (eg. The Storyteller, Mr. Bean, old Shogun, etc.).

My old scattered cable magazines must be somewhere around, but that’s basically the only hard copy I have of the show’s existence. I have never been able to find digital proof of the show ever existing, except for this low resolution picture I just found on one of the few videos that talk about old Discovery Kids Latino.

I barely recognized it, mainly because that’s Billard in the pink sweater. I suppose the kid in blueish green could be Gideon Arthurs, while the kid in red could be Ivana Shein.

I also found this Reddit thread saying it’s “Fully lost” and learned (finally?) that F.R.O.G stands for “Friends of Research and Odd Gadgets,” ha! I had no idea.

According to one of the links above, and the info on WorldCat, the show’s distribution is or was done by Bullfrog Films. For educational purposes, Bullfrog Films used to offer a VHS tape per 30min episode at $50 on a dedicated F.R.O.G page that is no longer available. I tried browsing through their catalogue and doing a search to see if I could find more info on the show, but no luck. I even went through all their YouTube archive to no avail, even though they are still releasing material. In theory, you should be able to order these from them.

In related things— I did find the whole original Ghostwriter series, which had been released on DVD back in the day, as well as a whole collection of Lost Telecourse, which includes a series on American Cinema, and a series about physics and mechanics (also done by TVO) called Eureka!. Outside the collection, I also found some episodes of Newton’s Apple, episodes of Art Attack, and episodes of Pingu.

On December, I wrote about a couple of my concert music DVDs rotting away.

And the YT algo just popped this on the feed, talking about a number of Warner Bros titles that are apparently being affected.

Somebody on forums (!!! They still exist!) posted a list of probable affected titles, and to my dismay, the Greta Garbo and (both) Joan Crawford collections are affected. I just popped Mata Hari and Possessed on the player and seem to be playing fine.

Another one of the fears with (new) media and products that developed in types of plastic is that they’re decaying faster than people expected. I’ve had older (retired) players that were kept on storage that have a general sticky texture after a while. However, this doesn’t seem to happen to players that are in general exposure, not directly with sunlight, but in a generally airy room that’s in use, unlike a display room. I also happen to live in the mildest of climates, though high in humidity, temperatures never go above 30C (above 90F) or lower than 14C (lower than 55F). So maybe these conditions are affecting the storage of physical media.

I did the vast majority of my library collection before 2007, though. I did buy a number of things in between the mid-2000s to late-2000s, so if disc rot is affecting a general batch produced in between 2007-2009, it is a concern. I’m generally more worried with collections I keep in drawers instead of a regular shelf display.