I noticed last time [1] that she had been generally in better spirits, and Britney seems happy here. She laughs and she reminisces — and she’s made me glimpse at Miley doing that thing she’s done and I’ve been trying to avoid coz I don’t want that mental image — but Britney seems… excited about her show in Vegas.
It will never be the same for me, of course, that illusion- that chance I had to see her live the time she came over, and I had all these pent-up nostalgic feelings but was never too sure I wanted to see her show and be disappointed. I then read a lot of bad reviews on it and was glad I chose not to go. Vegas is also never a destination I would think of going coz it doesn’t call me, so it’s likely I’ll never see her show.
After watching Fanaa a few weeks ago, I thought I might continue the Indian adventure with Tabu. Then, I watched Devdas — still unimpressed with Aishwarya Rai’s acting prowess and totally committed to watching Indian films because I can write hers and Sanjay Leela Bhansali’s names without googling now HUZZAH! — and was struck by Madhuri Dixit (no googling!) and her amazing “hooker with a heart of gold.” In fact, my favorite scene in Devdas is probably her dance duo with Aishwarya. And Bhansali’s films are still such a beauty to see. Sighs.
Then, when I thought I might head the Madhuri Dixit road, I watch English Vinglish and get struck by Sridevi (no google!). My first shock, of course, was realizing that I had knocked off ten years of her age right off the bat. Then while reading her wiki page (this is why it’s important to have a good Wiki page, fans), it hit me like a bucket full of cold water~
Sridevi was a successful child star, a sex symbol… and is possibly positioning herself as a MILF — my own observation here. Apparently English Vinglish was quite a hit, marking her comeback after 15 years off the screen.
I don’t think there’s ANYONE in the world of movies (or entertainment) that has been able to achieved this. I can’t think of a single actress (or maybe actor) who started out as a child, grew to be the actress made of dreams, moved on to becoming a sensible adult, apparently a great mother, and make a comeback to take all that’s “cinematically” hers.
The performance is okay (by Kpop standards, anyway), but Sridevi is totally charming in this show for the International Indian Film Academy (IIFA). I think the IIFA cameras shoot a quick reaction from Madhuri during the number, just as they showed Sridevi on Madhuri’s own performance (which rocked my socks) [1]. I could do with less Deepika reaction shots, though.
So… I am at a conundrum. Who should I go for first? Sridevi or Madhuri? And since both have sooooo many films, where do I start?
… voy a alegrar tu tristeza
vamos a hacer una fiesta
‘pa que’ste amor crezca mas.
In all seriousness, most snarky Peruvians would probably mock Gianmarco’s vocal abilities, but I don’t know any of those snarky ones that would mock his composition skills. I think there’s a strong 90% who would praise them. Hoy by Gloria Estefan is one of the most popular ones he’s written, and the video was shot in Cuzco to top it all.
And Hoy isn’t even the most complex of the songs he’s written. But it’s still a really good one.
Quickie literal lyrics translation after the break.
I subscribed to the KhamatovaInfo YouTube channel not long ago and they uploaded this clip of what seems to be the latest season of Lednikoviy Period (Ледниковый период) — or Ice Age, if you must. An “ice-skating with the stars” kind of TV contest. In the clip linked above, there’s a tiny appearance by Khamatova as guest (or maybe guest judge??), so I went quick-digging… and found this~
Scottish ice-skating turned ice-skating Riverdance with a totally focused Khamatova.
Apparently Chulpan was part of the first series of the show that aired back in 2007, in which she was paired with ice-skater (ice-dancer???) Roman Kostomarov, and pushed ahead to become the winner of the season. This is the moment that I grin knowing Chulpan is multi-talented — and actually remember that she used to ice-skate before an injury.
Plus, it’s really an advantage that the guy leads.
Here are the list of her performances I could find:
Hip Hop (I suppose? or Urban?) – Performance 1 – Give it to Me by Timbaland ft. Nelly Furtado and Justin Timberlake
Performance 2 is listed above. (Perfect Score)
50s Rock n Roll? – Performance 3 – I Put a Spell on You by Screamin’ Jay Hawkins
Full-on Russian – Performance 7 – Love and Poverty (Любовь и бедность) from Hello, I’m your Aunt! (Здравствуйте, я ваша тётя!) [1]
Contemporary ? – Performance 8 – it’s supposed to be a piece from O Clone, the Brazilian soap unless there’s something else that’s called Clone. However, I haven’t been able to identify the name of the track.
Classic (or Broadway??) – Performance 9 – Jesus Christ Superstar
X – missing clip??
Classic Russian – Performance 11 – The Woman Who Sings (Женщина, которая поёт) by Alla Pugacheva
Russian Alt Rock (or Rock n Roll Twist??) – Performance 12 – What Do You (Что ты имела) by Neschastny Sluchai (Несчастный случай)
I remember the first time I got to watch Swallowtail Butterfly and found it interesting that Ayumi Ito spoke a couple of lines in Mandarin. Later I was surprised she was in the cast of The Go Master; it just seemed like Ayumi Ito had maybe some interest in working outside Japan. Interestingly, she’s also the one Japanese actress working in Kpop music videos [1], and I know for certain she speaks pretty good English.
Then again, Japan doesn’t seem to like its actresses trying to work in other markets [eg. Rinko Kikuchi, Koyuki xD]. I wonder if she hasn’t considered working in the US or Europe, or maybe they don’t consider her Japanese enough or hot enough. After all, US and European casting seems to be so random at times.
Anyway, while googling a photo of Ito for the previous post, I ended up running into this short film she did back in 2005 directed by someone called Nomura Yasuo (野村泰夫) titled Shanghai Lian Xiang (上海恋香) or translated to Shanghai Love Fragrance… or possibly referring to the smell of incense. The short that lasts 50ish minutes sees a Japanese young woman (I don’t think they mention her name) that arrives to Shanghai to deliver her grandmother’s ashes to the bay because she had spent the 1930s in the Japanese concession of the city. In there she met a young Chinese man and fell in love… and it’s all melancholy and sadness due to the events of the time.
Ito plays both characters of the woman and the young version of her grandmother, with dialog in different levels of Mandarin and Japanese. It gets a little confusing when you have to read Japanese for big chunks of Mandarin, and Chinese characters for most chunks of Japanese dialog xD But I think you get the point across.
This year’s season of The Voice of China is a bit on the meh side compared to last year’s. Some good talents, but not as awing as some of last year’s. This battle for Wang Feng’s team, though, from Simon Chung (鐘偉強) of Hong Kong singing it out with Beijing-based Bi Xia (毕夏) with the classic Hey Jude was pretty emotional.
The whole father/daughter interaction going on, because Simon took the time to guide Bi Xia through the song and Bi Xia’s knowing what he’d done for her makes the whole elimination process all the more painful.
Not exactly a strong dream collab of mine, but I’m sure GD was psyched to do this. I’m just glad to see Missy back after launching a couple of video-less singles [1] last year. She’s looking great and they both seem to be having a blast here.
The question now is… when do I get to download this track?
This is my first (proper) Aishwarya Rai movie, and though I wasn’t blown away or bothered by her acting (maybe yet); Sanjay Leela Bhansali more than over-compensates for his direction. While watching Hum Dil De Chuke Sanam, I just kept thinking “this has got to be the most artistic movie to ever have a fart joke in.” It’s a pretty gorgeous movie to watch.
While watching the performance for Dholi Taro Dhol Baaje [lyrics + translation], my brain just went “OMG, this is a beautiful sequence.” Then again, so was my reaction while watching Black. And so it was with Khamoshi: The Musical. Can you tell I’ve been taken by his directing?
And the music in this was awesome. Is it really true that they spent two years working on it? Coz with IMDb, you never really know these things for sure.
When I was little — maybe between the ages of 4 and 6 — I used to watch a really worn out tape (maybe transferred from a Betamax tape to a VHS one) about a huge furry green alien whose name was Muzzy- Big Muzzy. Many years later, many courses of English after and once the internet became a reliable search tool, I came to learn that the movie… a BBC educational video, was called Muzzy in Gondoland, though I knew it as “The Big Muzzy Story.”
As a Spanish speaker, I don’t recall ever understanding English growing up. Though I had some games and watched some animated shorts and movies in English, I don’t think the language ever registered as a language. I recall I was dreadful at it in school until I turned 10 or so and began attending classes after school. I’ve been speaking English more than half my life already, and it’s the language I primarily work in. I read, write, listen to… and consume most of my media in English. I don’t think I dream 100% in the language, but I’m known for having dreams I don’t understand — I don’t think I’ve dreamed in Mandarin, but I’ve had chunks of them in Japanese and most notable in Korean, even though my Korean abilities reach the levels of greetings, the random “I miss you,” or “this is my friend,” as well as the very helpful “I’m hungry” or “my tummy hurts.” I can also request things with the very useful three-year-old Korean level phrase of “item- chuseyo” LOL
The preferable term would be “cookie” though I’m sure Muzzy would prefer clocks or parking meters.
Anyway, I found two copies of Muzzy in Gondoland. The one that’s split in 8 segments has the original audio I remember as a child. While this version that lasts 2.30hr seems to have different voices for Sylvia, Bob The Gardener and Covax. I’m 50/50 on the voice of the Queen.
Apparently there are updates in different languages like French, Mandarin and Spanish redone in basic 3D with segments in Flash. Have been watching the French one, and they’ve omitted the fact that the Queen is fat. Obviously because it’s not politically correct to call someone fat nowadays, and the Queen does so in the adjective section. Plus, the King flatly calls her fat with the exclamation “You are fat!” which obviously is kind of ridiculous. LOL
