If you remember, there was a negative (and the only) review for FLOWERS that I ran into. I didn’t look for more… because I was lazy, and I forgot. However, I ran into this info:
The 14th Sydney Japanese Film Festival is showing FLOWERS and Otouto.
As I rant that every film festival gets more up-to-date stuff than my local festivals… I also read a sweet quite glowing positive FLOWERS review, which resembles uzaigaijin‘s thoughts on FLOWERS.
But the single biggest thing that makes “Flowers” so remarkable is the authenticity of its feel from a cinematic viewpoint. It is an experience tailored to the psychology of moviegoers as a class. As such, it functions as a tribute not only to the growth of Japan as a society, but to the development of movie-making in general.
And I love that they mention that Yu-chan is one of the most talented and bankable actresses. (see Why Raiou Needs to Reach #1, which it didn’t)
Koizumi-san, at least, shares his vision of the 1930s in gorgeous antiquated tones as he beautifully captures Yu Aoi, one of Japan’s most talented and bankable actresses, in crisp black and white. Aoi-san comes across delightfully in vintage; the part well suits her subtle and subdued acting style. She flawlessly looks the part of the Yamato Nadeshiko, resplendent in various kimonos and decked out in traditional bridal regalia. One of the most memorable scenes in the film sees Aoi-san running through a sakura (cherry tree) grove in full bloom with mountains visible in the distance, a wide shot reminiscent of some old time silver screen epic.
You can read the full review over at the Japanese Film Festival blog.
