I forgot to post this a while back, but this is a total feeling when you’re listening to music and the song comes up.
Archives For shahrukh khan
It’s no longer Whee-in’s birthday in S.Korea, but it still technically is here— so, Happy Birthday Wheepup! You Spongebob-laughing tripe-and-raw-liver-eating laughing machine you. I still haven’t check out the recent Bday Vapp, but bless you, Mamamoo kids.
April started with blessings of Shiina Ringo releasing her concert DVD/Bluray Hyakkiyagyo 2015 (百鬼夜行2015) [which is the term used for onis, yokais, monsters and spirits whatevers doing a conga line through the night (LOL)]; then Gesu Kiwami are finally releasing their Daruma Ringo (達磨林檎) [which was supposed to released last year], which are set to be released in May. There were also announcements of a new BiBi album and a Mamamoo comeback.
Mamamoo, of course, have been blessing us all year— I’ve sorta lost track of the many song releases, but I’m pretty sure it was like this: LOVE for the Goblin OST, Solar’s collab with Luna and Hani for Honey Bee, Solar’s Emotion Part 4, San E’s collab with Hwasa in I Am Me, Jungkey’s son with Whee-in Anymore, Double Trouble Couple for the Strong Woman Do Bong Soon OST, and now eSNa’s collab with Hwasa Love Comes. Bless and poor, yo!
I’ve also just discovered DADARAY, Residente (otherwise known as the voice of Calle 13) released his new album [1]… and so did La Vida Boheme [1], Mary and the Witch’s Flower (メアリと魔女の花) LOOKS FREAKING AMAZING, I’ve been watching Sister’s Slam Dunk Season 2 and loving every minute of it, and Minzy’s made her official comeback with the release of Minzy Work 01 UNO and NINANO, as a main single.
Last night, of course, started with Minzy’s comeback, but got so much better with the announcement that Shiina Ringo did a CM for a Luxury Mall, but the song they did expanded into a digital single called Menukidori (目抜き通り), which is set to be released on the 20th, which is the day of the mall’s inauguration [1]. And then I found out that Jambinai released a new song called Damdamhi Jeogsigona (담담히 적시고나), which translates to “slightly wet,” which features the voice of folk singer Park Min Hee (박민희) [1].
Then I went to bed, and Mamamoo was in it. I talked (and laughed) a lot with Whee-in [this is the first time I interact, in broken English, with Mamamoo]. It was a party, and Shahrukh Khan was also there hahahahaha, so I got to shake his hand xD and then I went to talk to Hwasa, and she was telling me she was planning to come to Peru to visit Machu Picchu, so I was like- giving her tips. Sting was also there (so random!), and he had hair. HAHAHA.
Bless my Wheesa dream, though. Wheesa’s not my bias OTP, but bless them.
L’Oreal Paris has a bunch of brand ambassadors by region, and they all get invited to Cannes; among them, there’s people like Eva Longoria, Aishwarya and Sonam Kapoor, who all end up walking the festival’s red carpet events, just like last year. This time around, they got them all for this commercial that also credits J.Lo and Blake Lively, even though I don’t really spot them in it.
Those who do make it and aren’t listed, however, include Aishwarya, Sonam Kapoor, and the Bingbings– Fan Bingbing and Li Bingbing. That’s on top of Jane Fonda, and everyone’s faves Julianne Moore and Naomi Watts, who all come together to gather round John Legend.
https://www.youtube.com/watch?v=rkN38gSytHk
The idea of them coming together around Legend gave me vibes of that Lux Soap Commercial that Shahrukh Khan did like a decade ago, which featured Hema Malini, Juhi Chawla, Kareena Kapoor, and Sridevi… but then I watched it again, and that one was grosser. xD La Vie en Rose, at least, is a nice soft tune to give you the feeling of floating in the clouds xD
— EDIT 12Aug’16 —
Here’s the L’Oreal India upload.
Oh, Happy Chinese New Year! Let’s start my (supposedly) bad-luck Goat Year with the now-mandatory Letterboxd list of my film collection~
I have a really weird history with films– born in the late 80s, you’d think I would’ve grown watching loads of 90s kids stuff, but I actually grew up with a lot of Silly Symphonies (which were released in the 30s) and loads of Disney 40s, 50s, 60s, 70s stuff, plus a lot of more grown up 80s movies. Poltergeist, The Thing, The Fly and The Stuff were particularly scary stuff (and I’m pretty sure I was scared of yogurt or white stuff at some point).
I don’t ever remember buying any original VHS tape, except for the rare birthday gift of a Disney’s Sing-Along Songs chapter or that X-Men tape I have. My first DVDs buys were Coyote Ugly, She’s All That and Loser — you can’t blame me. I was a 15-year-old girl. The collection grew bigger, and possibly exploded during my years abroad. I’m nearing my 500th movie.
I just posted my 350th review, Jigarthanda [also in Español], which happens to be my 30th (sorta) Indian film review. So~ commemorating! Here’s a list of my first 30 Indian film reviews. You can actually see how my journey [1][2][3][4][5] has shaped up from DDLJ, KKHH and K3G YRF, SRK (and Kajol, though I posted her reviews later on) and Karan Johar-centric to Bhansali, Rani, Vidya, Madhuri, alternative Hindi cinema to regional stuff.
Here we go (in order of posting date):
- Dilwale Dulhania Le Jayenge [tmb en Español]
- Kuch Kuch Hota Hai
- Kabhi Khushi Kabhie Gham
- Chennai Express [tmb en Español]
- Black
- Khamoshi: The Musical
- Hum Dil De Chuke Sanam
- Yeh Jawaani Hai Deewani
- Kahaani
- U Me Aur Hum
- Bombay Talkies [tmb en Español]
- Hey Ram
- Fanaa
But honestly~ these photo recaps are best [Part 1][Part 2] - Hasee Toh Phasee
- Gulaab Gang
- Moondram Pirai/Sadma
- Shaadi Ke Side Effects
- Aiyyaa
- Dedh Ishqiya [tmb en Español]
- Siddharth
- Goynar Baksho [tmb en Español]
- CityLights
- Kadal
- Bangalore Days [tmb en Español]
- The Hundred-Foot Journey [tmb en Español]
(I know, I know. Not strictly Indian but was produced by Reliance~) - Mardaani [tmb en Español]
- Lucia [tmb en Español]
- Happy New Year [tmb en Español]
- Haider [tmb en Español]
- Jigarthanda
And if you want to keep track of my reviewed Indian films, go here: English, Español.
Farah Khan’s and Shahrukh Khan’s latest Happy New Year [Español] just hit the market officially with VOD… or as they’re calling it DTF (Direct to Fans), which is less technical and much more personal. It’s also way cheaper than regular VOD too, which usually charges $5USD per one-time stream or 4-5-day rental. You basically get to download the movie for that price. I’m just supposing it’s subtitled (being aimed at all markets except India and China), but I could be supposing erroneously [1].
No cons, just pros really. It would have been much cooler and much more trailblazing if this had happened on opening week (or the week later), but it’s something. I’m just hoping UTV (EROSNOW had its one moment with the pretty horrible Lekar Hum Deewana Dil) gets their shit together with the distribution of films like Haider and PK, really because those two are my bias at the moment. Imagine if more European and other big Asian movies did the same. Isn’t THAT what they want? Piece of the Hollywood pie? You need to indoctrinate people first, get them on the habit of watching you. Hollywood’s been doing this to us for the past 70 years.
Who made it and who didn’t? I was surprised myself. LOL Don’t forget to comment and share ;)
Since I got my computer back (and found a set of hindi fonts too), I’ve been playing around with a basic Rani Mukerji Fake Criterion collection. I decided to skip Kabhi Alvida Naa Kehna, but include Aiyyaa. I actually like the movie a lot more than I initially did. Plus, it’s not a supporting role, so it beat out roles in Yuva, Bombay Talkies, Veer-Zaara, Kuch Kuch Hota Hai or Talaash.
Serious dramas lend themselves out for cooler Criterion covers, though I must admit that I liked the disorder in the Aiyyaa cover. And I have to apologize for the Laaga Chunari Mein Daag, I just couldn’t think of any particular symbol from the movie… but at least I got to test out that new (tricky) hindi font.
I think I might do a Sanjay Leela Bhansali set.
I still think Paheli deserves a bit more than its current 6.8 IMDb rating, though I’m pretty sure it’s gone up a couple of decimals since I first rated it. I just don’t know why it was so difficult to find this clip of the ending credits song, Phir Raat Kati, which translates to something like Then the Night Passed. It sorta tells you a story throughout the song, and the choreography is super fun while not being your typical Bollywood number.
The music in the movie is also pretty good, with lyrics by Gulzar.
Too bad it’s in this pretty bad quality clip, though it’s better than the good rips of the credits with the small window.
I don’t think there’s been any significant update since April [1], but since my internal hard disk got busted after a sudden power outage, I lost my last mindmap. Instead of recreating it, I revamped it with some clean-up names and added some others. The clean-up? I got rid off Aishwarya (at least, until I watch other films of her), Nana Patekar (haven’t seen him in a while), same with Arshad Warsi, Sanjay Dutt. Got rid off Kareena, Sonakshi Sinha, Abhishek Bachchan, Anushka Sharma, Ajay Devgn, Salman, and Preity.
Only filmmaker to go is M.F. Husain, because- well, no more films. Also, there’s more order, because I’m lumping all Karan Johar directed or backed projects on his hub.
It’s been a year yo! [1]
Objectively speaking, though I love Tabu with all my fandom heart, I gotta admit that Rani Mukerji is the best movie hub to start out. The only thing she’s missing, really, is films with these other directors like Vishal or Vikramadytia Motwane. I doubt Imtiaz Ali would ever cast her in anything- besides, most his movies… though decent, are quite overvalued. Especially RockStar. And she was >THIS< close to getting to The Namesake, that really…
Rani’s got Bhansali, Hassan, Balan, Konkona and Nawazuddin Siddiqui. That’s of course on top of Shahrukh Khan, Aamir (and the other two Khans), Mani Ratnam, Juhi, and family connections aside, Kajol. And look at the times she’s worked with Amitabh Bachchan… and even son. That’s basically the whole contemporary commercial Indian film spectrum.
Tabu, on the other hand, has Vishal Bhardwaj and Gulzar, sure. She would also get Hassan (though not at his best), and Konkona… as well as Mani Ratnam, Amitabh, and Juhi (in her leading lady days) — probably more crossovers like Govinda and Salman. She also has Mira Nair and Ang Lee in her bag (though not strictly Indian-verse), and a whole bunch of regional films… but they’re more Telugu than anything else. Then there’s Nagarjuna. She had that symbiotic film-relationship to Madhur Bhandakar, whose career isn’t very good at the moment, though I thought Heroine improved in the horrible story treatment he had in Fashion.
I haven’t dared to watch Juhi’s earlier filmography because there’s so much early Aamir, and I’m not a fan of him in those days or Indian commercial films in general. Confession: Hum Aapke Hain Koun…! and Hum Saath-Saath Hain are pretty bad. Both the same director, a director Tabu wants to make a new comedy with. Not a comedy with Rajkumar Hirani, or a Motwane-backed project like Queen or Hasse Toh Phasee. She wants the dude that gave you Salman.
I’m becoming one of those fans that question her film choices. xD Having said that, I am still looking for Idee Sangati (or however you romanize it). I know Telugu films aren’t my thing, and not even Manam is changing my position, but I need to watch that movie.
