Archives For Films

Gomen, gomen. I skipped two months of random blogging this time around. I did, however, write my late 2024 Peruvian box office wrap-up, published in late February. And I did a small write up by the end of March about Malayalam cinema that is yet to be publish in case Jude Anthany Joseph’s 2018 is released locally this week. Just in case.

I have also picked up French once again! Officially since mid-January ;D Thanks to Nelly of Français avec Nelly. Everyday French (and slang, especially online slang) has improved, formal usage (has returned), but writing refuses to go back to levels (^=^!) to when I was a formal student and could actually write. It takes me ages to actually write, so it takes triple the ages to get something out in French.

Anyway- in one of the most recent videos where Nelly answers some subs questions, user tomas_valiunas asks about a website where you could watch French films for free, which is -of course- my expertise. I may not focus on writing about French films and festival films, because there are hundreds of others who do, but I do watch a number of French films and co-productions. And even though the French, and Europeans (and first worlders) in particular, are very finnicky about geo-restrictions and copyright, there are ways.

And the first and most obvious legal answer is TV5 Monde Plus.

I still have cable, so I don’t know how people who don’t have cable are supposed to find out about the TV5 Monde app for download or that they have a streaming website. Of course, there are a number of shows (broadcast on TV5 Monde) available to stream for free on YouTube like Echappées Belles or Des Racines et des Ailes.

They let you browse without an account, but you have to create one to actually watch the shows and films, otherwise you hit ‘play’ and just get the TV5 Monde logo and a ‘sad face’ lol

According to current (Mar 4th 2025) FAQ, opening an account and accessing the programs in the platform is free.

Right now they’re offering a bunch of Brigitte Bardot films like Boulevard du Rhum, Viva Maria!, La Bride Sur Le Cou, L’histoire très bonne et très joyeuse de Colinot Trousse-Chemise and En effeuillant la marguerite. Other classics like Peau d’âne by Jacques Demy, Jean Eustache’s La Maman et la Putain, and Truffaut’s Les Quatre Cents Coups are also available. And that rare Marlene Dietrich French film, Martin Roumagnac is also available.

Some of their co-productions are available, like Papicha by Mounia Meddour and Noces by Stephan Streker. However, considering the vast recent production of French animated films, I was a little underwhelmed from the selection of animation available; though Alain Ughetto’s Interdit aux chiens et aux Italiens, Florence Miailhe’s La Traversée and Une Vie de Chat by Jean-Loup Felicioli and Alain Gagnol are available as well.

But my favorite discovery available is Adrien Beau’s Le Vourdalak [Trailer] which I had been looking forward to watching. Sadly, it’s the only film labeled a fantasy. ^^’

Subtitles seem to vary, most (if not all) content seems subbed in English and French, there are also options for German (?), Arabic, Romanian and Spanish, though these two vary depending on the film you’re watching.

So I thought you should all know, even though no one reads blogs any longer, maybe someone will find this information on the vast nothingness of modern-day internet.

A while back I was able to catch a viewing of Tom Volf’s Maria by Callas documentary, which I adored. Some time last year (near my birthday?), I got to catch a special screening of Callas – Paris, 1958, which we got to see alongside a very very very tiny group of people ^^’

And, of course, I made sure to watch Pablo Larrain’s Maria before the year was over, because why not.

It’s the perfect Maria Callas triple feature-

  • The divine diva of Callas – Paris, 1958
  • Maria seen through the eyes of Callas in Maria by Callas
  • The human being in Maria.

My absolute favorite sequence in Larrain’s depiction is probably the whole segment at JFK’s birthday party. Though Maria’s scene with her sister is devastating.

YAMMag Mononoke Happened

December 30, 2024 — Leave a comment

This is likely the last post of 2024, breaking a dry spell of the last few years with a record 20 posts since 2018 when I posted 38 times.

This last post of 2024 is dedicated to Kenji Nakamura’s Mononoke the Movie: Phantom in the Rain (劇場版「モノノ怪 唐傘」), which crowfunded a while ago and has recently fulfilled orders. What an adventurous journey! We got a special credit for YAM Magazine!

It is an honor that we get to put our name in one of the team’s favorite series.

Let’s all look forward to what 2025 may bring!

I hope you all had an incredible 2024, and that you all were able to achieve what you set out to do (or close to achievement, anyway).

I stumbled across a vinyl version of Meenaxi – A Tale of Three Cities, and I’m almost disappointed it’s just a generic pressing of one of A.R. Rahman’s most underrated soundtracks and, of course, one of Tabu’s most underrated gems.

For a while now, I’ve been lamenting the death of physical media in India. The movie collection is really really suffering from it.

The world is also suffering from lack of high definition promo materials and HD transfers for M.F. Hussain’s Meenaxi. The world deserves multiple color vinyl editions to play on the Yeh Rishta [MV]/Rang Hai [MV] color palette themes of the movie. Blue, yellow, orange, purple, besides the red one.

If twenty years ago you had told me that Crayon Shin-chan was gonna have a smoother transition from 2D to 3D than Studio Ghibli, I would’ve asked you what you were smoking. Yet here we are. lol

The plot for Shin Jigen! Crayon Shin-chan the Movie wasn’t even all that bad, and gets quite meaningful by the end! What a wild world we live in.

You’re often on my mind.

Thank you for giving us Two Tigers (兩隻老虎) and its theme song Ke Yi (可以) [1].

And off-topic, this amazing commercial.

It’s been about a month or so since the first reports of Nicole Kidman’s AFI Lifetime Achievement Award started trickling. I had already read that she was thanking the audience that had stuck by her doing some of her weird little films, but it was still different watching the video and hearing her say it.

the audiences that have stuck by me through everything — I just want to say thank you because there’s so many little weird films I’ve done and I know there’s people out there that go and find them and watch them. You’ve stood by me and stuck up for my weird, weird choices and I’m so grateful for that.”

I was obviously to young to watch To Die For or Portrait of a Lady in the mid-90s, but it is no wonder I’m thought of as one of those odd ones when I had dragged friends from school to watch things like Birthday Girl or Steven Shainberg’s Fur, which I have rewatched this past weekend. Reese’s speech about Kidman’s passion for cinema just reaffirms my love for Nicole and her body of work throughout these past two decades, in which she has been resurrected by the press more than once with so-called “comebacks.”

Here’s to two more decades of amazing films (and series). *Cheers*

On December, I wrote about a couple of my concert music DVDs rotting away.

And the YT algo just popped this on the feed, talking about a number of Warner Bros titles that are apparently being affected.

Somebody on forums (!!! They still exist!) posted a list of probable affected titles, and to my dismay, the Greta Garbo and (both) Joan Crawford collections are affected. I just popped Mata Hari and Possessed on the player and seem to be playing fine.

Another one of the fears with (new) media and products that developed in types of plastic is that they’re decaying faster than people expected. I’ve had older (retired) players that were kept on storage that have a general sticky texture after a while. However, this doesn’t seem to happen to players that are in general exposure, not directly with sunlight, but in a generally airy room that’s in use, unlike a display room. I also happen to live in the mildest of climates, though high in humidity, temperatures never go above 30C (above 90F) or lower than 14C (lower than 55F). So maybe these conditions are affecting the storage of physical media.

I did the vast majority of my library collection before 2007, though. I did buy a number of things in between the mid-2000s to late-2000s, so if disc rot is affecting a general batch produced in between 2007-2009, it is a concern. I’m generally more worried with collections I keep in drawers instead of a regular shelf display.

Not gonna lie and say I haven’t been obsessing over the trailer for Crew since it dropped, and looking at the clips for Ghagra [1] and kinda giddy at the cover remix of Choli Ke Peeche [1].

I even finally re-watched Idhi Sangathi (with synced subs!) because of it.

Tabu finding riches in highly unusual places!

My only grip with the film, currently, is that my suspense of disbelief is dropped when I see them carrying kilos of gold. Autistic.

Other than that, I’m a super fan of potty-mouthed Tabu (I hope the announcement that theatrical was edited only means we get the potty-mouthed version on Netflix), and I want someone to ask them how much of the funny bits were ad-lib and improv, because that scene where they tell Kriti to sell her assets and the reaction to it was hilarious.

Buying physical media has been a chore lately, you gotta keep an eye out so you make sure you don’t miss your delivery because, for some reason, people cannot just leave your package any longer.

Plus, distributors are doing physical media less and less. The whole of the Indian Cinema industry has decided to phase out physical media in favor of going all in on OTT and VOD. Even enormous hits like RRR are left with no physical release, even in the West. Even Disney is letting Sony handle its physical media, which seems like the end of an era. Then there’s the whole thing about editing and disappearing media from libraries.

So these are some of the most recent -and not so recent- films that have been added to the physical library. I wish I had more disposable income because there are a bunch of titles (and upgrades) that had been added to the wishlist.

These on top of some Bluray upgrades like Sion Sono’s Love Exposure, Kalatozov’s The Cranes Are Flying, brand new Criterion’s for Los Otros and Laberinto del Fauno. Some random BR UK release for Whatever Happened to Baby Jane?

Also, this post makes it so that this year is the most I’ve blogged since 2020. I’m coming for you 2019. Four posts in Feb’24 is the most continuous blogging since Aug’18.