Archives For Films

Yo, guys! I just finished a watching of Raj Rachakonda’s 8 A.M. Metro, which stars Saiyami Kher and Gulshan Devaiah, and featured poems by Gulzar, as the film centers on the friendship of two lonesome souls who have a chance ephemeral encounter… and who happened to love reading books and poetry.

Seems like I have been in a movie positive mood lately, so it floored me.

For the last few months, though, I’ve been thinking about how Sai Pallavi and Saiyami Kher, since I saw the trailer for this film, both strongly reminded me of my Tabu-movie journey.

I had seen Sai Pallavi’s films since 2015’s Premam and 2017’s Fidaa, but she really just floored me with Shyam Singha Roy, which I wouldn’t have really loved without her part of the story. Then came Gargi, last year’s Amaran and then the promos for Thandel began. Besides the fact that she’s a wonderful dancer, Pallavi’s got one of the most wonderful expressive eyes.

In between, of course, Saiyami Kher made her Hindi debut with Mirzya in 2016, which I enjoyed a lot. It seems like I’m one of the very few people that actually kinda liked that movie. Since then that OST has been a constant on my music-playing habits. Then came Anurag Kashyap’s Choked and ran into her on Wild Dog. In between films, Kher had focused at lot of her output on long-form shows, so I was so thrilled to see her doing 8 A.M. Metro, and doing well with Agni and Ghoomer, which put her together in a project with Shabana Azmi, who is a sorta x-degree aunt of sorts. lol

It has to be concert films, no?

Like- I totally understand these shots.

They don’t even need to be crowd shots, even. It would be perfectly fine to use concert art. I remember blogging about the concert art and vcrs done for one of Faye Wong’s concerts of the last 15 years. I can’t remember if they were either done by Hi-Organic or Grass Jelly (it was Grass Jelly!), but imagine being surrounded by clouds and mountains while Faye does her electropop sutras.

Bjork’s Cornucopia felt >small< and constrained in comparison. I always enjoy Bjork’s vocals, however. Technically always there, emotionally present. I will always remember that Hunter moment.

Gomen, gomen. I skipped two months of random blogging this time around. I did, however, write my late 2024 Peruvian box office wrap-up, published in late February. And I did a small write up by the end of March about Malayalam cinema that is yet to be publish in case Jude Anthany Joseph’s 2018 is released locally this week. Just in case.

I have also picked up French once again! Officially since mid-January ;D Thanks to Nelly of Français avec Nelly. Everyday French (and slang, especially online slang) has improved, formal usage (has returned), but writing refuses to go back to levels (^=^!) to when I was a formal student and could actually write. It takes me ages to actually write, so it takes triple the ages to get something out in French.

Anyway- in one of the most recent videos where Nelly answers some subs questions, user tomas_valiunas asks about a website where you could watch French films for free, which is -of course- my expertise. I may not focus on writing about French films and festival films, because there are hundreds of others who do, but I do watch a number of French films and co-productions. And even though the French, and Europeans (and first worlders) in particular, are very finnicky about geo-restrictions and copyright, there are ways.

And the first and most obvious legal answer is TV5 Monde Plus.

I still have cable, so I don’t know how people who don’t have cable are supposed to find out about the TV5 Monde app for download or that they have a streaming website. Of course, there are a number of shows (broadcast on TV5 Monde) available to stream for free on YouTube like Echappées Belles or Des Racines et des Ailes.

They let you browse without an account, but you have to create one to actually watch the shows and films, otherwise you hit ‘play’ and just get the TV5 Monde logo and a ‘sad face’ lol

According to current (Mar 4th 2025) FAQ, opening an account and accessing the programs in the platform is free.

Right now they’re offering a bunch of Brigitte Bardot films like Boulevard du Rhum, Viva Maria!, La Bride Sur Le Cou, L’histoire très bonne et très joyeuse de Colinot Trousse-Chemise and En effeuillant la marguerite. Other classics like Peau d’âne by Jacques Demy, Jean Eustache’s La Maman et la Putain, and Truffaut’s Les Quatre Cents Coups are also available. And that rare Marlene Dietrich French film, Martin Roumagnac is also available.

Some of their co-productions are available, like Papicha by Mounia Meddour and Noces by Stephan Streker. However, considering the vast recent production of French animated films, I was a little underwhelmed from the selection of animation available; though Alain Ughetto’s Interdit aux chiens et aux Italiens, Florence Miailhe’s La Traversée and Une Vie de Chat by Jean-Loup Felicioli and Alain Gagnol are available as well.

But my favorite discovery available is Adrien Beau’s Le Vourdalak [Trailer] which I had been looking forward to watching. Sadly, it’s the only film labeled a fantasy. ^^’

Subtitles seem to vary, most (if not all) content seems subbed in English and French, there are also options for German (?), Arabic, Romanian and Spanish, though these two vary depending on the film you’re watching.

So I thought you should all know, even though no one reads blogs any longer, maybe someone will find this information on the vast nothingness of modern-day internet.

A while back I was able to catch a viewing of Tom Volf’s Maria by Callas documentary, which I adored. Some time last year (near my birthday?), I got to catch a special screening of Callas – Paris, 1958, which we got to see alongside a very very very tiny group of people ^^’

And, of course, I made sure to watch Pablo Larrain’s Maria before the year was over, because why not.

It’s the perfect Maria Callas triple feature-

  • The divine diva of Callas – Paris, 1958
  • Maria seen through the eyes of Callas in Maria by Callas
  • The human being in Maria.

My absolute favorite sequence in Larrain’s depiction is probably the whole segment at JFK’s birthday party. Though Maria’s scene with her sister is devastating.

YAMMag Mononoke Happened

December 30, 2024 — Leave a comment

This is likely the last post of 2024, breaking a dry spell of the last few years with a record 20 posts since 2018 when I posted 38 times.

This last post of 2024 is dedicated to Kenji Nakamura’s Mononoke the Movie: Phantom in the Rain (劇場版「モノノ怪 唐傘」), which crowfunded a while ago and has recently fulfilled orders. What an adventurous journey! We got a special credit for YAM Magazine!

It is an honor that we get to put our name in one of the team’s favorite series.

Let’s all look forward to what 2025 may bring!

I hope you all had an incredible 2024, and that you all were able to achieve what you set out to do (or close to achievement, anyway).

I stumbled across a vinyl version of Meenaxi – A Tale of Three Cities, and I’m almost disappointed it’s just a generic pressing of one of A.R. Rahman’s most underrated soundtracks and, of course, one of Tabu’s most underrated gems.

For a while now, I’ve been lamenting the death of physical media in India. The movie collection is really really suffering from it.

The world is also suffering from lack of high definition promo materials and HD transfers for M.F. Hussain’s Meenaxi. The world deserves multiple color vinyl editions to play on the Yeh Rishta [MV]/Rang Hai [MV] color palette themes of the movie. Blue, yellow, orange, purple, besides the red one.

If twenty years ago you had told me that Crayon Shin-chan was gonna have a smoother transition from 2D to 3D than Studio Ghibli, I would’ve asked you what you were smoking. Yet here we are. lol

The plot for Shin Jigen! Crayon Shin-chan the Movie wasn’t even all that bad, and gets quite meaningful by the end! What a wild world we live in.

You’re often on my mind.

Thank you for giving us Two Tigers (兩隻老虎) and its theme song Ke Yi (可以) [1].

And off-topic, this amazing commercial.

It’s been about a month or so since the first reports of Nicole Kidman’s AFI Lifetime Achievement Award started trickling. I had already read that she was thanking the audience that had stuck by her doing some of her weird little films, but it was still different watching the video and hearing her say it.

the audiences that have stuck by me through everything — I just want to say thank you because there’s so many little weird films I’ve done and I know there’s people out there that go and find them and watch them. You’ve stood by me and stuck up for my weird, weird choices and I’m so grateful for that.”

I was obviously to young to watch To Die For or Portrait of a Lady in the mid-90s, but it is no wonder I’m thought of as one of those odd ones when I had dragged friends from school to watch things like Birthday Girl or Steven Shainberg’s Fur, which I have rewatched this past weekend. Reese’s speech about Kidman’s passion for cinema just reaffirms my love for Nicole and her body of work throughout these past two decades, in which she has been resurrected by the press more than once with so-called “comebacks.”

Here’s to two more decades of amazing films (and series). *Cheers*

On December, I wrote about a couple of my concert music DVDs rotting away.

And the YT algo just popped this on the feed, talking about a number of Warner Bros titles that are apparently being affected.

Somebody on forums (!!! They still exist!) posted a list of probable affected titles, and to my dismay, the Greta Garbo and (both) Joan Crawford collections are affected. I just popped Mata Hari and Possessed on the player and seem to be playing fine.

Another one of the fears with (new) media and products that developed in types of plastic is that they’re decaying faster than people expected. I’ve had older (retired) players that were kept on storage that have a general sticky texture after a while. However, this doesn’t seem to happen to players that are in general exposure, not directly with sunlight, but in a generally airy room that’s in use, unlike a display room. I also happen to live in the mildest of climates, though high in humidity, temperatures never go above 30C (above 90F) or lower than 14C (lower than 55F). So maybe these conditions are affecting the storage of physical media.

I did the vast majority of my library collection before 2007, though. I did buy a number of things in between the mid-2000s to late-2000s, so if disc rot is affecting a general batch produced in between 2007-2009, it is a concern. I’m generally more worried with collections I keep in drawers instead of a regular shelf display.