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Remember the days back back in the day when MTV was about music videos, and they had a show called Making Of the video before premiering a music video? Remember when they used to announce music videos and it was important? I miss those days…

And even though these music video directors talk about the big budgets given to only top artists, it feels like it’s been ages since I’ve liked a western mainstream music video. The Rihannas and Britney Spears don’t impress me — though, I gotta admit, I didn’t mind that Katy Perry music video for Wide Awake.

I don’t mind Lady Gaga, but her last couple of MVs have been lost to me.

There are some other music videos that are not so mainstream that have indeed peaked my interest… but I’m taking my eye candy — all of it — from crack Kpop music videos. Because… you know When Kpop Went Beyond American Pop.

The 2NE1s, Big Bangs, and other idol groups with their glossy and marvelous candy music videos infect my eyes and earworm into my brain. It’s hard for Korea to actually put some emphasis into their creatives and they should, so we must work with them on that. Otherwise… how will people know about directors Hwang Soo Ah and Cha Eun Taek?

Your music videos matter, Korea. Pull yourself together!

I had never really noticed how good this song is.

I’m not so sure how well Zhong Ping Huang’s style fits the music video, but I like the song. I’ve heard all of Chou’s discography before, but I don’t recall liking this song. The more you know? xD

Also, I’m so SO happy that his music channel is uploading all this music videos officially. The sad thing is that all those previous views from all those other people will now be gone.

I wonder if one day I will be able to interview Jay hahaha

I know you’re there~~~

come out, come out, wherever you are~~~

Holy mother of… Cartoon Network in 20 years old, and they’re celebrating big with this video reuniting 20-years-worth of CN characters. I recognize most of them (even if it’s not by name), but I wish there was more variety of characters shown (I know, I know… not really practical), but there should have been more of the older characters in Cartoon Cartoon’s old day past.

The Cartoon Network YouTube Channel is not available to me :(

Directed, animated & produced by ilovedust

CREDITS:
Directed by: ilovedust
Creative Director: Ingi Erlingsson
Art Director / Design lead: Ewen Stenhouse
Producer: Ant Baena
Design: Ewen Stenhouse, Sofie Hallor, Shan Jiang
Animators: Ewen Stenhouse, Tim Whiting, Carlos de Faria, Jonathan Harris, Joe Sparrow, Blanca Martinez de Rituerto, Sean Weston, Tom Bunker
Compositing: Stefano Ottaviano, Ewen Stenhouse

Audio:
Music & sound design by Kevin Seaton at Heavy Duty Music
Additional voices provided by: Jeremy Shada, John DiMaggio

The fashion industry is in the throes of recognizing that their new consumer is not the white middle class — it’s multiracial, it’s international, it’s transcultural.

Why the Rise of Asia in Fashion Isn’t as Beautiful as It Seems

Thuy Linh Tu on the Future of Fashion

So I have a complaint… I always get crappy detergent commercials — the Sapolio detergent Principe commercial suck, and it sucks even harder that women aren’t offended by them, as if women’s only thought in their heads was just to get a man after they’re done with laundry.

But then a couple of weeks ago, I saw Camucha Negrete’s face on a Twitter Ace promoted tweet. Then my mother came to me saying she’s seen the funniest detergent commercial since Ariel’s Chaca Chaca [clip] in the late 70s, which according to a comment on YouTube [1]:

el concepto se creo en México, en los años sesentas, fue Noble y Asociados con la primer Vicepresidenta Creativa, la publicista mexicana Cristina Gutiérrez de la Sierra quien inventó la frase y la hizo fuerte, después, la misma agencia de publicidad llevo el concepto a otros países de latinoamérica. De hecho dicen que ella escribía de una sentada las ideas y frases y es creadora de decenas de conceptos arraigados a la cultura latinoamericana.

Was a concept created in Mexico.

So it’s really no surprise at all that Ace, in all its region in Latin America, has employed the help of the Leo Burnett agency [1] to develop the concept of O Mistério Ace (The Ace Mystery) — for Brazil — or El Misterio del Sostén (The Bra Mystery), which stems from the fact that all Latin American countries have strong Telenovela roots. According to my search, the Brazilian version seems to have come by first with an array of different Portuguese Brazilian accent dubs [1] [2] [3] [4] [5], and the concept has now just made their debuts in different Spanish Latino versions from Argentina, Venezuela, Colombia and Peru.

https://www.youtube.com/watch?v=C3vO_dIJIZk

Note: The Chile version seems to be the same to the Argentina according to the uploads on the Ace Chile YouTube Channel.

In the commercial, the “mother-in-law” (played in the Peruvian version by Camucha Negrete, and different actresses in the others) finds a tarnished bra in her son’s room. Thinking it belongs to her son’s girl, she storms into a restaurant telling her son off, as well as suggesting her “daughter-in-law” to use Ace because it keeps whites clear.

Things then get complicated.

I don’t know how “viral” a detergent commercial can get considering the core of Telenovela audiences aren’t usually hooked online. But it’s a good commercial, nonetheless.

The Voice of China: My Top4

October 1, 2012 — 1 Comment

This is it. This is why I don’t follow reality TV contests, and this is my final posting on The Voice of China, which I had greatly enjoyed at the beginning for its variety in music styles.

But after a few episodes that tended to be on the frustrating side… I just… can’t take it any longer. I think the final is next episode (and Adam Lambert is supposed to be on). It was a good ride, but I do not wish to see the ending to this.

This is my line-up to the Top4:

Continue Reading…

This, you have to admit, is pretty darn good-looking.

Psyop is doing a series — in all honesty, it’s only three webisodes — as prequel to a video game, and decided to do the animation by hand with some 3D enhancements.

Harper’s Bazaar China loves to celebrate with Faye Wong and photographer Chen Man, this is why both of them grace the cover of this year’s anniversary Harper’s Bazaar edition celebrating their 26th year. They celebrated their 25th year the same way.

So being the lover of photography that I am, I went around and look them all up — including last years photos. You can also check this Faye/HB photoshoot.

And as you can see, I have instantly fallen deeply in love with photographer Chen Man’s work. And I’ve already ordered her book Chen Man: Works 2003-2010, and added her tag xD so you can maybe expect more Chen Man postings in the future.

I believe that to change the future we cannot rely on the individual, but rather a collective force. Together we can change an individual’s way of life, as well as change the world.

https://www.youtube.com/watch?v=FgoPm1SVwjo

Chen Man on the Future