I have to admit… I’m a little disappointed. Be it choice of script or choice of character — I’m choosing this as punishment from Itoh Company for Yu-chan choosing to cut her hair. LOL I’m uncertain about her hair, it looks real, but at the same time I’m unable to make a clear timeline. Maybe she shot this BEFORE she cut her hair. I would have liked her present-day character to be portrayed with her short hair, and a lot more different.
A while back a GORGEOUS Dior commercial featuring Grace Kelly, Dietrich and Monroe, alongside a slinky Charlize Theron was invading my TV and doing rotations on my YouTube ads. That was one of the only commercials I didn’t mind breaking my viewing.
Alongside with visual effects magicians, they managed to bring back classic on-screen beauties… and now, they’re latest project has been bringing back Audrey Hepburn. From the still up there, it looks PRETTY uncanny. Apparently they found the perfect Hepburn double, and did their magic twitching details to make her look IT. Sadly, we can’t watch the commercial for Galaxy Chocolate, which has only been licensed within the UK and Ireland territories.
I guess Audrey Hepburn’s image is THAT expensive.
You can check the info on Framestore.
— EDIT —
Mother (Lupe Ontiveros): Ay, Estela, Ana, de la que se perdieron en la novela, Los Pobres Lloran Más.
Ana (America Ferrera): Mom, I don’t watch Spanish soap operas.
Mother: It’s not a regular novela; it’s a Brazilian. Esas son mejores. ¿Verdad, Don Miguel?
I didn’t do one last year because… because I didn’t care. I probably care less this year, since I have less films that I liked, and my watching colored-coding has been reduced to “watched” and have no desire “to watch” anything. Let alone “dying to watch” [1] [2]
But here it is- what I’ve watched and some of my rough predictions.
Also attaching [1] my Watched List from last year.
Vancouver-based motion graphic studio, Giant Ant, took part in the making of an animation collaborative effort centered on the poem titled To This Day by Shane Koyczan, who was in charge of the We Are More poem used for the Vancouver 2010 Winter Olympics [1]. To This Day focuses on the lasting impact of bullying on its victims, and though it feels heavy-handed with a +6min of running time with a narrative of negative lows in contrast to Koyczan’s climbing monologue, it’s still a project worth checking out because of…
it’s animation.
Giant Ant (which includes work by Jorge Canedo Estrada [1]) asked animators and motion designers to come up with 20-sec sequences to go along to Koyczan’s spoken poem, developing a wonderful mismatch of styles within its narrative.
You can check out more of the To This Day project on:
I want this (Dutch???) toilet paper!
The best toilet paper commercials we ever got in Peru were of Suave, featuring Luis Miguel’s hit song, Suave [MV] — that’s the only one that ever stuck in my subconscious anyway. That one, for the song, and there was another one of a little girl who wanted to go to the washroom at a mall or something, and she was only with her father. Obviously, he couldn’t go it to the ladies room, so she went in with her father staying by the door giving directions, where he spurts “ahora limpiate tu potito.” (now clean your tushy).
We aren’t any remotely close to having this kind of toilet paper commercial.
I remember when I was in fifth grade I saw my grandfather die. There he was, lying motionless on the bed. I was close to my grandfather. He taught me how to write. I remember thinking, “If this is the end of life, that means we don’t have to take everything too seriously.” Children who grow up without seeing death don’t have that realization.
I know so many people who would download loads of music for free, but still buy the stuff they liked (usually discovered from their own or other people’s free downloads). Now those same people listen to Spotify and feel that they have paid the artists, so no longer feel the need to buy the songs they like.
Comment on Artists, Please! Don’t Put Spotify Play Buttons On Your Site…
Additional info: How Much Do Music Artists Earn Online?
Yu-chan, how am I supposed to know you have a new miniseries, if you don’t even update your blog? Like, I was blind. COMPLETELY BLIND about this two-episode series you did for TV Asahi, airing on February 2nd and 3rd. Titled Mottomo Toi Ginga (最も遠い銀河) — translated as The Most Distant Galaxy — the series has nothing to do with space. Instead, it seems to be a detective story, but the AsianWiki Plot/Synopsis sucks.
Still… it doesn’t mean that I don’t want to check it out.
I wouldn’t have heard about it, if it wasn’t for Weibo. I’m supposed to be subscribed to the Yu Aoi/Aoi Yuu and other variations of her name from Tokyohive, but whatever. It seems she has very few English-speaker fans who don’t even bother.
At the moment, this screencaps will do.
