If twenty years ago you had told me that Crayon Shin-chan was gonna have a smoother transition from 2D to 3D than Studio Ghibli, I would’ve asked you what you were smoking. Yet here we are. lol
The plot for Shin Jigen! Crayon Shin-chan the Movie wasn’t even all that bad, and gets quite meaningful by the end! What a wild world we live in.
Buying physical media has been a chore lately, you gotta keep an eye out so you make sure you don’t miss your delivery because, for some reason, people cannot just leave your package any longer.
Plus, distributors are doing physical media less and less. The whole of the Indian Cinema industry has decided to phase out physical media in favor of going all in on OTT and VOD. Even enormous hits like RRR are left with no physical release, even in the West. Even Disney is letting Sony handle its physical media, which seems like the end of an era. Then there’s the whole thing about editing and disappearing media from libraries.
So these are some of the most recent -and not so recent- films that have been added to the physical library. I wish I had more disposable income because there are a bunch of titles (and upgrades) that had been added to the wishlist.
These on top of some Bluray upgrades like Sion Sono’s Love Exposure, Kalatozov’s The Cranes Are Flying, brand new Criterion’s for Los Otros and Laberinto del Fauno. Some random BR UK release for Whatever Happened to Baby Jane?
Also, this post makes it so that this year is the most I’ve blogged since 2020. I’m coming for you 2019. Four posts in Feb’24 is the most continuous blogging since Aug’18.
Having debuted back in 2022 under the name Song Soowoo (송수우) with the edgy-sounding song Love Me or Hate Me [MV], Song is back under the name NINA (니나) [almost impossible to look up without running into other Ninas] with the music video for Love Like This, directed by Jonah George.
Which, if you’ve seen the Bugs thumbnail on YouTube, looks Yu Aoi-inspired. I say Yu Aoi-inspired, because it’s mostly Yuki Tanada’s One Million Yen Girl and heavily references Shunji Iwai’s Hana & Alice for obvious shots. However, it also heavily references Iwai’s 1995 Asian hit Love Letter which has inspired a whole generation of filmmakers [1][2] and idols.
That’s me. People will ask me if I’m watching which and what show, and I would usually say that I really don’t have time to watch much television. However, the past week I’ve been catching up with my “to watch” list and inundated.
I watched one single episode of Prime India’s Jubilee, which I’m looking forward to finishing. And I just binged through Apple’s Pachinko. I’m usually hit or miss with Kogonada (After Yang was excellent), but my only complaint about Pachinko is that I really wish American series would do their just one off series and not make me wait for two or three seasons.
I’ve also just started Nicole Kidman’s Nine Perfect Strangers (after going through Hulu’s Tiny Beautiful Things with Kathryn Hahn). Going though Showtime’s The Good Lord Bird, and have been catching Demon Slayer episodes, as well as rewatching shows like Cowboy Bebop and Orange Days (went through Tiger & Dragon, as well as Quartet a while back). Picking up old school Trigun, and planning to finally go through Emily Blunt’s The English and FINALLY trying to get through McQueen’s Small Axe.
Not even counting that I really wanted to watch that Prime The Underground Railroad series.
I haven’t had much time or chance to watch Yuki Tanada’s movies, and I’m still trying to catch up with recent Yu Aoi movies… BUT! Issei Takahashi has really sneaked into my Jdrama catching up. Incredible rise to fame.
No, it’s not a joke either, despite all the people doing double-takes when we all saw her name and her now-husband’s name, comedian Yamasato Ryota (山里亮太), trending worldwide on Twitter.
After apparently two-months of dating, Yu Aoi and Ryota Yamasato submitted their marriage registration on June 3rd. They were apparently introduce by Yu-chan’s Hula Girls co-star Shizuyo Yamazaki (山崎静代), who is also Yamasato’s comedic partner in their comedy duo [1].
Here’s a picture of the both of them on some variety they did not so long ago.
I’m ready to vote! I received the most digital screeners this year so far, so it’s been easier (and it’s made it lazy-proof) to sit through dozens of screeners. Plus, Netflix has a lot of the nominated movies readily available too. This year is possibly my best award season ballot in my history of keeping up with ballots. lol