I would get a time machine, go back in time and have a torrid affair with 1930s Joan, if I could. xD I know this is a Sadie McKee still, but she was so good-looking in Dancing Lady.
Archives For Celebrity
It’s another double feature!
La Doña has been in the mood for fighting this week [1], and this time she’s taking Deepika Padukone- or I suppose El Peñon de las Animas (The Rock of Souls) is taking Sanjay Leela Bhansali’s Ram-Leela, where both balas and golis are exchanged nonchalantly, and music is spared in between two families that have been warring for generations.
Though Maria Felix is playing much more of a señorita role on this one (than usual), and this western musical (that’s what all rancheras are, right?) gets some pretty nifty cinematography and sassy moments and lyrics, there’s one thing that Ram-Leela has~~~ and that is Supriya Pathak.
Are! Mashallah, mashallah~
Oh.mah.gosh.
It’s a battle of the horse-riding sword-brandishing tough ladies that -actually- existed in real life, with lives brought onto the silver screen, beautified while being personified by THE faces of their own Golden Eras.
In the case of Greta Garbo, of course, with Hollywood in her most fun and most relaxed Queen Christina, often mistaken for a man and featuring the infamous scenes of Garbo kissing a lady and being romanced by John Gilbert while in mannish get-up. Then there’s the Mexican and Latin movie classic diva La Doña Maria Felix as Catalina Erauso, escaping a convent and dragging it up as Don Alonso, making the ladies of the Peruvian Viceroyalty swoon in La Monja Alferez, with a twist ending to match Some Like It Hot.
And to quote Toni Collette:
We’re women dressed as men dressed as women!
This is a tough one. I do have a terrible Greta Garbo bias, but I think I’m handing it down to La Doña on this one. Maria Felix is like the awesome fusion of everything that’s good with both Greta Garbo and Joan Crawford.
I’m still not so sure about Miyavi’s lyrics in English, but I do appreciate the fact that he tries and works the field for non-Japanese fans. Very much appreciated~ I will always remember his concert, and attending it with my father.
But Miyavi and his guitar, man. That goes beyond language.
I obviously didn’t know about this cover because it predates my Indian movie journey… but it’s just so damn good, you gotta put it out there, you know? Mother India is so the quintessential Indian movie that every single person (in Peru) that has ever spoken to me about what Indian films they’ve seen, they’ve all name-checked Mother India. Regardless of social status… university professors, business owners, bloggers, taxi drivers, waiters… they all name-check “Madre India.”
I’m starting to feel… as a Yu Aoi fan, that I’m out of a job. Though I’d like to believe that the information I add to the Yu Aoi posts I publish have a little something extra. I mean, I really don’t have any other reason as to why I wasn’t aware of these photos (et more) from two years back. Plus, there are tons and tons of Yu Aoi related Tumblr pages [tag][1][2][3].
However, the craziest one I found was sorekara’s aoi-yu-tagged stuff. There are tons of photos of Yu with her shorter hair in shoots and ads, there’s older photos that I had only seen in tiny version, there’s old photos that I wasn’t aware of. I’m old, and I don’t have the will to get a Tumblr account to follow.
You can’t even subscribe by tags! Anyway~
I couldn’t find the photographer, but this Chanel product placement on the Special section of Vogue’s Dec’12 issue is called 『True White 白という名のモダニティ。』 promoting the J12 White Chanel watch series that costs a fraction of your car (if you use one) — priced between 3.3k pounds to 10k.
Hahaha. I mean, seriously, who would’ve thought 100 years ago that needle watches would become a status symbol.
The concept was that Yu Aoi personifies the concept of the (truthful) pure, modern woman image. And the website is still active, though I had some trouble getting the actual link. And you know what it is with them Flash-based websites, it will eventually go offline- so people took screencaps~
Plus! No one like Vogue to style your fresh short hair.
I still think Paheli deserves a bit more than its current 6.8 IMDb rating, though I’m pretty sure it’s gone up a couple of decimals since I first rated it. I just don’t know why it was so difficult to find this clip of the ending credits song, Phir Raat Kati, which translates to something like Then the Night Passed. It sorta tells you a story throughout the song, and the choreography is super fun while not being your typical Bollywood number.
The music in the movie is also pretty good, with lyrics by Gulzar.
Too bad it’s in this pretty bad quality clip, though it’s better than the good rips of the credits with the small window.
We’re still being pumped for Haider [1][2] with an (short) interview Tabu is doing with Rajeev Masand about the apprehension of playing this part, her choosing the role, and how her ‘brand’ of acting is most often remembered for her seriousness. Though I still owe Hera Pheri a rewatch, I don’t think Biwi No. 1 classifies as one of Tabu’s movies, she’s hardly in it! I thought Aamdani Atthani Kharcha Rupaiyaa was funnier, though Kelki Dave stole that movie out of everyone.
https://www.youtube.com/watch?v=ydUt9GgHa9Q
The funniest bit is, of course, when it’s pointed out that she refused Vishal’s offered with a “I’m not playing Shahid Kapoor’s mother,” while bursting out laughing.
She also admits that maybe she’s just lazy to pick films, so that’s something else she has in common with my Yu-chan fandom, apparently. That’s why there will be no other one quite like Joan Crawford. I’ve been re-connecting with Yu-chan, I’m having such fandom conflictive feelings.
Ugh, I love these guys together.
Soooooo much.
