Last October I reported about Yu-chan returning to the leading-lady gig with Daigo Matsui’s AZUMI HARUKO wa Yukuefumei (アズミ・ハルコは行方不明). Twitter has just shown me a first still. There’s also a music video by Ishizaki Huwie (石崎ひゅーい) titled Flower Vase (花瓶の花, Kabin no Hana) attached to the press release on natalie.mu, but it’s geo-blocked :*(
Did I tell you? I’m going to Japan next week! It’ll be less than 2 weeks, but I’m going! I’m mad excited and totally nervous. I feel there’s so much to do and so little time, all I’m hoping is that I don’t get lost. xD Anyway~
This just popped up in my searches~ Yu Aoi is doing another rendition of John Ford’s 1600s incest tragedy ‘Tis Pity She’s a Whore, under the Japanese name Aware Kanojo ha Shofu (あわれ彼女は娼婦), which had already been presented back in 2006 with Eri Fukatsu, Shosuke Tanihara and Mikami Hiroshi [1][2]. The brother half of this story will be played by stage/voice actor Kenji Urai (浦井健治).
The play was translated by Odajima Yushi (小田島雄志), and is being directed by Kuriyama Tamiya (栗山民也).
The play will begin on June 8th 2016 until the 26th.
You can check the varying schedules available at the New National Theatre Tokyo website.Prices ranges from 8,640円; 5,400円; 3,240円 and 1,620円.
You can check two interviews with both of them over at Spice [1][2].
I ran into this video on YouTube from the Off the Great Wall channel, and they got a bit of flack over the fact that a vast majority of their picks (3 picks for each of the four speakers) were East Asians xD — only one South Asian pick, because Aishwarya has to be everywhere xD, and then there were the Asian-American (Lucy Liu, I don’t think she’s mixed… is she? And she makes it twice~), the Euro-Asian (but basically) Asian-Americans (Maggie Q + Olivia Munn), and (off the official list) the Euro-Asian (Thai-Swede Praya Lundberg).
The thing is beauty is such a subjective element- whatever floats your boat depends on who you are, cultural background, upbringing, etc. But I do agree with Dan (though he doesn’t apply his own rule when it comes to Munn) — especially when making lists — Staying Power is important.
So I do agree 100% that Gong Li deserves that spot. She’s fabulous and continues to be even more fabulous… In Bollywood talk, Gong Li basically started her career doing de-glam roles in banned Zhang Yimou movies. She was a villager so often, wife of gangsters; and in her 40s, she became an Empress. That’s the complete opposite of the typical Bollywood heroine. She hasn’t been acting much, but a couple of years ago she romanced Andy Lau in a sick powersuit, and just a year or two ago broke everyone’s heart as the wife of a writer during the Cultural Revolution. This year? She’s the baddie in one of the blockbusters on this season- The Monkey King 2. And yeah~ she still looks as fabulous as ever at 50 years old.
Besides staying power? Talent, especially when it comes to celebrities, you know? Someone that can do their job like no other? Interview (variety show appearace) perception is a big plus, but CV is important.
But sometimes, so it happens, I also break my own rules~ lol
Also~ my Pakistan, South East Asian, Middle East and Russian games are not strong. Neither is my Asian-Latino game. So forgive the lack of names there, and I do take suggestions (especially if they come with great movie recommendations~~~).
All below listed by seniority~
I can’t believe it’s been ten years since~ To celebrate, Studio 4C is publishing a Tekkonkinkreet Artbook. 100 copies (which are already gone) signed by director Michael Arias. Another 292 copies that will come with a hand-drawn slip in between the book. Both priced at Y2980 JPY (at around $26 USD at current exchange rate). The shipping to South America is more expensive than that xD
Anyway~ for those interested; here’s the LINK.
Kuro, when the sky turns black why do I feel so blue?
*update*
Also in 日本語！
クロ、空の色が黒くなってくるとさ、なんだかシロは悲しい気持ちになるの、どして？
Oh, hey! I somehow missed this on my YouTube timeline- Yu Aoi’s 2016 New Year greeting xD
https://www.youtube.com/watch?v=ytkL0LaH_BM
I’ve lost most my Japanese powers in the past two years of no Japanese movies, music and television. LOL I can only make out the greeting xD I feel deflated because -crossing fingers- I may be heading to Japan for the holidays in a couple of months and scares the crap out of me because no one speaks Japanese in this trip~~~
My dream is that I’ll meet Yu-chan and tell her how big a fan I am/was. xD Must also remember to stock up on movies (hopefully with subs) and/or Shiina Ringo concert DVDs and discography.
Merry Christmas, everyone! I spent all day listening to Xmas music xD
During this year’s family dinner, I made a decision on my New Year resolution- I bow to try to not be a moral superior asshole in discussions. And I kowtow to those I had ugly discussions with (if any), if I ever made you scream at your screen- I’m sorry. I had an ugly discussion about food! FOOD! A discussion on food got ugly! LOL It was like being on an internet forum, and I kept feeding the troll. I’m sorry.
Anyway~
Today I decided to not stress over my End of the Year list any longer, so I finally published my list of Favorite Films of 2015~
I managed to get 195, without counting the films that I didn’t rank because I don’t rate certain documentaries. I managed to squeeze in Carol, The Revenant, and Spotlight… which did almost crack my Top10 Films in English. I wonder if I hadn’t post the list, if it would’ve placed differently.
Oh, that also means that, just like my movie collection, I’ve segregated my lists by languages. There’s a general list, but also included lists for films in English, Chinese/Mandarin, Indian, Latino and Miscellaneous languages, which includes all languages that I didn’t watch enough films for a proper Top10.
We haven’t seen Yu Aoi fanart in quite some time, and I ended up seeing this doing the rounds on Twitter~
You know these eyes, you know those freckles~
It’s lovely captured by laistakanashi on Instagram.
7 years — SEVEN FREAKING YEARS! — after starring on Yuki Tanada’s One Million Yen Girl, Yu Aoi is finally going to star in a new movie as a lead. The lucky production? An live-action adaptation of Yamauchi Mariko’s (山内 マリコ) book AZUMI HARUKO wa Yukuefumei (アズミ・ハルコは行方不明), which translates to Azumi Haruko Is Missing, which will be directed (and most likely adapted) by Daigo Matsui (松居大悟).
My Japanese is going to the gutter. lol
BUT! The internet (meaning me) is all excited about it! Actually, I see a lot of tweets on it, but I’m too lazy to read or google-translate them, so I will just pretend we’re all excited about this.
YesAsia has an “English title,” and lists it as Lonely Girl Has Gone.
I don’t know what the book is about, if you do- tell me. Other essential info? Apparently it started shooting in mid-September, and it’s set for a 2016 release.
Sources: Natalie, Yahoo JP. Big version of this photo on Eiga.
I’m on a high after watching Shunji Iwai’s The Case of Hana & Alice, which is honestly just wonderful. The film opened back in February with both Yu Aoi and Anne Suzuki back in their roles and promoting the film. I ran into a short interview they did for Filt for their Feb-Mar’15 edition, which feature this beautiful picture of the both.
… and their 3D pencil doodle.
All photos by Fumihito Katamura.
Tell me the truth- did you miss this enthusiastic me? All these up to date project announcements take me back years into fandom when we all used to talk about all things Yu! Anyway, the latest in one of the few project announcements in Yu Aoi’s repertoire [1][2] is that she’s set for Nobuhiro Yamashita’s latest film titled Over Fence (オーバー・フェンス), which is an adaptation of a story in the anthology Kogane no Fuku (黄金の服) by Sato Yasushi.
The film also stars Odagiri Joe and Shota Matsuda.
Over Fence completes a trilogy based on Sato’s stories, beginning with Sketches of Kaitan City (海炭市叙景) and The Light Shines Only There (そこのみにて光輝く).
Sources: Eiga.com, Film Business Asia
