*pats, pats*
I really need to make time to watch Rena Nounen and have a clear opinion on her, instead of clouding it with Ama-chan.
*pats, pats*
I really need to make time to watch Rena Nounen and have a clear opinion on her, instead of clouding it with Ama-chan.
I remember how it was. The introduction to NHK’s newest morning drama played and I wondered what happened to Jun to Ai, I thought Asadoras lasted all year — I guess not. Anyway, the intro to Amachan seemed pretty funny, and of course it was. Apparently, it was written by Kankuro Kudo, so I stuck around for an episode. Aki (Nounen Rena) had forcefully decided — against her mother’s (Kyoko Koizumi) wishes — to become an Amasan. A photographer had been shooting pictures, and Kyoko Koizumi was running off to Koike Teppei’s lighthouse screaming “HENTAI!!!!” and he apologized for it LOL. I was laughing too much already.
Then, of course, I saw Nounen Rena’s funny face when falling into the water, and her funny expression when she was not-so-much as deep-sea-diving, but she was stranded in the middle of the ocean. I wasn’t hooked, but I was peeking my interest. Damn, Nounen Rena is so charismatic… at least in the role of Aki.
I want to see some of her other roles to figure out whether or not this charisma is hers or if it’s the role, and if it’s the role… then maybe she’s one hell of an actress. She seems super dorky too, and she has an aura that you kinda just can’t help but to root for her.
I still haven’t been able to locate a photo of me as a child in my family’s house garden waving the yellow and lime green plastic Sword of Omens I had as a child. However, these guys are designing weapons or designing pretty awesome real props, and have made my dorky childhood dreams come true.
Its amazingness is beyond words.
And YES. Even though Thundercats aired in the mid-80s, I saw them in the early 90s in their dub version, and it was still pretty goddamn awesome.
You know, since Yu’s Itoh website re-vamp, the site sucks. They haven’t updated since forever, and they took out the section where Yu sometimes did short postings. However, the biggest drawback has been the lack of updates, and this is why I found out that Yu was on one of the episodes of Galileo 2 through tweets mentioning it (on June 3rd). So… nobody knew, I suppose?
So I had to catch up with Galileo 2 episodes, since I wasn’t watching the show due to the lack of much Shibasaki Kou, and was conveniently waiting for the subtitles (and a blank space in my schedule) to actually watch Episode 8.
I had missed Yu-chan so much.
As you know, or maybe don’t, Yu’s been improving her cold-heart crime-committing girl persona. She did pretty great in her guest in Unubore Deka, and was great in Shokuzai. She’s actually been doing her bad girl characters a lot more interesting that her good girls (Double Face, Mottomo Toi Ginga). In Galileo 2 she’s playing an actress who’s obsessed with- hmm… let’s call it ” hardcore method acting,” so she’s obsessed with recording every bit of conversation she has in every day life, as well as her experiences, including how it feels to get away with 1st degree murder.
Though the episode seems to play straight-forward with a locked-room case and Yu’s character having the motive and access to commit the crime, there’s a twist- which is pretty obvious when you re-watch the show haha (the framing shots give it away), but with Yu’s acting going from calm to elated (for getting away with it), from elated to poker-face, to poker-face to complete hysterical satisfaction and landing in cruel reality… I don’t think I’ve ever seen Yu go through so much in one single sequence.
Who grew up watching the Street Fighter II series?
I used to tape this every afternoon because I was never on time from school, they used to show it after Gargoyles on Frecuencia Latina, and then after we got cable for the first time- actually a few years after that, I think — Cartoon Network Latin America got all big on showing anime series, and among the Inuyasha or Rurouni Kenshin episodes they used to broadcast, they also had some of this.
I remember they also used to show Sakura Card Captor and Corrector Yui [1, with latino audio].
Around that time, it was when I was trying to google this song online but back then it was nearly impossible to find song information if you had very little info, especially if you didn’t speak the language. I did eventually find that this song was called Kaze Fuiteru (aka. The Wind Blows, 風吹いてる – by Yuki Kuroda), and that my friend had a CD with songs that were anime themes that contained the track.
https://www.youtube.com/watch?v=2pOqYuKIGZo
Of course, the Spanish version they did [1] is not as good as the original. But I’m glad that they at least kept the original music, instead of changing it to something “hard rock” like in the American broadcast.
I’ve got some pretty nice recommendations to share.
This is the first time I ever found the Japanese name of this show. Kodomo Ningyougekijou (こどもにんぎょう劇場) or Children’s Puppet Theater, known in Peru (and maybe Latin America) as Me lo Contaron en Japon.
Though the DVDs are available on Amazon Japan — at a whopping price of nearly $50USD (over 4500 Yen) per volumen at 3 episodes a bundle [1][2][3][4][5][6][7][8][9][10][11][12], which results into over $600USD for 36 episodes. WHY, Japan? According to its Wikipedia page, the show possibly has over 50 episodes, running from 1990 to 2011.
I’m in the mood for some Sally singing Susan, The Happy Trotting Elf~
Though, moment starts exactly at 1:11
I’m Susan the happy trotting elf! I trot and trot, and bounce and bounce, and smile a lot, and that’s what counts! I’m Susan the happy trotting smile a-lotting elf! I’m polite so just for clarity, when I’m cross I say “Apparently!”