Archives For huzzah

I really can’t remember exactly when I started out the Top Flicks About Chicks list on MUBI, but it must have been around the same time I wrote how Chick Flicks was a doomed genre in regards of critics. So it might be almost 4 years… and I’ve finally reached 300 titles in the list!!!

A Chick Flick should center on little girls, girls, young women and women… as students, as neighbors, as friends, as daughters, as granddaughters, as sisters, as mothers, as lovers. They are simply women. With that alone, we can tell all sort of other stories that have little to do with romantic comedies.

The purpose of the list, of course, was to encompass an array of female character — not only in the binary sense, since the list also includes men/boys who identify as women/girls… and viceversa — of various cultural, ethnic, social backgrounds. Not favoring one genre over the other, not valuing dramas over comedies… just simple stories about different women.

Though I’m sure the list could be longer, that’s 300 feature length films out of the 2896 (counting shorts) currently rated on the site- that’s roughly 10% so I suppose the list could expand to up to 500 or maybe 1000 once I reach 5000 or 10000 rated films on the site.

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1. Treeless Mountain 2. Welcome to the Dollhouse 3. Juliana 4. Labyrinth 5. Fuckin’ Amal 6. Mirrormask 7. Gun Hill Road 8. Pariah 9. Bend it like Beckham 10. Swing Girls 11. The Land of the Deaf 12. Sunny 13. Whip It 14. Stoker 15. Maria Full of Grace 16. Breaking the Waves 17. My Marlon and Brando 18. 4 Months, 3 Weeks and 2 Days 19. Dil Bole Hadippa! 20. The Girl with the Dragon Tattoo 21. Kotoko 22. Violeta Went to Heaven 23. Skin 24. Raise the Red Lantern 25. Incendies

I picked 25 of the 300 films to illustrate some of the variety (I hope it’s AS varied as I intend the list to be), though I ran out of picks and couldn’t include any of the ‘older’ female characters. If I could pick 5 more, they’d be: Lemon Tree, Frozen River, Late Bloomers, Mother, For 80 Days.

When Brown Eyed Girls released the name of the songs, I was immediately drawn to Kill Bill, because DUH! It’s Kill Bill, dude. Now I’m so psyched that THAT song is going to be their comeback single.

I really don’t know and haven’t looked into who is directing this, but it could be either Hwang Soo Ah or Zany Bros, haven’t decided yet. It could be either of those two due to the style of the MV.

Now, the question is… should I buy the CD or wait for the repackage?

Though, I must admit that both versions of Sixth Sense were SO pretty.

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I have a feeling I’m never writing that “ø” in Bolsø ever again. I’m not even typing it. But damn, I was impressed with Ingrid Bolso Berdal while watching Flukt. She really made the film for me. You remember how many chills I got from Charlize Theron in Huntsman? Watching Berdal as Dagmar was downright chilling. She’s like a total badass Theron.

Damn, I know very little about Sammi Cheng — I may have heard a song or two (maybe?) — but damn~ that’s hot. Super hot. Vampire Shane Hot. LOL

Mom, I know you’re inside those blue eyes somewhere and that there are so many things that you won’t understand tonight, but this is the only important one to take in: I love you, I love you, I love you. And I hope that if I say this three times, it will magically and perfectly enter into your soul, fill you with grace, and the joy of knowing that you did good in this life. You’re a great mom. Please take that with you when you’re finally OK to go.

Complete transcript via Awards Daily.

Jodie Fosters on her Golden Globe Cecil B. DeMille Speech

… been looking for my Olivia Thirlby post [1] of yesteryear.

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You’ve been all forgiven.

In all honesty, I had a lot of Spice Girls fun when it happened, but the best part of the whole thing will ALWAYS be this animated GIF. Thank you forever and always, Lainey.
Continue Reading…

I’ve finally fallen for Kwai Lun-Mei’s charms.

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I first saw her in the not-so-bad, Taipei Exchanges, but it wasn’t until promotion for Flying Swords of Dragon Gate had started that I had begun sorta having a lady-boner for her because she gave me such rocking vibes a-la-Tilda-Swinton. Then, of course, I saw the movie and it seemed like a done deal. She was fun, rough, rocking and quite the show-stealer with the way she talked, her dreadlocks… that look in her eyes.

She was an insolent fothermucker. I loved it.

Then during my trip to Taiwan, I kept seeing her on some cellphone commercial being all giggly sending funny SMS and using cute emoticons. But nothing much came of this half-lady-boner until watching Gf*Bf. After that, I was done for. Maybe it’s because the movie is actually damn good, but her performance in there actually sealed the deal for me.

I think… I might have become a fan for life.

When did this become NOT the norm for American pop music videos?

I know music video’s budgets have skyrocketed [1] — as of 2012 MJ and Janet’s Scream [MV] directed by Mark Romanek was still the most expensive music video ever made at $7M USD~~~ adjusted to nearly $11M USD nowadays. In fact, 8 of the Top10 Most Expensive Music Videos are of the 90s, lead by Madonna and Michael Jackson. Though, I still find it unbelievable that Mariah Carey’s Heartbreaker [MV] cost $2.5M USD. That’s just gotta be money not well spent.

Instead, Dominic Sena made this… fairly simple quite rocking and powerful music video.

Also, overreaching here since this MV is from 1989, but did the award circles in 1990 ;P

You know you’re fucking awesome when you lipsync through a whole show and nobody gives a shit, because it’s still awesome. Though, I would argue that MJ should’ve stopped his performance in Dangerous.

Not since Michael Jackson began dazzling the pop music stage has there been any other pop act that has been able to define dancing the way Michael did. To this day and age, when dance pop music (in America) is stale, and Korea gives me pretty choreographed skill [1] — there’s still no one bringing anything new to the pop table.

You’re still missed MJ.