Seo Taiji’s been busy this past week with the release of both versions of Sogyeok-dong (소격동) [IU Version][Seo Taiji Version], and now here’s the much awaited teaser for Christmalo.win (크리스말로윈), which will be his 9th album.
And it will release the same day as Marit Larsen’s 4th album!
So much music~
Oh.mah.gosh.
It’s a battle of the horse-riding sword-brandishing tough ladies that -actually- existed in real life, with lives brought onto the silver screen, beautified while being personified by THE faces of their own Golden Eras.
In the case of Greta Garbo, of course, with Hollywood in her most fun and most relaxed Queen Christina, often mistaken for a man and featuring the infamous scenes of Garbo kissing a lady and being romanced by John Gilbert while in mannish get-up. Then there’s the Mexican and Latin movie classic diva La Doña Maria Felix as Catalina Erauso, escaping a convent and dragging it up as Don Alonso, making the ladies of the Peruvian Viceroyalty swoon in La Monja Alferez, with a twist ending to match Some Like It Hot.
And to quote Toni Collette:
We’re women dressed as men dressed as women!
This is a tough one. I do have a terrible Greta Garbo bias, but I think I’m handing it down to La Doña on this one. Maria Felix is like the awesome fusion of everything that’s good with both Greta Garbo and Joan Crawford.
I’m still not so sure about Miyavi’s lyrics in English, but I do appreciate the fact that he tries and works the field for non-Japanese fans. Very much appreciated~ I will always remember his concert, and attending it with my father.
But Miyavi and his guitar, man. That goes beyond language.
Though I did knocked the trailer out because I thought Rani might have been a little “too chunky” to pull off the chasing and fighting [1], her frame actually makes much more sense. I’ve never met in real life a come-hither-you sexy of a female (or male) cop, as many of them just look like the police that are played by extras, instead of them sexy male or female leads on Hollywood movies.
Plus, Rani does look like a total badass, so what’s not to like?
And seeing that she’s promoting self-defense classes and all, why not just lump black-belt Rina Takeda in here. ‘Coz, duh! Rina Takeda would not only take Rani (or Madhuri or Priyanka) out, she would also take down SRK, probably Salman and maybe Akshay Kumar… though I may have read he knows martial arts or something? Maybe he was just a fan of Hong Kong martial arts movies…
High-Kick Girl! was a really really poorly-edited movie with a very weak script, but Rina Takeda makes a lasting impression because, well… in their words: “No wires. No stuntmen. Literally really kicking. Seriously… I get kicked.” is their selling point.
If Scarlet Johansson gets to be an action star. Why shouldn’t Rina Takeda get to do it? Please, Luc Besson and Donnie Yen and Jackie Chan. Take notice!
SO.MUCH.POTENTIAL.RIGHT.THERE.
Karate Girl was already an improvement. Imagine the possibilities with a strong director, first class action choreography and a proper project surrounding the girl.
… or commonly known as the “Haider Trailer”
It looks awesome.
Kaminey is still on hold, and still haven’t checked my Maqbool DVD. And I hope I get to re-read Hamlet… but if I don’t get the time, I’ll settle for the short animated series. LOL
I had been hoping Emily Blunt make up for not living up to my expectations of her amazingness [1], and I’m so happy to see her in Edge of Tomorrow. I just want to see a prequel where she gets to kick some more ass, though I’m not entirely sure what the movie would be about… maybe an actual movie where we don’t get much into the explanation of what is going on with the re-living.
I needed a little more feelings.
Too much awesomeness into one.
What made it to the list and where it placed? Some of my biggest biases placed lower than expected, and some that I don’t want to be my bias placed high on there~
Flawless Doona Bae is flawless always. All the time. Whatever the onslaught of heavily enhanced new actresses in Korea and across Asia may be, whenever you see Doona Bae’s face, you’ll always know it’s her.
Lajja has got to have to longest and best emotionally-biting monologue in pseudo parallel-would-be-commercial film in the history of Indian cinema. Pseudo parallel because subtlety isn’t exactly the film’s strongest point; it’s got some over the top drama, comedic moments, big stars, musical numbers [1], chopping of the limbs, and a super evil baddie that gets a la chancla [1] payback. Plus, a big BIG social message.
Are you kidding me? I love it. This is my second time watching, and I moaned, denounced, clapped, sang, shouted at the screen, called people names, and cheered.
I was so into Manisha Koirala’s ‘shame on you‘ monologue, I tried to make an image sequence of it. It’s impossible. It’s so long, but here’s part of it. Considering, the not so recent events in Delhi and Mumbai, Lajja is more relevant now than ever. It freaking needs a re-release, and more freaking women need to get off their bums and watch it.
