Archives For fandom

We’re still being pumped for Haider [1][2] with an (short) interview Tabu is doing with Rajeev Masand about the apprehension of playing this part, her choosing the role, and how her ‘brand’ of acting is most often remembered for her seriousness. Though I still owe Hera Pheri a rewatch, I don’t think Biwi No. 1 classifies as one of Tabu’s movies, she’s hardly in it! I thought Aamdani Atthani Kharcha Rupaiyaa was funnier, though Kelki Dave stole that movie out of everyone.

The funniest bit is, of course, when it’s pointed out that she refused Vishal’s offered with a “I’m not playing Shahid Kapoor’s mother,” while bursting out laughing.

She also admits that maybe she’s just lazy to pick films, so that’s something else she has in common with my Yu-chan fandom, apparently. That’s why there will be no other one quite like Joan Crawford. I’ve been re-connecting with Yu-chan, I’m having such fandom conflictive feelings.

Ugh, I love these guys together.

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Soooooo much.

I don’t think there’s been any significant update since April [1], but since my internal hard disk got busted after a sudden power outage, I lost my last mindmap. Instead of recreating it, I revamped it with some clean-up names and added some others. The clean-up? I got rid off Aishwarya (at least, until I watch other films of her), Nana Patekar (haven’t seen him in a while), same with Arshad Warsi, Sanjay Dutt. Got rid off Kareena, Sonakshi Sinha, Abhishek Bachchan, Anushka Sharma, Ajay Devgn, Salman, and Preity.

Only filmmaker to go is M.F. Husain, because- well, no more films. Also, there’s more order, because I’m lumping all Karan Johar directed or backed projects on his hub.

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It’s been a year yo! [1]

Objectively speaking, though I love Tabu with all my fandom heart, I gotta admit that Rani Mukerji is the best movie hub to start out. The only thing she’s missing, really, is films with these other directors like Vishal or Vikramadytia Motwane. I doubt Imtiaz Ali would ever cast her in anything- besides, most his movies… though decent, are quite overvalued. Especially RockStar. And she was >THIS< close to getting to The Namesake, that really…

Rani’s got Bhansali, Hassan, Balan, Konkona and Nawazuddin Siddiqui. That’s of course on top of Shahrukh Khan, Aamir (and the other two Khans), Mani Ratnam, Juhi, and family connections aside, Kajol. And look at the times she’s worked with Amitabh Bachchan… and even son. That’s basically the whole contemporary commercial Indian film spectrum.

Tabu, on the other hand, has Vishal Bhardwaj and Gulzar, sure. She would also get Hassan (though not at his best), and Konkona… as well as Mani Ratnam, Amitabh, and Juhi (in her leading lady days) — probably more crossovers like Govinda and Salman. She also has Mira Nair and Ang Lee in her bag (though not strictly Indian-verse), and a whole bunch of regional films… but they’re more Telugu than anything else. Then there’s Nagarjuna. She had that symbiotic film-relationship to Madhur Bhandakar, whose career isn’t very good at the moment, though I thought Heroine improved in the horrible story treatment he had in Fashion.

I haven’t dared to watch Juhi’s earlier filmography because there’s so much early Aamir, and I’m not a fan of him in those days or Indian commercial films in general. Confession: Hum Aapke Hain Koun…! and Hum Saath-Saath Hain are pretty bad. Both the same director, a director Tabu wants to make a new comedy with. Not a comedy with Rajkumar Hirani, or a Motwane-backed project like Queen or Hasse Toh Phasee. She wants the dude that gave you Salman.

I’m becoming one of those fans that question her film choices. xD Having said that, I am still looking for Idee Sangati (or however you romanize it). I know Telugu films aren’t my thing, and not even Manam is changing my position, but I need to watch that movie.

There’s an interview with Yu Aoi on (I guess, Japanese?) Woman Mangazine, where she mentions that she’s celebrating 15 years of work… so here’s a snapshot from some issue of ku:nel Magazine of Yu Aoi just chilling eating plain yogurt.

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Random enough? LOL, in the interview she talks about what she’s learned from other more experienced actors, like they’re not people of expressions, but people of labor. Then later explains how that played into her “training camp” experience for the shooting of Haru wo Seotte, which was shot at over 2500m above sea level in the snowy mountains.

You can read the whole interview here.

In the meantime, lets take a look at some oldies of Yu’s career, because~~~ WHY NOT? Some good old fashioned All About Lily Chou Chou screencaps via buta-neko.net, and some rare Oha GARU screencap via this blog.

I don’t think you get to see this relaxed version of Joan Crawford very often. It’s so freaking rare that she allowed someone to photograph her like that, even if it was for Life Magazine. It’s almost as if early 1930s Joan was back.

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More amazing photos over at JoanCrawfordBest.com

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