Last year, I fell in love with Carrchy’s (卡奇社) music. And honestly, their 2007 album Daylight Allure (日光倾城) is pretty good stuff [Xiami] [YouTube Sample], but they hadn’t been releasing ANYTHING for many MANY years. Last night, they surprised with the release of the single track Clouds (云, Yun), which you can get in Xiami (Sorry, those who Xiami is blocking). I don’t know anywhere else where you might listen to their music [Here’s some Douban demos].
Other than that, happy listening!
Mavis Fan’s fans (no pun intended) rejoice! She’s got three songs out this year, making a comeback since 2009 with Immediately (當下, Dang Xia). Obviously, the East doesn’t give a flying fish about End of the Year lists or the Holiday season, that’s why they keep releasing stuff- business like usual. xD
Sorry, US-based users. I was only able to find the songs on Xiami. I know, geoblocks suck. But, as far as I know, the songs aren’t available anywhere else -even on iTunes TW- because it seems like a Xiami exclusive release.
–EDIT JAN 20–
I wasn’t aware that Mavis had added this free download link on her website.
Farah Khan’s and Shahrukh Khan’s latest Happy New Year [Español] just hit the market officially with VOD… or as they’re calling it DTF (Direct to Fans), which is less technical and much more personal. It’s also way cheaper than regular VOD too, which usually charges $5USD per one-time stream or 4-5-day rental. You basically get to download the movie for that price. I’m just supposing it’s subtitled (being aimed at all markets except India and China), but I could be supposing erroneously [1].
No cons, just pros really. It would have been much cooler and much more trailblazing if this had happened on opening week (or the week later), but it’s something. I’m just hoping UTV (EROSNOW had its one moment with the pretty horrible Lekar Hum Deewana Dil) gets their shit together with the distribution of films like Haider and PK, really because those two are my bias at the moment. Imagine if more European and other big Asian movies did the same. Isn’t THAT what they want? Piece of the Hollywood pie? You need to indoctrinate people first, get them on the habit of watching you. Hollywood’s been doing this to us for the past 70 years.
Last time it took me 2 years to get my 2012-2013 list out. LOL This year, I’m early. I’m pretty happy with my picks at the moment, so I hope nothing mind-blowing pops up in these last remaining weeks of 2014. In the meantime~ you know where to go.
I think I could work more on the 2013 list, but then it will be 2015! LOL I also hate that I don’t have my font pack at hand because this graphic is UHHHH-GLAY. My Frankenstein Computer is back! I’m so happy~
Anyway, here are 30 album picks by all different artists that released (almost) full-length albums these last two years. And here are all their covers in gallery form, and here’s a Facebook Gallery, it contains some playlists and iTunes links. And here’s a Xiami playlist, where you can (almost) access all the albums. And a Weibo post in case you’re there.
And here’s the YAM Magazine list that contains all my ramblings, with playlist/streaming and buy links.
Xiami had been pimping a new project they had going on for the last couple of days, and they’ve just revealed that it’s a 2-disc compilation featuring Chinese-Taiwan-UK Beijing-based indie artists. It’s a pretty good set that I’ve freely translated as the Seeking Light Compilation (寻光集, Xun Guang Ji) or in Español- Colección Buscando la Luz.
See, this is what happens when you have no official ‘christian’ name.
Check my English and Español announcements for translated group names and songs. Looking forward to exploring everyone’s discography.
You can get the album on Xiami.
Good news and bad ones~
First, about a week or two ago Yuguo announced that they were finally releasing their third full studio album Sunset Strip (日落大道), which seemed like it had been in the planning for ages [1].
It’s the 23rd in China, and it happened!
You can listen to the album (and download the songs) via Xiami.
I’m still not sold on Netflix- never to this date I’ve ran into a film that I wanted to watch on it. At least in terms of this region, which doesn’t count with as much content as the US or Canada one. Similar issues with iTunes… and Amazon is out of the question.
I used to subscribe to MUBI for a long while (at least for a bit over a year), but eventually turned off my subscription because I wasn’t watching anything, while things I had added to my watchlist stopped being available, and the selection of their films eventually was reduced to their now curated content. I’m only subscribed to EROSNOW now, and have seen a few couple of films there, but had to turn to other mediums when found links that were region-restricted or surprisingly without subtitles.
My experience with streaming has been decent- and for as cheap as $5-9 bucks you can watch a lot in a month, and it just makes your life quite easy. Similar flawless experience with my first Vimeo On Demand watch. Thanks Joss Whedon for the heads up, and actually putting the film up there right after its premiere. To top it all off, subtitles in Spanish, German, French, Portuguese and Japanese (plus English CC) were available making it the smoothest watch if you decided to watch it with any bunch of people.
Paying $5 to stream a new movie can seem like the best way possible to make it look as if you’re going to the cinema. It takes me back to those days where I would watch 2 or 3 new movies a weekend. If studios ever decided to really go off their way to online distribute their new movies almost simultaneously, I’d be willing.
Here’s In Your Eyes.
Apparently Vimeo streaming is not as smooth (or at all) if you don’t have a Vimeo account, though. Take it as a good chance to get one, or don’t complain. I really don’t know any other streaming (paying) website that would let you use their content without an account. You need one in iTunes, in Amazon, in Netflix, HBO, et all. So please, people, stop complaining about THAT.
For a few couple of years already, people have been calling on the death of printed paper. And in all honesty, I rarely print stuff for myself — a vast majority of printed documents refer to letterhead letters, which I usually just send on PDF by email. But if I’m printing something, it’s got something to do with branded documentation.
We’ve talked about e-paper [1], digital newspapers, and Samsung’s flexible screens [1] are coming. People are supposedly using smartphones and are all over iPads, as sales for PCs are down dramatically as times flies by. Yet, people apparently still print stuff. At least that’s the premise for this project:
For a long time, people have been playing around with interactive tables [1][2][3][4][5], though I don’t know anyone who can afford one. The guys from Fujitsu Laboratories seem to be aiming at consumer-range products. And though it may sound and look cool that you can turn all your printed documents into something digital and interact with it, wouldn’t it mean that your page with video included has already been digitally design?
Of course, there ARE elements in our everyday life that aren’t digital — doodled post-it notes (I can’t think of anything else other than notes). The rest, they wouldn’t have been embedded elements on your digital source document. The question is, why print it?
I know so many people who would download loads of music for free, but still buy the stuff they liked (usually discovered from their own or other people’s free downloads). Now those same people listen to Spotify and feel that they have paid the artists, so no longer feel the need to buy the songs they like.
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